Sounds
  1. Sounds
  2. Reconnecting - Hanz x Sem0r Vol. 7
  3. Stories

Hanz x Sem0r on 'Reconnecting'

At Splice we know that some sample packs consistently top the charts. Sometimes though, the creative magic behind these packs – informing their success – is a bit of a mystery. Sample pack producers don’t always claim the spotlight.

‘Reconnecting’ is a series of sample packs by producers Hanz x Sem0r on Splice label Komorebi Audio. In this interview we get to know the minds behind this incredibly popular wave of sample packs.


It’s really nice to learn more about you both as designers of an incredibly successful sample pack series. You guys are a bit of a mystery… All we really know so far is that you’re based in Warsaw and Oslo. Can you tell us more about backgrounds as producers?

Hey guys! We both started producing back in the early 2010’s, connected on SoundCloud in the beginning of our careers back when it was a huge medium and we just kept in touch. We both produced a lot for our solo projects and for many artists throughout the years and at some point we figured that making samples might be a good outlet for our creativity.

What’s distinct about this pack series is that it’s also collaborative. How did you guys start working together on this series? How has your collaboration as producers evolved over this series?

We've been regular collaborators before and always wanted to create a sample pack. At the time when we first started - around 2022 - we realized that we have a very different set of skills that compliments each other perfectly. The first few packs were quite chaotic given we failed to realize how much organization is needed not only to create a sample pack, but also a good one while at it - and this is probably an area where we’ve improved the most.

The quality of the samples has also improved dramatically, but we assume that’s a given based on the sheer volume of the sounds we’ve created in such a short amount of time. Practice makes perfect!


Your last installment of this series (Volume 6) peaked at #3 on the Splice charts. What do you attribute to the success of this one?

Since we get bored relatively quickly when creating similar sounds it pushes us to constantly rethink what we are passionate about and reinvent the future sounds for the packs. We don’t want to keep on creating the same product and rather make each future volume an improvement over the previous one.

It’s pretty incredible that there are 7 volumes of this series. What do you think connects this series together besides your collaboration? Do you have a guiding creative approach or philosophy?

One of the things that we’ve always valued the highest is having fun. We’re both really good friends and our dynamic has shaped our sound to what it is today. Making samples is a very different approach to music and in many ways it’s quite freeing. You only have to focus on a few seconds rather than a whole song with complex structure. It's easier to try new things and think outside the box that way.


How much does the music landscape and/or what’s trending or emerging influence what you make, or have made in this series? What informs your sonic focus per pack?

We try to keep in touch with what’s currently trending but at the same time we don’t want to be blinded by it. We listen to a lot of music and follow a lot of incredible producers on social media. We take a lot of inspiration from it but aim to sculpt that into something that is true to our sound.

What’s next in the pipeline creatively for you guys? Anything exciting on the horizon you want to highlight?

Given that we’re constantly working on sound design and samples we wanted to take a crack at it from another perspective. We’re currently working on a plugin called Mirage, that can generate atmospheres and create granular artifacts out of anything you feed into it, adding depth, movement, and character to any sound.

What inspired you guys to go down the plugin development route?

There are so many amazing tools on the market but sometimes it’s hard to find the right one for each task. It’s exciting to be able to create something that is suited directly to our needs and share it with the people!


What advice would you offer emerging or aspiring sample pack producers trying to find their sound or make a hit pack?

For us we always try not to overthink things too much. Sometimes the brain can get in the way of the heart. We also really value being original and finding your own sound, so stay original and be consistent!

FAQs

What is Splice Sounds?

Splice Sounds is an industry-leading catalog of royalty-free samples, loops, one-shots, MIDI and presets for music production. Browse sounds by genre, instrument, key, BPM, and more, preview individual sounds, search by text or audio, and download the ones that fit your track.

Are Splice sounds royalty-free?

Yes, every single sample on Splice is 100% royalty free, meaning they're free to use, even for commercial use. You can download samples on Splice, then make and release original music with those samples, and you don't owe Splice (or anyone else) any more than your subscription fee, even if your track goes viral.

Can I use Splice sounds for commercial use?

Yes. In fact, we can even supply you with documentation in case you ever need to prove that your music is royalty-free and properly licensed. The license for sounds you download from Splice Sounds permits use for commercial and non-commercial purposes so long as you remain in compliance with our Terms of Use.

Is my DAW supported?

Splice Sounds works with any DAW. Download samples and add them directly to your projects using the Splice Sounds Plugin (beta) or the Desktop App. All purchased samples are downloaded locally to your machine in .wav format.

Ableton, Fender Studio Pro, and Pro Tools users should use the Splice direct integrations in their DAWs for the best workflow experience, plus a rotating selection of free sounds for their projects.

For all other DAWs, download the free Splice Sounds Plugin (beta) to search, browse, and preview samples in your project's key and tempo. Then, subscribe to download sounds or create Variations.

How do Sounds credits work?

Use credits to download your favorite samples, loops, one-shots, presets, MIDI & more. All samples are one credit each. MIDI patterns and presets use up to three credits each. Unused credits automatically roll over to the next month. Keep everything you download, even if you cancel.

With our DAW integration plans for Ableton Live, Fender Studio Pro, and Pro Tools, you can license up to 100 individual samples per day by simply dragging and dropping the samples into your project. Once licensed, samples live in your Library, and you can download them at any time. With a Creator or Creator+ plan, you can also license up to 100 sounds per day directly in any of our native DAW integrations without using credits.

Do I have to download a full pack or can I download individual samples?

You can download individual samples on Splice, not just full packs. Every single sample, preset, MIDI, one shot, and loop on Splice is available for individual download, so you can only download what you need.

What happens to the sounds I download if I cancel?

Every sound you download is yours forever. Keep everything you download, even if you cancel. Learn more about our cancellation policy here.

Can't find your answer here?

Check out our Help Center, Licensing FAQ, or Plans FAQ for more information.