{"id":6377,"date":"2019-06-13T13:39:00","date_gmt":"2019-06-13T17:39:00","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=6377"},"modified":"2019-08-13T15:41:37","modified_gmt":"2019-08-13T19:41:37","slug":"euclidean-rhythms","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/euclidean-rhythms\/","title":{"rendered":"What are Euclidean rhythms?"},"content":{"rendered":"<h1>Have you ever felt like math and music are interconnected?<\/h1>\n<p>If you have, you\u2019re absolutely right &#8211; from frequencies to intervals, music is full of values and patterns that can be expressed and analyzed numerically. <strong>Euclidean rhythms<\/strong> are one of these many ideas that tie math and music closely together, drawing connections between an ancient algorithm and popular grooves from across the globe. In this article, let\u2019s define Euclidean rhythms, explore their history, and hear them in action.<\/p>\n<h2>Euclid\u2019s algorithm<\/h2>\n<p>Euclidean rhythms were formally discovered in 2004 by computer scientist Godried Toussaint, but their roots go way back to ~300 BC. Around this time, Greek mathematician Euclid described an algorithm in his text <em>Elements<\/em> that was absolutely revolutionary &#8211; it unlocked a systematic method for efficiently finding the greatest common divisor (GCF) of two integers (<a href=\"https:\/\/www.khanacademy.org\/computing\/computer-science\/cryptography\/modarithmetic\/a\/the-euclidean-algorithm\" target=\"_blank\" rel=\"noopener noreferrer\">follow a step-by-step walkthrough of its application here<\/a>).<\/p>\n<h2>What are Euclidean rhythms?<\/h2>\n<p>Toussaint found that Euclid\u2019s algorithm could be translated to rhythms by using a GCF to <strong>distribute a determined number of onsets as evenly as possible across a determined number of steps.<\/strong> If you\u2019re interested in digging even deeper into the details of Euclid\u2019s algorithm and how it relates to music, <a href=\"http:\/\/cgm.cs.mcgill.ca\/~godfried\/publications\/banff.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Toussaint\u2019s paper<\/a> is an excellent resource. If your brain\u2019s feeling a little fried at this point, a picture is worth a thousand words &#8211; let\u2019s use some visuals to demonstrate what we\u2019re talking about.<\/p>\n<p><a href=\"https:\/\/splice.com\/plugins\/38707879-parallels-vst-au-by-softube\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Softube\u2019s Parallels<\/strong><\/a> is a synth that\u2019s going to come in handy here, since it has a Euclidean sequence generator that allows us to design, hear, and see Euclidean rhythms via an intuitive circular visualization. As we mentioned earlier, a Euclidean rhythm needs <strong>a number of onsets<\/strong> that are evenly distributed across <strong>a number of steps<\/strong> (per measure). Let\u2019s start with something simple &#8211; using the Euclidean sequence generator, we can distribute 4 onsets across 16 steps:<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-6381 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/06\/euc_01.gif\" alt=\"what-are-euclidean-rhythms-gif-01\" width=\"500\" height=\"253\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 500px; --smush-placeholder-aspect-ratio: 500\/253;\" \/><\/p>\n<p>We can hear how this rhythm sounds by mapping the Euclidean sequence generator to a synth\u2019s filter in Parallels:<\/p>\n<div id=\"mp3jWrap_0\" class=\"mjp-s-wrapper s-graphic unsel-mjp \" style=\"font-size:18px;\"><span id=\"playpause_wrap_mp3j_0\" class=\"wrap_inline_mp3j\" style=\"font-weight:700;\"><span class=\"gfxbutton_mp3j play-mjp\" id=\"playpause_mp3j_0\" style=\"font-size:18px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/span>&nbsp;<span class=\"group_wrap\"><span class=\"bars_mp3j\"><span class=\"loadB_mp3j\" id=\"load_mp3j_0\"><\/span><span class=\"posbarB_mp3j\" id=\"posbar_mp3j_0\"><\/span><\/span><span class=\"T_mp3j\" id=\"T_mp3j_0\" style=\"font-size:18px;\"><\/span><span class=\"indi_mp3j\" style=\"font-size:12.6px;\" id=\"statusMI_0\"><\/span><\/span><\/span><\/div><span class=\"s-nosolution\" id=\"mp3j_nosolution_0\" style=\"display:none;\"><\/span><script>\nMP3jPLAYLISTS.inline_0 = [\n\t{ name: \"\", formats: [\"mp3\"], mp3: \"aHR0cHM6Ly9zcGxpY2UuY29tL2Jsb2cvd3AtY29udGVudC91cGxvYWRzLzIwMTkvMDYvZXVjXzEubXAz\", counterpart:\"\", artist: \"\", image: \"\", imgurl: \"\" }\n];\n<\/script>\n\n<script>MP3jPLAYERS[0] = { list: