FX Collection 3

Distortion and saturation inspired by a guitar pedal cult classic, known for its direct amp-like sound. Add mix-cutting punch, harmonic color, and pure aggression to any sound with a certified studio legend enhanced for DAW production.

A creative sound-reshaping effect that allows you to divide, transform, and rebuild any sound with the power of granular processing. Instantly elevate any project with glitchy stutters, grainy stereo ambience, experimental textures, and beyond.

An easy-to-use plugin that brings instant chill atmosphere and vintage tape-aged warmth to any sound. Use its straightforward preamp, modulation, and filter/output sections to sprinkle lo-fi vibes over any sound.

Arturia used their advanced TAE modeling for this faithful recreation of the classic Mu-Tron Bi-Phase, an elusive dual phaser used by artists from The Smashing Pumpkins to Prince, Kraftwerk to Chromeo. Push your sound to the limits with two phasing circuits and advanced routing options, giving you wild asynchronous movement, resonant swirls, and that boutique guitar pedal charm.

Based on a beloved studio classic, the Flanger BL-20 is unpredictable and inspiring at the same time. A rare & unique studio gem that goes from faint stereo width to out-of-this-world compound modulation in no time. Push your sound out of the stereo field and add harmonic depth to your tracks with this classic modulator.

Heard on countless pop records, this iconic chorus effect was a secret studio weapon in the 80s. Use this plugin to add stereo richness, analog warmth, and subtle modulated movement to your sound, all at the touch of a button.

The 1176 is possibly the only true “industry standard” when it comes to compressors, and Arturia’s recreation has the same tone-shaping prowess as the original. Used to add glue to the music of legends ranging from Michael Jackson and Chaka Khan to Guns n Roses and the Killers, what’s remarkable is how well it sews together so many different kinds of sounds so easily. Whether you make music with electric guitars or electronics, the FET-76 will become your secret weapon, even if everyone else is in on the secret.

Introduced in the 1950s, the original Gates compressor had a nonlinear attack and release that was so forgiving, it sounded good on everything, from broadcast radio to studio recordings. Arturia used its TAE technology to recreate this legendary sound, which you’ll be hard-pressed to not use on vocals, guitars, drums, synths, and anything that will sit still.

When Tom Oberheim released his groundbreaking analog subtractive synth in 1984, its unique signal chain and full-throated polyphony had a sound that made it an instant classic. That magic sound was largely from its versatile multimode filter. Like the original Oberheim filter, Arturia’s recreation boasts 15 different modes, from classic low passes and band passes to the plucky Notch filter.

The original Oberheim SEM (Synthesizer Expander Module) could add polyphony and shaping tools to a monosynth, essentially changing the whole instrument. But the filter that came on the SEM changed the whole soundscape. It could make anything sound better, more alive. Arturia’s faithful take has the same quality and features, and even expands on the Expander filter’s functionality. If you’re not careful, you’ll fall in love.