EP vs. LP: What’s the difference (and do they still matter)?
Learn about the difference between an EP and an LP, dive into their history, and explore why these mediums still matter in the digital era.
Max Rewak is a record producer, audio engineer, and music writer, based in New York and currently working in Sounds content at Splice.
Learn about the difference between an EP and an LP, dive into their history, and explore why these mediums still matter in the digital era.
From bouncing demos to revisiting your folder structures, let's explore a few techniques for maximizing your 'leftover' project files.
Dive into DIY home studio acoustic treatment approaches that are viable within three different budgets: $0, $500, and $1,000.
Learn about what a vocoder is, how the effect works, and how you can apply vocoding in your own music with hardware or plugins.
Learn about the most important factors that go into answering the age-old question of how loud you should master your music.
From leaving headroom to best practices for exporting, here are five essential tips that will help you prepare your mix for mastering.
Let's take a look at how the theremin uses the power of electromagnetic interference to create haunting-yet-beautiful portamento melodies.
We're excited to share that Transitions, the collaborative sample pack created by our Creator Class participants, is now live on Splice Sounds.
Let's talk about what a DI box is and explore the variety of applications that make it a useful addition to studios and concert venues alike.
Let's create our own monster sounds from scratch via two different approaches: synthesis and recorded audio.
Learn about the various claims that surround 432 Hz, their validity, and how to create music using any tuning standard of your choice.
We explore the unique history of Image-Line's Gross Beat, its cultural impact, how to use it in your music, and more.