Paradise Garage: The exclusive NYC club where “garage” got its name
Learn about how the Paradise Garage was home to one of the greatest DJs of all time and a sound that would define a genre and a generation.
Max Rewak is a record producer, audio engineer, and music writer, based in New York and currently working in Sounds content at Splice.
Learn about how the Paradise Garage was home to one of the greatest DJs of all time and a sound that would define a genre and a generation.
Learn how to use Arturia’s CZ V to recreate the synth string and the bass sounds from Salt-N-Pepa's “Push It.”
Learn how to recreate James Blake's "The Wilhelm Scream" with the Prophet V from Arturia's V Collection 7.
In this article, we recreate the lead pluck sound in a-ha's "Take On Me" with Arturia's Pigments.
Let’s take a look at how to recreate the iconic FM synth pad heard in Toto's “Africa” with Arturia’s Pigments.
Let’s take a look at how to recreate the iconic synth heard in the intro of Radiohead’s "Everything In Its Right Place" with Arturia's Pigments.
In this blog post, we recreated the beat behind Blueface's catchy and off-kilter "Thotiana."
Let’s take a look at three production choices that make “Shallow” breathtakingly powerful: the lyrics, instrumentation, and arrangement.
We recreate the kicks heard in Kanye West's "Love Lockdown," Azealia Banks' "Anna Wintour," and Ghostemane's "Mercury: Retrograde" using nothing but D16's Punchbox.
In 2016, producer Stelios Phili got in touch with 300 Entertainment and sent over a handful of ideas. Knowing Elton John was a fan of...
In this blog post, we break down 3 elements of Kanye West's "Ghost Town" that define the song as one of the strongest tracks on "Ye."
We examine the Yanny / Laurel debate from an audio science perspective to explore why people don't agree on what they hear with this peculiar audio clip.