







FX Collection 5
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NEW to FX Collection 5
The latest update features four new effects, ranging from screaming distortions and edgy filters to classic reverbs and speaker effects.
An intuitive audio effect that combines Tone Control, Clipper and Limiter features alongside comprehensive metering to ensure optimal loudness in your mix, while preserving detail and clarity.
Bus Exciter-104 recreates the classic audio signal enhancer. With a dual module architecture, simple-to-use workflow and faithful design - bring your mix to life or add that pro-edge to instrument and vocal tracks.
A software effect that combines musical movement, mix dynamics, and creative audio tools into a powerful effect plugin to give your music the momentum, variety, and pure sonic excitement it deserves.
A stereo multi-effect with versatility at its core. Combining unison-based processing with a variety of secondary effects and modulation options. Enrich, texturise and transform any sound, from experimental distortions to detuned harmonics.
Compressors
Classic compressors with original character and tone, perfect for buses and single channels alike.
Arturia used their advanced TAE modeling for this faithful recreation of the original DBX 165A. The original used a solid-state VCA and RMS dynamic detection to create its compression effect and are rare and expensive. The VCA-65 is just as characterful and simple as the original “Over Easy” compressor, and also kicks up some dirt when you drive it hard.
The 1176 is possibly the only true “industry standard” when it comes to compressors, and Arturia’s recreation has the same tone-shaping prowess as the original. Used to add glue to the music of legends ranging from Michael Jackson and Chaka Khan to Guns n Roses and the Killers, what’s remarkable is how well it sews together so many different kinds of sounds so easily. Whether you make music with electric guitars or electronics, the FET-76 will become your secret weapon, even if everyone else is in on the secret.
A powerful parallel processor with 4 distinct modules, this plugin brings out the warmth of your track, adds energy to your drum bus, or your overall mix. With original Filter, EQ, Compressor, and Saturation modules, Bus FORCE will become your new go-to mixing plugin.
Based on the iconic Neve™ stereo compressor and limiter with a distinctly characterful crunchy response, Comp DIODE-609 adds weight, color, richness, and that all-encompassing “glue” to tighten up any mix or master.
Introduced in the 1950s, the original Gates compressor had a nonlinear attack and release that was so forgiving, it sounded good on everything, from broadcast radio to studio recordings. Arturia used its TAE technology to recreate this legendary sound, which you’ll be hard-pressed to not use on vocals, guitars, drums, synths, and anything that will sit still.
Spacial & Reverb
Explore vintage spring reverb, contemporary granular shimmers, and everything in between.
Arturia’s circuit-accurate modeling is fully in the fore with this recreation of the legendary plate reverb. The original’s vacuum-tube preamp gave it an unmistakable character, and this one could fool its mother. Perfect on anything from strings and snares to hi-hats and a whole mix, this emulation lets you filter and EQ the mud and brightness from your sound before it hits the plate, so you can easily dial in the right amount of studio-sweet reverb with a lush tail.
An enhanced virtual replica of a box that defined reverb for a generation. Make your mixes bloom with real-feeling space, cave-depth atmosphere, and subtly-sparkling texture in seconds with a vintage digital sound that refuses to get old.
This silver box by Grampian was so full of space and celestial sounds that some might wonder if it didn’t also contain the stuff inside stars. Used and abused by everyone from Lee Scratch Perry to your Uncle Lee, the 636 could stretch and distort audio until it was unrecognizable but unforgettable. Arturia’s recreation is equally beautiful and buttery on drums, synths, dub, electronic, and anything else that needs space.
Arturia’s own dream reverb for tomorrow’s musicians, producers, and audio explorers, this plugin is the most ambitious and innovative reverb to date. Sure, it’s capable of subtlety, but that’s not where it shines. Freeze your decay at any moment for infinite textures, use automation to create rhythms in your reverb (and reverb in your rhythms), or easily side-chain with the envelope follower. This is the workhorse reverb you’ve been wanting, if by workhorse you mean unicorn.
Modulation & Filters
Swirling stereo chorus, space-age analog phasing, silky-smooth ladder filtering, and more.
