‘FXCollection’
Rent-to-own
$19.99/mo. for 20 months
Try free for 3 days Cancel at any time No hidden fees or interest
Compatible with macOS and Windows.
Available as VST, AU, and AAX.
3 Reverbs
Three studio experts in space from every reverberating era, from NASA to Tesla.
Arturia’s circuit-accurate modeling is fully in the fore with this recreation of the legendary plate reverb. The original’s vacuum-tube preamp gave it an unmistakable character, and this one could fool its mother. Perfect on anything from strings and snares to hi-hats and a whole mix, this emulation lets you filter and EQ the mud and brightness from your sound before it hits the plate, so you can easily dial in the right amount of studio-sweet reverb with a lush tail.
This silver box by Grampian was so full of space and celestial sounds that some might wonder if it didn’t also contain the stuff inside stars. Used and abused by everyone from Lee Scratch Perry to your Uncle Lee, the 636 could stretch and distort audio until it was unrecognizable but unforgettable. Arturia’s recreation is equally beautiful and buttery on drums, synths, dub, electronic, and anything else that needs space.
Arturia’s own dream reverb for tomorrow’s musicians, producers, and audio explorers, this plugin is the most ambitious and innovative reverb to date. Sure, it’s capable of subtlety, but that’s not where it shines. Freeze your decay at any moment for infinite textures, use automation to create rhythms in your reverb (and reverb in your rhythms), or easily side-chain with the envelope follower. This is the workhorse reverb you’ve been wanting, if by workhorse you mean unicorn.
3 Compressors
Rare and classic compressors, with the originals’ character and tone intact.
Arturia used their advanced TAE modeling for this faithful recreation of the original DBX 165A. The original used a solid-state VCA and RMS dynamic detection to create its compression effect and are rare and expensive. The VCA-65 is just as characterful and simple as the original “Over Easy” compressor, and also kicks up some dirt when you drive it hard.
The 1176 is possibly the only true “industry standard” when it comes to compressors, and Arturia’s recreation has the same tone-shaping prowess as the original. Used to add glue to the music of legends ranging from Michael Jackson and Chaka Khan to Guns n Roses and the Killers, what’s remarkable is how well it sews together so many different kinds of sounds so easily. Whether you make music with electric guitars or electronics, the FET-76 will become your secret weapon, even if everyone else is in on the secret.
Introduced in the 1950s, the original Gates compressor had a nonlinear attack and release that was so forgiving, it sounded good on everything, from broadcast radio to studio recordings. Arturia used its TAE technology to recreate this legendary sound, which you’ll be hard-pressed to not use on vocals, guitars, drums, synths, and anything that will sit still.
3 Delays
Expect legendary delays. Buckets, tapes, space, and everything in between.
Modeled after the tape delays that inspired new sounds, genres, and life choices, this has the same characteristics of the originals that recorded your sounds to loops of ¼” tape and captivated generations of players. Ride the decaying waves into new possibilities. Enjoy the same wow-and-flutter flavors, mechanical quirks, and integrated spring reverb of the originals.
This recreation of the legendary BBD (bucket brigade device) delay not only takes you back-ack-ack to the sounds of the 70s that made it so famous, it also has the same lo-fi sweetness that make it a studio- and stage- staple today. Pump in any sound source, twist a knob, and get lost in filtered, rusted memories.
A completely new creation, Delay Eternity is Arturia’s breathtaking take on a simple digital delay. Instantly add an otherworldly oddity to your vocals, create a resonant drone from any sound source, turn everyday instruments into lush pads, or play drum loops through it to discover new rhythms and realms. You’re only limited by your willingness to explore.
3 Filters
Fabled filters for shaping, softening, and illuminating your sounds.
This is the culmination of a collaboration that began years ago between Arturia and Bob Moog. A perfectly recreated 24dB-per-octave ladder filter from Moog’s iconic Model D monosynth, but unchained from the original hardware so you can put its creamy, warm haze on anything, from horns and vocals to guitars and drum machines.
