V Collection 9

Popularized by Stevie Wonder, Toto, Vangelis, and ELO, the CS-80 set itself apart from the competition with its rich sonic textures and performability, which stemmed from its ribbon controller, polyphonic aftertouch, and parallel signal paths. Rebuilt from scratch for massive expression and stirring, cinematic sound.

A recreation of the ever-enduring Prophet-5, the hit-maker’s go-to for over five decades. The Prophet-5 V is equal parts soulful, playful, and enormous in its sound, complete with its signature approachable layout and enhanced with modern creative features, FX, and presets.

Fall into instant analog love with the Jun-6 V. The legendary easy-to-use polysynth has an irresistible creamy sound that stirs the soul, an iconic chorus and enhanced modulation for the richest chords and arps.

Add a little Back to The Future to your frequency. The OB-Xa V is an iconic 80’s synth for a reason. This sonic legend helped create the sounds behind Van Halen’s “Jump”, Prince, Billy Idol and more. Soak yourself in the sound of punchy bass, thick analog pads and drones, and cyclical effects. New features include a more flexible LFO, Stereo Spread, Arpeggiator, Cross Modulation, and Oscillator’s Mix.

The Vocoder V is the ultimate voice electrifier. This iconic 16-band vocoder is expanded with advanced synth, sampler, and modulation capabilities, offering a distinct sound that truly speaks for itself.

When EMS launched the Synthi 1972, it stood out. Its small size, unique patch pin matrix, and massive, unpredictable sound was like no other. It quickly became the instrument of choice for groundbreaking musicians like Brian Eno, Pink Floyd, and Jean-Michel Jarre. Arturia’s recreation adds advanced modulation and powerful effects.

Originally devised in 1973 for musicians in search of a performative and "portable" instrument, the Buchla Music Easel quickly earned a cult following. Built on a West-coast approach to synthesis, strange sequences, and left-field sound design, it was capable of sounds both organic and alien. This version includes Gravity, a physics-based synth engine that takes the Easel’s sound even further.

The Moog monosynth legendary for its thick, warm basses and heavy-legged leads gets a faithful recreation and holistic update from Arturia and Bob Moog himself. Enjoy the sound found on countless records, but with new features like polyphony, a dedicated mod matrix, and preset morphing.

Featuring a revamped new engine that sounds absolutely gigantic, the Jup-8 V is the analog vanguard. Dial in a fat but airy sound made popular by Prince, Duran Duran, Moby, and Depeche Mode. This "perfect" polysynth features the original filters, VCO sync, and an arpeggiator. New features include complex LFO combos, modulation-targeted FX, and an advanced step sequencer.

The first of its kind, this synth’s CV-centered patch interface unlocked new creative flexibility and helped sprout the electronic music revolution. Arturia's version has the same huge sound, but with programmable presets, 9 VCOs, and rare original modules.

Capable of huge tones, complex textures, split melodies, and interrelated changes, the Matrix-12V could make magic. Arturia's version has the same 12 voices and 15 filters, but with an expanded modulation matrix and more sources to feed it.

The first self-contained synth module by Oberheim featured a unique 12db-octave multimode filter so characterful that it’s been imitated by competitors and hobbyists since. Arturia's recreation adds a modulation matrix, a sub-oscillator, an arpeggiator, portamento, and noise.

This semi-modular synth was able to have its normalized connections overridden with a patch cable, which made it ideal for sonic exploration. The 2600 is responsible for many iconic sounds, including the voice of R2D2. This version is enhanced with polyphony, tracking-generator modules, a 1601 sequencer, and effects.

Ensoniq’s classic ‘80s crosswave synth reborn, weaving hybrid lo-fi character, complex industrial textures, and thousands of unique waveform combinations into a quick-fire softsynth enhanced for modern production.

The Emulator II V is a textural sampling ensemble. This 80’s baby is the perfect dusty lo-fi sampling toolkit, combining the original Emulator’s digital grit that you love with the cutting-edge creative flexibility that you need.

Casio’s CZ-101 became ubiquitous in the home and pro studios of the mid eighties with its affordability and sound, achieved through mass production and phase distortion synthesis, respectively. Arturia’s CZ V has the same wave types, patch programming, 8-stage envelopes, LFO-modulated vibrato, and beautiful robot-breath sounds.

Possibly the most influential, revered, and reviled synth, the Yamaha DX-7 has an unmistakable FM sound known by anyone exposed to pop culture since the 80s. Arturia's version is arguably more accessible because they've simplified the notoriously tricky sequencer and added customizable envelopes, extra waveforms, and effects.

Released in 1979, this groundbreaking digital additive synth from Fairlight became the mother of all samplers, revolutionizing pop music and its production. Arturia adds multitimbral, polyphonic slots for sound design, real-time waveform shaping, a sequencer, and a "spectral" synth.

Responsible for the iconic sounds on some of the biggest records, movie scores, and tv themes of the 80s and 90s, from “Apocalypse Now” to “the Princess Bride” to “the X-Files” The Synclavier fused additive and FM synthesis to elicit epic pads, crystalline bells, and evolving textures. Arturia teamed up with the original designer, Cameron Jones, to get every detail dialed.

With the same drawbar design of the Hammond but at a much lower price, the transistor-based Vox Continental had a sound that was part-synth, part organ, and strong enough to power the British Invasion. Arturia version includes the later J70 alternative, extra waveforms, a rotary cabinet, and effects.

This transistor organ had a light, airy sound that went perfectly with the pop sounds of the 60s, a welcome departure the more forlorn Hammond or the softer-toned Vox. Arturia enhanced this recreation with user-definable waveforms, DAW sync for tremolo and repeat, and integrated effects.