A look at hyperpop production with Angelus, Blackwinterwells, and Alice Gas
Three producers tell us about how they became involved with the world of hyperpop, how they craft their sounds, the future of the genre, and more.
Eli Enis is a news writer at Consequence of Sound and a freelance culture journalist who mostly covers underground music and the music industry. His work can be found in Rolling Stone, Billboard, Entertainment Weekly, Vice, Splice, and elsewhere.
Three producers tell us about how they became involved with the world of hyperpop, how they craft their sounds, the future of the genre, and more.
We spoke with the musicians, producers, and engineers behind Nothing, Cloakroom, DIIV, and Greet Death on the state of creating shoegaze records in 2020.