When Tom Oberheim released his groundbreaking analog subtractive synth in 1984, its unique signal chain and full-throated polyphony had a sound that made it an instant classic. That magic sound was largely from its versatile multimode filter. Like the original Oberheim filter, Arturia’s recreation boasts 15 different modes, from classic low passes and band passes to the plucky Notch filter.
The original Oberheim SEM (Synthesizer Expander Module) could add polyphony and shaping tools to a monosynth, essentially changing the whole instrument. But the filter that came on the SEM changed the whole soundscape. It could make anything sound better, more alive. Arturia’s faithful take has the same quality and features, and even expands on the Expander filter’s functionality. If you’re not careful, you’ll fall in love.
3 Preamps
Premium preamps with world-renowned warmth, for adding glow in mono or stereo.
The Neve 1073’s iconic sound was, no doubt, partly from its reliable high-efficiency transistors, partly its almost-musical analog distortion, partly its ear-thawing warmth (especially on vocals). Many tried to imitate it, but nobody came close. Thanks to Arturia, the inimitable Neve 1073 is no longer inimitable. Arturia used advanced TAE modeling technology to capture the same magical tone as the original, so you can use it to anoint your own audio.
The very preamp that shaped the sound of pop music for decades, the Trident A Range console was on everyone’s records. The Beatles, Elton John, Frank Zappa, Soft Cell, the Rolling Stones, Tina Turner, they all sent sounds through the Trident. Since there were only 13 ever made, the room-filling equipment has become even more coveted. Fortunately, Arturia’s Trid-A has the same sound as the original, making it your best (and certainly most-portable) option.
Incorporated into the legendary REDD mixing consoles used by the Beatles, the V76 became known for that “White Album” sound, propelling it to popularity all over the globe. But popularity does not necessarily increase supply, so the V76 remained rare and many have never experienced its timeless tone. Arturia’s circuit-accurate recreation of the V76 sounds great on everything, whether it be rock, rap, R&B, doom metal, some soundcloud-born subgenre, or silence.
Product Information
- Overview
- Arturia’s FX Collection brings some of the most fabled and unforgettable effects boxes to the fore, with incredibly accurate recreations of classic reverbs, delays, filters, compressors, and preamps.
- Arturia uses their advanced TAE technology to model each effect, so that everything we love about the originals is preserved, including the unintended results that made some of these boxes so famous. Enjoy experimenting with filters that distort, delays that get demonic, compressors that crunch, reverbs that rebound, and preamps that sparkle. Many of these effects have extra options, giving you more possibilities to play through.
- What's included:
- - 15 FX in total
- - 3 reverbs: REV Spring-636, REV Plate-140, REV Intensity
- - 3 preamps: 1973-Pre, TridA-Pre, V76-Pre
- - 3 delays: Delay TAPE-201, Delay MEMORY BRIDGADE, DELAY ETERNITY
- - 3 compressors: Comp VCA-65, Comp FET-76, Comp TUBE-STA
- - 3 filters: Mini-Filter, M12-Filter, SEM-Filter
- - Integrated in-app tutorials
- - Beautiful high-res interfaces
- - Great sounding presets with sound designer notes and parameter highlights
- - Modern touches: side chaning, mid-side processing, look-ahead tracking
- System Requirements
- For the most up-to-date system requirements and host compatibility details, please visit the manufacturer's website
- Mac OS X 10.10+
- Windows 7+ (64-bit)
- 1GB of free hard disk space
- Works in VST 2.4, VST 3, AAX, Audio Unit (64-bit DAWs only)
Splice Requirements
While renting software through Splice, the Splice Desktop App must be opened every three days. The current operating system requirements for Splice Desktop are:
- — macOS 10.15+
- — Windows 10+
Learn more about the Splice Desktop App's operating system requirements.