KORG Collection 6
Rent-to-own
$15.99/mo. for 25 months
Try free for 3 days Cancel at any time No hidden fees or interest
Compatible with macOS and Windows.
Available as AAX, AU, VST, and VST3.
NEW: TRINITY
Released in 1995, the TRINITY changed what a synthesizer could be. The first touchscreen on a synth. PCM audio so clear it set the template for everything KORG built after it such as the TRITON, OASYS and KRONOS. On its 30th anniversary, the TRINITY is back. The ACCESS sound engine, recreated under the supervision of the original engineers. All four expansion libraries, plus the full TR-Rack sound module—over 2,000 programs, ready to play.
NEW: PS-3300
Produced for just five years between 1977 and 1981, with fewer than 50 units ever made, the PS-3300 is what many consider the holy grail of polyphonic modular synthesizers. Its sound engine ran the equivalent of 144 individual voices, each with its own filters, envelopes, and oscillators, with its sound featuring prominently in the work of Keith Emerson, Kraftwerk, and Aphex Twin.
NEW: SGX-2
The SGX-2 is the premium piano engine at the heart of KORG's flagship KRONOS and NAUTILUS workstations—and now it lives in your DAW. Five world-class grand pianos, each recorded in loop-free stereo across all 88 keys at up to 12 velocity layers. String resonance, damper resonance, una corda pedal support: every physical detail of a real acoustic piano faithfully reproduced, so every performance feels as alive and dynamic as the real thing.
NEW: Filter Ark
The MS-20, the Polysix, the miniKORG 700S, the ARP ODYSSEY—four of the most distinctive filters in KORG history, each with its own character, each modeled using the same CMT technology that powers the rest of the Collection. Filter Ark puts all four in one place and lets you run them however you want: in series, in parallel, or feeding back into each other. Add modern filter types and physically modeled resonators, a vocal formant; then set everything moving with an LFO, envelope follower, step sequencer, or random generator. It also runs as a standalone sound generator, building rhythmic percussion and tonal sequences without any audio input.
VOX Super Continental
Originally conceived in the early 1960s as a more portable and affordable alternative to tonewheel organs, the VOX Continental’s distinctive sound – and its sharp red-and-black design – soon made it a staple. KORG’s VOX Super Continental allows you to choose between 30 effects types, including everything from vintage pedals and tape delay to modern reverse delays and vintage shimmer effects.
EP-1
The EP-1 delivers an extensive array of sounds, from classic electric piano tones to aggressive plucked piano sounds through a guitar amp, and hammer sounds that emphasize the attack components of tines. With 50 reinterpreted electric piano sounds utilizing the MDS engine, the EP-1 will add vibrant new colors to your creative process
ARP 2600
Preserving the fantastic sound quality, incredible flexibility, and quirky attitude of the original KORG’s ARP 2600 adds new features like a sophisticated sequencer, extensive MIDI control, new modulation sources, and much more - all while keeping the spirit of the original ARP 2600 design.
KAOSS PAD
From the first version introduced in 1999, the KAOSS PAD series has offered producers and performers a unique approach to effects and modulation for years, letting you simply touch and trace to apply effects to any sound. This software version isn't just a recreation, but rather a totally new approach to the KAOSS family that allows you to tweak and manipulate the internal structure like never before, while still maintaining the classic 'touch pad' approach that made the original a production and performance must-have.
ELECTRIBE-R
First announced in 1999, the ELECTRIBE-R has been a beloved beatmaking tool for decades. KORG's faithful recreation features the same step-sequencing goodness that made its namesake such a success, offering an easy workflow to set patterns, mutes/solos, accents, and effect sends for all parts—as well as motion sequence input. This software version also introduces some modern comforts that the original didn't have, like drag-and-drop MIDI export, allowing you to easily save patterns and grooves for later use.
microKORG
Since its release in 2002, the compact, intuitive, and beautiful-sounding microKORG has been one of the most-loved hardware synths in music history. This software emulation fully recreates the sound, behavior, and look of the original microKORG, reproducing not only the analog modeling oscillator, filter, and amp sections, but also the effects section, arpeggiator, and fan-favorite vocoder. Plus, produce in style and use microKORG with one of several skins referencing past versions of this famous piece of hardware.
