In this tutorial video, we demonstrate how powerful Pigments’ new sampling engine is by making a full beat using nothing but the synth.
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In this article, let’s compare Arturia’s V Collection and Analog Lab so that you can determine which one is right for you.
Let’s create our own monster sounds from scratch via two different approaches: synthesis and recorded audio.
Are you never sure when your master’s ‘good enough?’ Let’s explore four practices that’ll help you master (and move on) with confidence.
Let’s explore the evolution of iZotope’s Ozone, from its humble beginnings to the recent release of Ozone 9.
Learn how you can use Nuxx’s unique combination of macros and parameter sequencers to take your sound design to the next level.
Learn how mastering to a reference, using true peak normalization, and previewing artifacts can help you create a master that’s optimized for streaming.
What similarities do Hamilton and approaching an unmastered mix share?
Let’s explore three new modules in iZotope’s Ozone 9 Advanced and learn how they can elevate your mastering workflow.
Let’s explore two new modules in iZotope’s Neutron 3 Advanced and learn how they can elevate your mixing workflow.
Learn four techniques for widening your track that can help create a mix where each element has space and stands out.
From creating hidden endings to embedding images in spectrograms, let’s explore three ways you can sneak Easter eggs into your own music.