In this blog post, we’ve recreated the instrumental of Bruno Mars and Cardi B’s massive hit, “Please Me.”
In this tutorial, we overview the basics for creating realism when producing orchestral strings with software libraries.
In this article, we walk you through the steps you should take to get a song ready for remixing, and tips for helping find the right producers to remix it.
While we’ve evolved our look, who we are hasn’t changed. Thank you for helping us get to where we are today – together, we cultivate a creative, open ecosystem.
In this blog post, we’ll explore three techniques that will help make your MIDI drums sound more ‘human.’
Two-time Splice remix contest winner, Kotek, shares his best tips and practices for approaching a remix.
Music theory doesn’t need to be intimidating or stuffy – in this Firestarter, we explore theory through the lens of modern production.
Let’s explore Ableton’s Wavetable by examining its oscillators and modulation in detail. We’ll then use our learnings to create our very own patch.
Have you ever found yourself just staring at an empty session? Proactively overcome any creative block with this actionable approach to developing a melody.
For this week’s Firestarter, we’re looking for the catchiest melodic hook possible, an earworm that won’t get old even after a hundred listens!
For this week’s Firestarter, we’re asking you to build a build, creating as much tension as you possibly can without composing a drop to go along with it.
We’re proud to announce that Splice has acquired Indaba Music, the pioneering music community. Today marks a new and exciting chapter for community on Splice.