A creative emulation of the classic Dynacord® rotary speaker that brings extra width, momentum, and analog character, letting you create everything from silky smooth stereo swirls to spinning synchronized patterns.
Modeled after the most sought-after effect units of all time, the Roland Dimension D, this recreation provides the same warm, spacious texture to your tracks that you’ve heard on countless records, from Kate Bush to Stevie Ray Vaughan. Chorus Dimension-D gives you a simple 4-mode operation for beautifully smooth stereo chorus in one click, with perfectly-emulated BBD warmth.
Arturia used their advanced TAE modeling for this faithful recreation of the classic Mu-Tron Bi-Phase, an elusive dual phaser used by artists from The Smashing Pumpkins to Prince, Kraftwerk to Chromeo. Push your sound to the limits with two phasing circuits and advanced routing options, giving you wild asynchronous movement, resonant swirls, and that boutique guitar pedal charm.
Based on a beloved studio classic, the Flanger BL-20 is unpredictable and inspiring at the same time. A rare & unique studio gem that goes from faint stereo width to out-of-this-world compound modulation in no time. Push your sound out of the stereo field and add harmonic depth to your tracks with this classic modulator.
Heard on countless pop records, this iconic chorus effect was a secret studio weapon in the 80s. Use this plugin to add stereo richness, analog warmth, and subtle modulated movement to your sound, all at the touch of a button.
This is the culmination of a collaboration that began years ago between Arturia and Bob Moog. A perfectly recreated 24dB-per-octave ladder filter from Moog’s iconic Model D monosynth, but unchained from the original hardware so you can put its creamy, warm haze on anything, from horns and vocals to guitars and drum machines.
When Tom Oberheim released his groundbreaking analog subtractive synth in 1984, its unique signal chain and full-throated polyphony had a sound that made it an instant classic. That magic sound was largely from its versatile multimode filter. Like the original Oberheim filter, Arturia’s recreation boasts 15 different modes, from classic low passes and band passes to the plucky Notch filter.
The original Oberheim SEM (Synthesizer Expander Module) could add polyphony and shaping tools to a monosynth, essentially changing the whole instrument. But the filter that came on the SEM changed the whole soundscape. It could make anything sound better, more alive. Arturia’s faithful take has the same quality and features, and even expands on the Expander filter’s functionality. If you’re not careful, you’ll fall in love.
Preamps & EQ
Boost, tame, and reinvigorate any sound with history’s most coveted studio tools.
An easy-to-use plugin that brings instant chill atmosphere and vintage tape-aged warmth to any sound. Use its straightforward preamp, modulation, and filter/output sections to sprinkle lo-fi vibes over any sound.
The Neve 1073’s iconic sound was, no doubt, partly from its reliable high-efficiency transistors, partly its almost-musical analog distortion, partly its ear-thawing warmth (especially on vocals). Many tried to imitate it, but nobody came close. Thanks to Arturia, the inimitable Neve 1073 is no longer inimitable. Arturia used advanced TAE modeling technology to capture the same magical tone as the original, so you can use it to anoint your own audio.
The very preamp that shaped the sound of pop music for decades, the Trident A Range console was on everyone’s records. The Beatles, Elton John, Frank Zappa, Soft Cell, the Rolling Stones, Tina Turner, they all sent sounds through the Trident. Since there were only 13 ever made, the room-filling equipment has become even more coveted. Fortunately, Arturia’s TRIDA has the same sound as the original, making it your best (and certainly most-portable) option.
Incorporated into the legendary REDD mixing consoles used by the Beatles, the V76 became known for that “White Album” sound, propelling it to popularity all over the globe. But popularity does not necessarily increase supply, so the V76 remained rare and many have never experienced its timeless tone. Arturia’s circuit-accurate recreation of the V76 sounds great on everything, whether it be rock, rap, R&B, doom metal, some soundcloud-born subgenre, or silence.
Inspired by the classic ’70s Siemens™ broadcast console, an iconic German stereo EQ unit, SITRAL-295 provides gentle musical curves and a warm transistor feel. Precisely sculpt the overall tonality of your mix or master with this legendary unit.
