From shape-shifting reverbs to bouncing stereo effects, we explore just a few of the infinite ways you can use automation to achieve unique sounds.
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Let’s take a look at the common audio repair needs of guitar recordings, and listen to how RX 8 performed in the face of them.
Electronic music innovator BT wants to provide feedback on your remixes that use Stutter Edit 2 – submit your music at beats@splice.com to be heard.
We use the Maximizer module in iZotope’s Ozone 9 Elements to demonstrate how to bring our track up to commercial loudness.
In this article, we use the Imager module in iZotope’s Ozone 9 Elements to demonstrate how to enhance the stereo image of our masters.
In this article, we use iZotope’s Ozone 9 Elements to demonstrate how to use EQ effectively to achieve a tonally-balanced master.
Are you never sure when your master’s ‘good enough?’ Let’s explore four practices that’ll help you master (and move on) with confidence.
Let’s explore the evolution of iZotope’s Ozone, from its humble beginnings to the recent release of Ozone 9.
Learn how mastering to a reference, using true peak normalization, and previewing artifacts can help you create a master that’s optimized for streaming.
What similarities do Hamilton and approaching an unmastered mix share?
Let’s explore three new modules in iZotope’s Ozone 9 Advanced and learn how they can elevate your mastering workflow.
Let’s explore two new modules in iZotope’s Neutron 3 Advanced and learn how they can elevate your mixing workflow.