How to make sample chops like Daft Punk and Justice
Veteran music producer and DJ Devon Johnson walks through how to arrange chopped samples in the distinctive style of Daft Punk and Justice.
Harrison Shimazu is a composer, content strategist, and writer who’s passionate about democratizing music creation and education. He leads the Splice blog and produces vocaloid music as Namaboku.
Veteran music producer and DJ Devon Johnson walks through how to arrange chopped samples in the distinctive style of Daft Punk and Justice.
Multi-instrumentalist, producer, and composer Spencer Zahn shares five sound design tips that he applies in his own music when using Arturia's V Collection.
Virtual Riot, Pat Lundy, Isaac Duarte, and Max Rewak share six tips that will help you level up your music production workflow.
Hear Eydrey, Luny Tunes, Ali Stone, and many other leading producers share their stories and sounds that celebrate their Hispanic and Latin roots.
Veteran producer and DJ Medasin speaks on his creative process, sound design, the art of crafting samples, and more.
Leading producers and beatmakers Dave James, Noxz, Gwen Bunn, and Don Cannon crafted beats and shared insights around their favorite eras of hip hop.
Four veteran reggae musicians sat down with us to share their perspectives on the genre as they recorded some sounds.
Veteran producers Oliver, Jetsonmade, Virtual Riot, Modestep, Supah Mario, and others share invaluable tips they gathered over the span of their careers.
From powerful filters to emerging AI tools, we cover four free sound design plugins that are great additions to any music producer's toolkit.
From shape-shifting reverbs to bouncing stereo effects, we explore just a few of the infinite ways you can use automation to achieve unique sounds.
Veteran DJ and producer Erb N Dub breaks down how to design polished drum and bass sounds in Serum in under five minutes.
From polyrhythms to tertiary harmony, we explore ten rhythmic, melodic, and harmonic musical patterns that every music creator should know.