BT on creating custom presets with Softube’s Parallels
Trance / IDM pioneer and veteran film composer BT shares three tips for creating custom presets with Softube's Parallels.
Harrison Shimazu is a composer, content strategist, and writer who’s passionate about democratizing music creation and education. He leads the Splice blog and produces vocaloid music as Namaboku.
Trance / IDM pioneer and veteran film composer BT shares three tips for creating custom presets with Softube's Parallels.
Euclidean rhythms are fascinating grooves that lie at the intersection of math and music. In this article, let's define what constitutes a Euclidean rhythm and hear them in action.
Learn how to use Parallels, Softube’s new software synthesizer that merges great sounds with an intuitive user interface.
In this special edition of Hits Decoded, Audien, ARTY, and Karra join us in our exploration of three elements that make “Never Letting Go” soar.
DJ Luian highlights the defining features of Latin trap and reggaeton, and discusses how his sounds allow producers to create stellar productions within these genres.
Grammy-winning producer and recording engineer Malay tells us about working with Frank Ocean, how Arturia's V Collection fits into his workflow, and more.
BTS' “Boy With Luv (feat. Halsey)” is an upbeat track that broke records just 24 hours within its release. Let's take a look at three elements that tie together the song.
In this entry of Hits decoded, let’s explore 3 elements that make the Jonas Brothers' “Sucker” a solid track for kickstarting their comeback.
In this feature guide, let’s explore how each of the four parameters in accusonus' Beatformer can be used to shape your drums and beats.
This feature guide will overview Regroover Pro's key features that you should know about to get the most out of the powerful plugin.
Learn how to use Ozone 8 Advanced’s Master Assistant to maximize the power of reference tracks in just several simple steps.
Learn how to mix your vocals with ease and precision with iZotope's Nectar 3.