KORG Collection 5

NEW: VOX Super Continental

Originally conceived in the early 1960s as a more portable and affordable alternative to tonewheel organs, the VOX Continental’s distinctive sound – and its sharp red-and-black design – soon made it a staple. KORG’s VOX Super Continental allows you to choose between 30 effects types, including everything from vintage pedals and tape delay to modern reverse delays and vintage shimmer effects.

NEW: ARP 2600

Preserving the fantastic sound quality, incredible flexibility, and quirky attitude of the original KORG’s ARP 2600 adds new features like a sophisticated sequencer, extensive MIDI control, new modulation sources, and much more - all while keeping the spirit of the original ARP 2600 design.

ELECTRIBE-R

First announced in 1999, the ELECTRIBE-R has been a beloved beatmaking tool for decades. KORG's faithful recreation features the same step-sequencing goodness that made its namesake such a success, offering an easy workflow to set patterns, mutes/solos, accents, and effect sends for all parts—as well as motion sequence input. This software version also introduces some modern comforts that the original didn't have, like drag-and-drop MIDI export, allowing you to easily save patterns and grooves for later use.

Prophecy

Arriving in 1995, the legendary Prophecy was defined by cutting edge digital signal processing technology and a DSP chip formerly used exclusively for effects processing. The original Prophecy’s MOSS (Multi-Oscillator Synthesis System) is equipped with five oscillator types, allowing for an extra wide range of sounds. The Prophecy’s GUI is divided into three sections: SYNTH, FX, and ARP. Each section is laid out to make sound creation as intuitive as possible, with the ease of use, polyphony and modern features necessary for today’s music production.

TRITON Extreme

First appearing In 2004, TRITON Extreme was the vacuum tube-equipped high point of the TRITON. It was the first ever attempt to include a tube in a workstation keyboard. The Valve Force, which is the circuit linked to the vacuum tube, allowed the powerful, analog sound characteristics of a vacuum tube to be an integral part of the overall sound. The TRITON Extreme also truly emulates the original’s HI (Hyper Integrated) synthesis system in software, so you can capture the sounds that shaped the music world of the 2000s.

M1

The first workstation synthesizer and pioneer of the PCM tone generation, the M1 defined the sound of the late ’80s and early ’90s. This digital version offers that same distinctive resonance and tonal character offered by KORG’s trailblazing voicing technology.

MS-20

The entirety of the 1978 analog, monophonic, patchable synthesizer has been reproduced with its two oscillators, high-pass/low-pass self-oscillating filters with unique distortion, and a patch section with an external signal processor that can accept external audio input.

Mono/Poly

In 1981, Korg combined its analog synthesizers into one ground-breaking four-VCO mono/poly synth. This latest evolution brings the power and vintage vibes you want in a plugin. Each of the VCOs offers adjustable pitch, waveform, octave, and level. Plus, the Synchro and Cross Modulation functions for creating revolutionary tonal effects, and more.

MDE-X

The MDE-X uses effect algorithms derived from the high-quality TRITON family of synthesizers. With its 128 effect programs, this plugin can be used for creating sound design, live performance, and mixdown sessions.