Malay on using Arturia’s V Collection and his new sample pack
Grammy-winning producer and recording engineer Malay tells us about working with Frank Ocean, how Arturia's V Collection fits into his workflow, and more.
Explore actionable production tips, step-by-step tutorials, track breakdowns, and more.
Grammy-winning producer and recording engineer Malay tells us about working with Frank Ocean, how Arturia's V Collection fits into his workflow, and more.
Let's discuss aftertouch, a useful MIDI parameter that can help expand your musical expression.
Let’s explore seven of V Collection's emulations and their analog counterparts, including three keyboards that are brand-new additions to its roster.
In honor of the last season of Game of Thrones, we decided to transform a dog bark into a dragon roar.
In this blog post, let's learn about how you can construct complex waveforms using nothing but the humble sine wave.
In this blog post, producer, composer, multi-instrumentalist, and educator Charles Burchell offers his five tips on producing hip hop.
In this blog post, we've recreated the instrumental of Bruno Mars and Cardi B's massive hit, "Please Me."
In this article, we recreate the lead pluck sound in a-ha's "Take On Me" with Arturia's Pigments.
Let’s take a look at how to recreate the iconic FM synth pad heard in Toto's “Africa” with Arturia’s Pigments.
Let’s take a look at how to recreate the iconic synth heard in the intro of Radiohead’s "Everything In Its Right Place" with Arturia's Pigments.
In this blog post, we recreated the beat behind Blueface's catchy and off-kilter "Thotiana."
We sat down with producer duo Grey to discuss their involvement in co-producing Zedd’s “The Middle.”