MP3jPLAYLISTS.inline_0, tr:0, type:'single', lstate:'', loop:false, play_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pause_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pp_title:'', autoplay:false, download:false, vol:100, height:'' };<\/script>\n<p>The timing of each synth wobble coincides with when the revolving point makes contact with a static point on the perimeter of Parallels\u2019 circular visualization. Admittedly, this rhythm doesn\u2019t sound too revolutionary &#8211; because the greatest common factor between the number of onsets (4) and the number of steps (16) is exactly 4, all the algorithm had to do was place an onset once every 4 steps, which happens to be every downbeat.<\/p>\n<h2>Taking it a step further<\/h2>\n<p>However, things start to get interesting when the number of steps isn\u2019t perfectly divisible by the number of onsets. For example, let\u2019s keep our number of steps at 16, but change our number of onsets to 6.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-6380 aligncenter lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/06\/euc_02.gif\" alt=\"what-are-euclidean-rhythms-gif-02\" width=\"500\" height=\"253\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 500px; --smush-placeholder-aspect-ratio: 500\/253;\" \/><\/p>\n<p>Because 16 can\u2019t be cleanly organized into groups of 6, the algorithm is forced to distribute the onsets <em>as evenly as possible<\/em>, grouping two sets of them slightly closer to one another. The result is a rhythm that\u2019s both groovy and instinctively familiar:<\/p>\n<div id=\"mp3jWrap_1\" class=\"mjp-s-wrapper s-graphic unsel-mjp \" style=\"font-size:18px;\"><span id=\"playpause_wrap_mp3j_1\" class=\"wrap_inline_mp3j\" style=\"font-weight:700;\"><span class=\"gfxbutton_mp3j play-mjp\" id=\"playpause_mp3j_1\" style=\"font-size:18px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/span>&nbsp;<span class=\"group_wrap\"><span class=\"bars_mp3j\"><span class=\"loadB_mp3j\" id=\"load_mp3j_1\"><\/span><span class=\"posbarB_mp3j\" id=\"posbar_mp3j_1\"><\/span><\/span><span class=\"T_mp3j\" id=\"T_mp3j_1\" style=\"font-size:18px;\"><\/span><span class=\"indi_mp3j\" style=\"font-size:12.6px;\" id=\"statusMI_1\"><\/span><\/span><\/span><\/div><span class=\"s-nosolution\" id=\"mp3j_nosolution_1\" style=\"display:none;\"><\/span><script>\nMP3jPLAYLISTS.inline_1 = [\n\t{ name: \"\", formats: [\"mp3\"], mp3: \"aHR0cHM6Ly9zcGxpY2UuY29tL2Jsb2cvd3AtY29udGVudC91cGxvYWRzLzIwMTkvMDYvZXVjXzIubXAz\", counterpart:\"\", artist: \"\", image: \"\", imgurl: \"\" }\n];\n<\/script>\n\n<script>MP3jPLAYERS[1] = { list: MP3jPLAYLISTS.inline_1, tr:0, type:'single', lstate:'', loop:false, play_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pause_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pp_title:'', autoplay:false, download:false, vol:100, height:'' };<\/script>\n<h2>Using Euclidean rhythms to create polyrhythms<\/h2>\n<p>If we use our second Euclidean rhythm to modulate a separate synth source and combine that with our first one, we get our very own <strong>polyrhythm<\/strong> &#8211; a groove that consists of two or more contrasting rhythms playing simultaneously.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-6379 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/06\/euc_03.gif\" alt=\"what-are-euclidean-rhythms-gif-03\" width=\"2000\" height=\"1012\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 2000px; --smush-placeholder-aspect-ratio: 2000\/1012;\" \/><\/p>\n<p>Hear the polyrhythm below:<\/p>\n<div id=\"mp3jWrap_2\" class=\"mjp-s-wrapper s-graphic unsel-mjp \" style=\"font-size:18px;\"><span id=\"playpause_wrap_mp3j_2\" class=\"wrap_inline_mp3j\" style=\"font-weight:700;\"><span class=\"gfxbutton_mp3j play-mjp\" id=\"playpause_mp3j_2\" style=\"font-size:18px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/span>&nbsp;<span class=\"group_wrap\"><span class=\"bars_mp3j\"><span class=\"loadB_mp3j\" id=\"load_mp3j_2\"><\/span><span class=\"posbarB_mp3j\" id=\"posbar_mp3j_2\"><\/span><\/span><span class=\"T_mp3j\" id=\"T_mp3j_2\" style=\"font-size:18px;\"><\/span><span class=\"indi_mp3j\" style=\"font-size:12.6px;\" id=\"statusMI_2\"><\/span><\/span><\/span><\/div><span class=\"s-nosolution\" id=\"mp3j_nosolution_2\" style=\"display:none;\"><\/span><script>\nMP3jPLAYLISTS.inline_2 = [\n\t{ name: \"\", formats: [\"mp3\"], mp3: \"aHR0cHM6Ly9zcGxpY2UuY29tL2Jsb2cvd3AtY29udGVudC91cGxvYWRzLzIwMTkvMDYvZXVjXzMubXAz\", counterpart:\"\", artist: \"\", image: \"\", imgurl: \"\" }\n];\n<\/script>\n\n<script>MP3jPLAYERS[2] = { list: MP3jPLAYLISTS.inline_2, tr:0, type:'single', lstate:'', loop:false, play_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pause_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pp_title:'', autoplay:false, download:false, vol:100, height:'' };<\/script>\n<p>Though this polyrhythm is already fairly intricate, you can take this concept even further by layering odd or large values against each other. For example, here\u2019s the polyrhythm that results from juxtaposing 5 onsets against 7 onsets:<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-6378 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/06\/euc_04.gif\" alt=\"what-are-euclidean-rhythms-gif-04\" width=\"2000\" height=\"1012\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 2000px; --smush-placeholder-aspect-ratio: 2000\/1012;\" \/><\/p>\n<p>Hear the polyrhythm below:<\/p>\n<div id=\"mp3jWrap_3\" class=\"mjp-s-wrapper s-graphic unsel-mjp \" style=\"font-size:18px;\"><span id=\"playpause_wrap_mp3j_3\" class=\"wrap_inline_mp3j\" style=\"font-weight:700;\"><span class=\"gfxbutton_mp3j play-mjp\" id=\"playpause_mp3j_3\" style=\"font-size:18px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/span>&nbsp;<span class=\"group_wrap\"><span class=\"bars_mp3j\"><span class=\"loadB_mp3j\" id=\"load_mp3j_3\"><\/span><span class=\"posbarB_mp3j\" id=\"posbar_mp3j_3\"><\/span><\/span><span class=\"T_mp3j\" id=\"T_mp3j_3\" style=\"font-size:18px;\"><\/span><span class=\"indi_mp3j\" style=\"font-size:12.6px;\" id=\"statusMI_3\"><\/span><\/span><\/span><\/div><span class=\"s-nosolution\" id=\"mp3j_nosolution_3\" style=\"display:none;\"><\/span><script>\nMP3jPLAYLISTS.inline_3 = [\n\t{ name: \"\", formats: [\"mp3\"], mp3: \"aHR0cHM6Ly9zcGxpY2UuY29tL2Jsb2cvd3AtY29udGVudC91cGxvYWRzLzIwMTkvMDYvZXVjXzQubXAz\", counterpart:\"\", artist: \"\", image: \"\", imgurl: \"\" }\n];\n<\/script>\n\n<script>MP3jPLAYERS[3] = { list: MP3jPLAYLISTS.inline_3, tr:0, type:'single', lstate:'', loop:false, play_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pause_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pp_title:'', autoplay:false, download:false, vol:100, height:'' };<\/script>\n<h2>More than just numbers<\/h2>\n<p>Euclidean rhythms may ostensibly seem soulless or <em>too<\/em> mathematical, but in reality this couldn\u2019t be further from the truth. What\u2019s fascinating about Toussaint\u2019s findings is that many salient rhythms found across cultures and history are actually naturally Euclidean &#8211; the Brazillian <em>bossa nova<\/em> is 5 onsets distributed as evenly as possible across 16 steps, Cuba\u2019s <em>tresillo<\/em> is 3 onsets distributed as evenly as possible across 8 steps, and Turkey\u2019s <em>Asak<\/em> rhythm is 4 onsets distributed as evenly as possible across 9 steps (<a href=\"http:\/\/cgm.cs.mcgill.ca\/~godfried\/publications\/banff.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">check out a longer list here<\/a>). This is truly a testament to how music and math are intertwined not only on a theoretical level, but also on a visceral one. There\u2019s something in the fabric of these algorithmic patterns that moves us deeply, and that\u2019s a pretty cool thing.<\/p>\n<p><a href=\"https:\/\/splice.com\/plugins\/38707879-parallels-vst-au-by-softube\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Experiment with Parallels\u2019 Euclidean sequencer yourself with a free trial of the synth.<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Euclidean rhythms are fascinating grooves that lie at the intersection of math and music. In this article, let&#8217;s define what constitutes a Euclidean rhythm and hear them in action.<\/p>\n","protected":false},"author":33,"featured_media":6386,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1699,1696,1704,1659],"tags":[348,1428,333,1473,1689,666],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>What are Euclidean rhythms? - Blog | Splice<\/title>\n<meta name=\"description\" content=\"In this article, let\u2019s define Euclidean rhythms, explore their history, visualize how they work, and hear them in action.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/splice.com\/blog\/euclidean-rhythms\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What are Euclidean rhythms? 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