Sounds
  1. Sounds
  2. Analog Players Society
  3. Stories

The legend of the Analog Players Society

The producer of this pack, Amon Drum is the head engineer of The Bridge Studio and founding member of the collective known as the Analog Players Society (APS). The rich, lively, multi-cultural vibe that Amon brings to his work is the result of a lifetime of studying the groove. He studied with Famadou Konate, Mamady Keita, and M’Bemba Bangora.

The APS sound is inspired by state-of-the-art 1970s technology and features a rotating crew of NYC’s top session players. Sean Dixon is one of those players. A composer, producer, multi-instrumentalist, and educator, he has performed, toured and/or recorded with Gotye’s Ondioline Orchestra, Maxwell, Aloe Blaac, Doyle Bramhall II, Amy Helm, Miyamoto Is Black Enough, Andy Akiho, Helga Davis, and many others.

Together, the two artists are currently working on a post-rock meets Indian classical music album featuring GRAMMY-nominated artist, Falu.

The APS started in Amon Drum’s first studio, The Hook in Red Hook, Brooklyn where he harnessed the whopping talent and intellect of extraordinary session players including the late Ethan White (Tortured Soul), Will Jones, Dave Smith (TV On The Radio), John Natchez (The War on Drugs), Jonathan Powell (Eddie Palmieri), Sean Dixon (Miyamoto is Black Enough), and Cecilia Stalin (Koop). A supergroup formed and launched with an initial string of sold-out 7” releases featuring ‘80s covers that KCRW broke on the airwaves.

APS took a brief hiatus when Amon transitioned out of The Hook to design and build one of the city’s rarified big-room recording facilities, The Bridge Studio in Williamsburg, Brooklyn. The studio has welcomed artists from YEBBA, Mark Ronson, Norah Jones, Parquet Courts, Booker T, to Trippie Redd to name a few. APS was reborn during a live jazz session at The Bridge Studio, where Amon and Ben Rubin produced four of the best jazz musicians in New York City, which became the album, TILTED, released August 2020 on Ropeadope. TILTED features tenor saxophonist Donny McCaslin (David Bowie’s last bandleader on Blackstar), pianist Orrin Evans (the Bad Plus), and the in-demand rhythm section of bassist Dezron Douglas and drummer Eric McPherson.

Companion Packs

FAQs

What is Splice Sounds?

Splice Sounds is an industry-leading catalog of royalty-free samples, loops, one-shots, MIDI and presets for music production. Browse sounds by genre, instrument, key, BPM, and more, preview individual sounds, search by text or audio, and download the ones that fit your track.

Are Splice sounds royalty-free?

Yes, every single sample on Splice is 100% royalty free, meaning they're free to use, even for commercial use. You can download samples on Splice, then make and release original music with those samples, and you don't owe Splice (or anyone else) any more than your subscription fee, even if your track goes viral.

Can I use Splice sounds for commercial use?

Yes. In fact, we can even supply you with documentation in case you ever need to prove that your music is royalty-free and properly licensed. The license for sounds you download from Splice Sounds permits use for commercial and non-commercial purposes so long as you remain in compliance with our Terms of Use.

Is my DAW supported?

Splice Sounds works with any DAW. Download samples and add them directly to your projects using the Splice Sounds Plugin (beta) or the Desktop App. All purchased samples are downloaded locally to your machine in .wav format.

Ableton, Fender Studio Pro, and Pro Tools users should use the Splice direct integrations in their DAWs for the best workflow experience, plus a rotating selection of free sounds for their projects.

For all other DAWs, download the free Splice Sounds Plugin (beta) to search, browse, and preview samples in your project's key and tempo. Then, subscribe to download sounds or create Variations.

How do Sounds credits work?

Use credits to download your favorite samples, loops, one-shots, presets, MIDI & more. All samples are one credit each. MIDI patterns and presets use up to three credits each. Unused credits automatically roll over to the next month. Keep everything you download, even if you cancel.

With our DAW integration plans for Ableton Live, Fender Studio Pro, and Pro Tools, you can license up to 100 individual samples per day by simply dragging and dropping the samples into your project. Once licensed, samples live in your Library, and you can download them at any time. With a Creator or Creator+ plan, you can also license up to 100 sounds per day directly in any of our native DAW integrations without using credits.

Do I have to download a full pack or can I download individual samples?

You can download individual samples on Splice, not just full packs. Every single sample, preset, MIDI, one shot, and loop on Splice is available for individual download, so you can only download what you need.

What happens to the sounds I download if I cancel?

Every sound you download is yours forever. Keep everything you download, even if you cancel. Learn more about our cancellation policy here.

Can't find your answer here?

Check out our Help Center, Licensing FAQ, or Plans FAQ for more information.