Laxcity tells us what was going through his mind when he first heard the news, how he crafted the sample used in “Running Over,” and more.
Together, you and fellow artists have paid $25 million to other musicians for their sounds on Splice. On behalf of the Splice community, we thank you.
15-time GRAMMY award-winning artist Alicia Keys wants to hear what the Splice community can do with her funky and futuristic single, “Time Machine.”
Similar Sounds is a new sample search feature exclusive to Splice Sounds that advances how you find the sound you need.
With the new Splice mobile app for iOS and Android, you have the Splice Sounds library in your pocket.
We’re thrilled to announce Splice Explores, our new label that celebrates the experimental and inspirational sides of audio.
Let’s explore the evolution of iZotope’s Ozone, from its humble beginnings to the recent release of Ozone 9.
PreSonus’ Studio One turned ten years old today – in this blog post, let’s take a look at how the DAW has evolved over the past decade.
Explore innovations in music technology that were showcased at MUTEK Montreal, spanning algorithmic music, musical AI, and audiovisual experiences.
Let’s take a look at three qualities that allow Beyoncé’s “SPIRIT” to blend perfectly among The Lion King’s original hit songs.
Explore the origin, influences, BPM range, and more of five genres that may (or may not) be completely new to you.
We’re excited to introduce you to the twelve promising sound creators that constitute the inaugural Creator Class of 2019.