The Future of Plugins on Splice: 1-click Purchase, License Backup & More
Experience Splice with new sounds 1-click away, the moment inspiration strikes.
Experience Splice with new sounds 1-click away, the moment inspiration strikes.
Some concepts have names, and sometimes we care about those names, even (or especially) in our code...
In my last post, I wrote about rendering graphics programmatically on the web. This week, I’d like to do the same for audio. Instead of...
Dependencies. They're knotty, and there really is no straight-forward, one-size-fits all solution.
Designs for UI widgets often incorporate shapes of such geometric simplicity that it seems a shame to spend the effort, disk space, and bandwidth of creating, storing, and delivering bitmaps for them.
Navigating a git repository can get unwieldy when there are lots of branches, especially if many of those branches aren’t relevant anymore. The other day...
Splice users find all kinds of ways to work our tools into their workflow - Panic Bomber uses Splice purely for backing up his projects to the cloud.
Earlier this week, OWSLA’s Alesia offered Splice users an exclusive Ableton session to learn from, edit, and remix. Listen to the project here.
Producers work together to collaborate with Splice. After less than an hour the group had 10 finished tracks, with each producer having worked on 5 songs.
With a new version of Live and new year on the way, producer-friendly ill.Gates unveils his new APC40 performance template.
Feedback from users has been invaluable in helping us improve Splice, and we want to keep you updated! Here's what we’re doing to make Splice better.
Last week, we invited a handful of DJs, producers, and music enthusiasts to our New York office for our first Splice community event.