Dorian Electra, Count Baldor, and GFOTY share their past and current influences, how they define hyperpop, and what lies ahead for the nascent musical movement.
We interviewed GFOTY, umru, and Count Baldor to explore hyperpop, one of the most exciting musical movements of today.
Get a firsthand look into the basics of arranging pop rhythms, chord progressions, and basslines in Logic Pro.
We examine tracks by Vince Staples, Joji, and Ed Sheeran that Kenny Beats had a hand in and break down how he applies different sides of his musicality to best serve each artist.
Melbourne-based producer Wave Racer shares four key lessons around sound design and creativity.
The members of End of the World dive into their beginnings, how they reinvented their creative process from their work as SEKAI NO OWARI, future aspirations, and more.
In this installment of In the Loop, we walk through how to recreate the grooves in The Weeknd’s “Blinding Lights,” SZA’s “Good Days,” and Cardi B’s “Up.”
Oliver sat down with us to discuss how he constructs loops, his latest sample pack, the drums in Doja Cat’s “Say So,” and more.
We recreate the iconic bassline from Dua Lipa’s “Don’t Start Now” using nothing but Astra, Splice’s new synthesizer.
GRAMMY-nominated producer Sleep Deez (BTS, Eric Bellinger) reflects on his musical journey and discusses the importance of connecting with fans.
Producers KanielTheOne and Murphy Kid give us an inside look into how Chris Brown and Young Thug’s viral “Go Crazy” came together.
Up-and-coming producer Xavi gives us an inside look into how he produced the beat for Ariana Grande’s chart-topping single, “34+35.”