Delays
From yesterday’s genre-defining echo boxes to tomorrow’s time-based explorations.
Modeled after the tape delays that inspired new sounds, genres, and life choices, this has the same characteristics of the originals that recorded your sounds to loops of ¼” tape and captivated generations of players. Ride the decaying waves into new possibilities. Enjoy the same wow-and-flutter flavors, mechanical quirks, and integrated spring reverb of the originals. Delay TAPE-201 has multiple preamp options: no preamp, the original RE-201 preamp, and a newly-modeled Germanium preamp for that signature crunch.
This recreation of the legendary BBD (bucket brigade device) delay not only takes you back-ack-ack to the sounds of the 70s that made it so famous, it also has the same lo-fi sweetness that make it a studio- and stage-staple today. Pump in any sound source, twist a knob, and get lost in filtered, rusted memories.
A completely new creation, Delay Eternity is Arturia’s breathtaking take on a simple digital delay. Instantly add an otherworldly oddity to your vocals, create a resonant drone from any sound source, turn everyday instruments into lush pads, or play drum loops through it to discover new rhythms and realms. You’re only limited by your willingness to explore.
Distortions
From warm tube-powered saturation to modern solid state crunch, make some noise.
A dual-engine distortion effect that goes from rich tube saturation to full sonic destruction in a few clicks. Combine analog and digital algorithms with deep modulation and customization, and unlock near-infinite distortion possibilities for your sound.
Distortion and saturation inspired by a guitar pedal cult classic, known for its direct amp-like sound. Add mix-cutting punch, harmonic color, and pure aggression to any sound with a certified studio legend enhanced for DAW production.
A stereo filter and distortion effect modeled on the infamously abrasive MS-20 synthesizer. Pump destructive crunch, roaring filter sweeps, and ultra-fat stereo depth into your mixes with a tool that’ll make anything sound massive.
An enhanced software version of a modern distortion classic, bringing authentic valve-powered warmth and harmonic character. Crank the heat in your mixes with studio-grade saturation and crunch in a few clicks.
Product Information
- Overview
- FX Collection continues the legacy of one of the most comprehensive premium effects suites ever developed. Bridging the gap between classic and contemporary audio processing, FX Collection 5 goes a step further with 34 titles and 4 new additions - with Bus PEAK and Bus EXCITER-104 for sonic enhancement ; and Efx MOTIONS and Efx REFRACT for creative sonic shaping.
- What's included:
- - 34 FX in total
- - 4 brand-new effects: Bus PEAK, Bus EXCITER-104, Efx Motions, Efx REFRACT
- - 5 Compressors: Comp VCA-65, Comp FET-76, Comp TUBE-STA, Bus FORCE, Comp DIODE-609
- - 4 Spacial & Reverbs: Efx Fragments, REV Spring-636, REV Plate-140, REV Intensity
- - 7 Modulation & Filters: Chorus DIMENSION-D, Phase BI-TRON, Flanger BL-20, Chorus JUN-6, Filter MINI, Filter M12, Filter SEM
- - 5 Preamps & EQs: Tape MELLO-FI, Pre 1973, Pre TRIDA, Pre V76, EQ EQ-Sitral-295
- - 3 Delays: Delay TAPE-201, Delay BRIDGADE, DELAY ETERNITY
- - 2 Distortions: Dist OPAMP-21, Dist TUBE-CULTURE
- - Beautiful high-res interfaces with resizable GUI
- - Over 1000 great sounding presets with sound designer notes and parameter highlights
- - Full NKS VST3 support, compatible with Apple M1 processors
- - Modern touches: side chaning, mid-side processing, look-ahead tracking
- - In-app tutorials to guide you step-by-step to get the most out of your sound
- System Requirements
- For the most up-to-date system requirements and host compatibility details, please visit the manufacturer's website
- Mac OS X 10.13+, 4 GB RAM, 4 cores 3.4 GHz CPU,
- Win 8.1+ (64bit), 4 GB RAM, 4 cores 3.4 GHz CPU
- 2-3 GB of free hard disk space
- Works in Standalone, VST, AAX, Audio Unit.
Splice Requirements
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- — macOS 10.15+
- — Windows 10+
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