We’re thrilled to announce that we’ve launched a beta release for PreSonus Studio One support on Splice Studio.
Today, we’re celebrating a huge milestone: we’ve paid $10 million to artists who distribute their sounds on Splice. And we’re launching the Splice Creator Initiative to help more artists earn revenue from their sounds.
We’re thrilled to announce that Splice Studio now supports FL Studio 20 for both Mac and Windows – learn more about the update and explore seven great features FL Studio 20 has to offer.
There are a ton of new features to check out in the long-awaited FL Studio 20 – in this blog post, we highlight some of our favorites that you need to know about.
In this blog post, we break down 3 elements of Kanye West’s “Ghost Town” that define the song as one of the strongest tracks on “Ye.”
We examine the Yanny / Laurel debate from an audio science perspective to explore why people don’t agree on what they hear with this peculiar audio clip.
In this article, we decode the musical nuances of Kendrick’s latest Billboard hit, HUMBLE.
The 7th number #1 of Bruno Mars’ career is familiarly Bruno with some interesting flourishes. Here are 3 things that made “That’s What I Like” so groovy.
The catchiness of “Prblms” lies in the track’s emphasis on the vocal performance. Let’s take a look at 3 techniques that make 6LACK’s vocals Grammy-worthy.
What made “Location” such a compelling song to so many listeners? Let’s explore three musical techniques Khalid uses that grab the listener’s attention.
ODESZA’s “Line of Sight” is nominated for a Grammy for “Best Dance Recording.” Here are three characteristics that make the track an instant hit.
Beethoven and Kanye West may sound like polar opposites, but classical composers Yuga Kohler and Johan tell us that perhaps they aren’t so different.