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Exploring the world of data sonification
Learn about how data sonification allows us to use sound to represent information at the forefront of research today.
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Vote for your favorite producer in this year’s Splice Awards
Tell us who the Splice community's Fan Favorite producer should be for this year's Splice Awards.
Keeping the pedal steel guitar alive: 5 players on the instrument’s influence and evolution
We invited five modern players for a roundtable discussion about their history, approach, and relationship with the pedal steel guitar.
How to use Minimal Audio’s Rift
Learn about the key features, workflows, and capabilities of Rift, Minimal Audio's hybrid distortion plugin.
What to know before hiring a manager for your music
We created a roadmap to help you decide whether or not you need a manager, and what type of management is right for you and your career.
How livestreaming can impact your music career
Learn about how livestreaming can make a difference in your music career, and six reasons why you may want to consider regularly doing it in the future.
Making beats with iconic video game sound effects
We sample ten iconic video game sound effects and flip them into tracks in FL Studio, Bitwig, and Ableton Live.
What is waveshaping? How to add color to the simplest of sounds
We explore two particularly popular waveshaping techniques that can be used to transform the timbre of your sounds.
The history of adaptive music in video games
From Space Invaders to Super Mario Odyssey, let's take a look at video games across history that feature soundtracks shaped by adaptive music techniques.
What is the phantom fundamental?
We uncover the secrets of the phantom fundamental, a spooky audio illusion that has us hearing pitches that may not actually exist.
How to make a pop beat in 10 minutes
Get a firsthand look into the basics of arranging pop rhythms, chord progressions, and basslines in Logic Pro.
Kenny Beats’ 10 favorite plugins (stock and paid)
Kenny Beats shares ten of his favorite plugins, specifically focusing on Ableton stock plugins and third-party tools he likes to apply to guitars and basses.