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Celebrating classic synths with Arturia’s V Collection
Let’s explore seven of V Collection's emulations and their analog counterparts, including three keyboards that are brand-new additions to its roster.
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Recreating a-ha’s “Take On Me” with Arturia’s Pigments
In this article, we recreate the lead pluck sound in a-ha's "Take On Me" with Arturia's Pigments.
Recreating Toto’s “Africa” with Arturia’s Pigments
Let’s take a look at how to recreate the iconic FM synth pad heard in Toto's “Africa” with Arturia’s Pigments.
Recreating Radiohead’s “Everything In Its Right Place” with Arturia’s Pigments
Let’s take a look at how to recreate the iconic synth heard in the intro of Radiohead’s "Everything In Its Right Place" with Arturia's Pigments.
Lapalux on bringing life to digital sounds, building his synth collection, and more
We chatted with Lapalux about his modular setups, manipulating and warping sounds, and bringing life to digital sounds.
Making analog house using Serum
In this article, let’s use Serum to turn back the clock and learn how to add some analog flavor to our digital sounds.
How to make 808s punchy
Getting 808s to cut through a mix may not be as hard as you think - here’s four tips on how to make your 808s pack a punch.
How to use Ableton’s Wavetable
Let's explore Ableton's Wavetable by examining its oscillators and modulation in detail. We'll then use our learnings to create our very own patch.
Create custom wavetables in Serum
Despite Serum's wealth of functionalities, there’s one powerful feature that often gets overlooked by many - let's explore how to manually draw wavetables.
Optimizing Serum for better CPU efficiency
Does Serum give you high CPU usage on your computer? You might not be using it efficiently. We take a look at how to optimize Serum for your productions.
3 reasons why Circle2 is a great synth for beginners
Circle2 is easy to use, great sounding, and affordable. In this blog post, we take a look at why this synth is great for beginner producers.
Circle2 and VPS Synthesis
Let's explore Circle2's VPS, a new type of synthesis that allows sound designers to control phaseshaping across two vectors: the horizontal and vertical.