Spinnin’ Records on how to create a big room house track
Spinnin' Records walk through a few techniques for producing big room house tracks, from creating clean kicks to designing larger-than-life synths.
Harrison Shimazu is a composer, content strategist, and writer who’s passionate about democratizing music creation and education. He leads the Splice blog and produces vocaloid music as Namaboku.
Spinnin' Records walk through a few techniques for producing big room house tracks, from creating clean kicks to designing larger-than-life synths.
Learn how you can use Nuxx's unique combination of macros and parameter sequencers to take your sound design to the next level.
Fuego recently dropped by our studio to create some music and spoke on what motivates him to create his Spanish remixes.
MonoTree's Hyun Hwang and G-high discuss the defining elements of K-pop, their approach to music production, and their new sample packs.
What similarities do Hamilton and approaching an unmastered mix share?
Let's explore three new modules in iZotope's Ozone 9 Advanced and learn how they can elevate your mastering workflow.
Explore three SEO tips that will help you come up with an artist / DJ / band name that's easy for fans to find on Google.
Let’s explore how Koji Kondo’s timeless overworld theme for The Legend of Zelda uses harmony to convey the wide array of emotions associated with adventure.
Be aware of these three red flags so that you don’t fall into an unfavorable business deal with a manager, A&R rep, or agent.
We recently got WondaGurl and Boi-1da into the studio together. While showing each other their sounds, the two discussed mentorship, sound design, and more.
Learn about how Travis Barker got his start drumming, his early days with blink-182, his views on collaboration, and more.
We had the opportunity to speak with music producer and Jingle Punks co-founder Jingle Jared on the three qualities that make a good jingle.