Prophecy
Arriving in 1995, the legendary Prophecy was defined by cutting edge digital signal processing technology and a DSP chip formerly used exclusively for effects processing. The original Prophecy’s MOSS (Multi-Oscillator Synthesis System) is equipped with five oscillator types, allowing for an extra wide range of sounds. The Prophecy’s GUI is divided into three sections: SYNTH, FX, and ARP. Each section is laid out to make sound creation as intuitive as possible, with the ease of use, polyphony and modern features necessary for today’s music production.
miniKORG 700S
Released in 1974, miniKORG 700S was KORG's first analog synthesizer. The original miniKORG 700S was a 2VCO, 2VCF, 1EG, 1LFO monophonic synthesizer, engineered to produce a beautifully musical sound rather than just a scientifically accurate one. Also, instead of a more traditional ADSR style envelope, the miniKORG700s allows the user to control the shape of the sound with two sliders; one that controls attack time and decay time, and one that controls sustain level and release time. These quirks and more have all been faithfully reproduced in the software version.
TRITON Extreme
First appearing In 2004, TRITON Extreme was the vacuum tube-equipped high point of the TRITON. It was the first ever attempt to include a tube in a workstation keyboard. The Valve Force, which is the circuit linked to the vacuum tube, allowed the powerful, analog sound characteristics of a vacuum tube to be an integral part of the overall sound. The TRITON Extreme also truly emulates the original’s HI (Hyper Integrated) synthesis system in software, so you can capture the sounds that shaped the music world of the 2000s.
TRITON
This award-winning workstation has been faithfully reproduced down to the smallest details from the Hyper Integrated (HI) synthesis system to every one of the vast number of preset programs. These sounds and parameters include filters, insert FX, master FX, EQ, and a dual arpeggiator.
M1
The first workstation synthesizer and pioneer of the PCM tone generation, the M1 defined the sound of the late ’80s and early ’90s. This digital version offers that same distinctive resonance and tonal character offered by KORG’s trailblazing voicing technology.
WAVESTATION
The WAVESTATION synthesizer produced a new sound in 1990 by combining and shifting between multiple complex waveforms. KORG has turned the synth’s joystick experience digital so you can mix and morph oscillators, sequence sounds, and arrange rhythmic patterns on an improved high-resolution and scalable interface.
MS-20
The entirety of the 1978 analog, monophonic, patchable synthesizer has been reproduced with its two oscillators, high-pass/low-pass self-oscillating filters with unique distortion, and a patch section with an external signal processor that can accept external audio input.
Polysix
The programmable 6-voice polyphonic analog synthesizer released in 1981 has been completely reproduced. Shape your choice of waveforms, chorus/phase/ensemble effects, and performance functions such as chord memory, arpeggiator, and unison.
Mono/Poly
In 1981, Korg combined its analog synthesizers into one ground-breaking four-VCO mono/poly synth. This latest evolution brings the power and vintage vibes you want in a plugin. Each of the VCOs offers adjustable pitch, waveform, octave, and level. Plus, the Synchro and Cross Modulation functions for creating revolutionary tonal effects, and more.
ARP ODYSSEY
In 2015, in collaboration with ARP Instruments co-founder David Friend, KORG recreated the original 1972 ARP ODYSSEY using precise models of the transistors, capacitors, and resistors used in the hardware model. KORG has once again recreated the ODYSSEY in plugin form.
MDE-X
The MDE-X uses effect algorithms derived from the high-quality TRITON family of synthesizers. With its 128 effect programs, this plugin can be used for creating sound design, live performance, and mixdown sessions.
Product Information
- Overview
The KORG Collection is a suite of software synthesizers that meticulously recreates the authentic sound and behavior of legendary KORG instruments for the present day and beyond. The project began with analog classics like the MS-20 and Polysix, and has grown to include digital workstations, physical modeling synthesis, and now some of the rarest and most celebrated instruments in music history.
Korg Collection 6 adds three new legendary instruments—the TRINITY, the PS-3300, and the SGX-2 premium piano engine—each faithfully recreated using KORG's Component Modeling Technology (CMT), developed under the supervision of the original engineers. Plus Filter Ark: a new effects and sound design tool that brings four classic KORG filters together in one creative environment. Try the new collection yourself with Splice Rent-to-Own.
What's included:- NEW: TRINTY
- NEW: SGX-2
- NEW: PS-3300
- NEW: Filter Ark
- EP-1
- VOX Super Continental
- ARP 2600
- ELECTRIBE-R (only VST3, AU, AAX)
- microKORG (only VST3, AU, AAX)
- KAOSS PAD (only VST3, AU, AAX)
- miniKORG 700S
- Prophecy
- TRITON Extreme
- TRITON
- M1
- WAVESTATION
- MS-20
- Polysix
- Mono/Poly
- ARP ODYSSEY
- MDE-X
- System Requirements
- For the most up-to-date system requirements and host compatibility details, please visit the manufacturer's website.
Splice Requirements
While renting software through Splice, the Splice Desktop App must be opened every three days. The current operating system requirements for Splice Desktop are:
- — macOS 12+
- — Windows 10+
Learn more about the Splice Desktop App's operating system requirements.