{"id":6130,"date":"2019-04-17T12:00:28","date_gmt":"2019-04-17T16:00:28","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=6130"},"modified":"2019-08-06T14:50:18","modified_gmt":"2019-08-06T18:50:18","slug":"young-fyre-kehlani-too-deep","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/","title":{"rendered":"Young Fyre on producing Kehlani&#8217;s &#8220;Too Deep&#8221;"},"content":{"rendered":"<h1>\u201cToo Deep\u201d is the second track off Kehlani\u2019s acclaimed <em>While We Wait.<\/em><\/h1>\n<p>The track is a downtempo love song with layers and layers of R&amp;B-twinged electronic ear candy, featuring string plucks, spring reverbs, water-like foley, and more. It seamlessly blends new and old influences &#8211; Kehlani\u2019s vocal delivery evokes the best of 90s R&amp;B, but the production has all the hallmarks of modern pop with its warm compression, healthy amount of 808s, and eclectic percussive layers.<\/p>\n<p><iframe title=\"Kehlani - Too Deep (Official Audio)\" width=\"370\" height=\"208\" src=\"https:\/\/www.youtube.com\/embed\/gycYRQ8yAb0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Young Fyre (alias of Tramaine Winfrey) is the producer behind the track. He\u2019s also one third of <a href=\"https:\/\/splice.com\/sounds\/audeobox\/\" target=\"_blank\" rel=\"noopener noreferrer\">Audeobox<\/a> (a top sample label that he runs with Sean Davis and Grammy-winning producer Infinity), which just released <a href=\"https:\/\/splice.com\/sounds\/audeobox\/resonance\" target=\"_blank\" rel=\"noopener noreferrer\">their latest future bass and R&amp;B pack called \u201cResonance.\u201d<\/a><\/p>\n<p>\u201cThe key is subtlety,\u201d Young Fyre tells us, \u201cand catering to the song.\u201d In &#8220;Too Deep,&#8221; elements like the string plucks call to mind the likes of Kelly Rowland or Destiny\u2019s Child, but he managed to also give them a modern flair. \u201cI am aware of how corny plucks can be so I ran them through all kinds of destruction plugins and reverbed them out,\u201d he explains. \u201cI also layered them with two other sounds, plus a synth layer on top, so it takes away that &#8216;plucky&#8217; sound a little. It\u2019s one of those things that\u2019s a classic sound people are familiar with.\u201d Other sounds, like foley, found their way into the mix to introduce a bit of variety. \u201cI like awkward sounds that don\u2019t necessarily fit in the landscape being blended with stuff that does&#8230; Signature sounds and things that make people go, \u2018Was that a raindrop?&#8217;\u201d The track clearly resonated with Kehlani. \u201cBecause they loved the song,\u201d he explains, \u201cthere weren\u2019t a lot of challenges. The only thing is that she did cut a lot of songs&#8230; So it very well could have not made it.\u201d<\/p>\n<p>Read on for more insights on Young Fyre\u2019s sound design techniques, his studio setup, and working with Kehlani.<\/p>\n<p><strong>How did you decide what sounds to use for \u201cToo Deep?\u201d<\/strong><\/p>\n<p>Most of the time I\u2019m running through sounds and just feeling things out. For example, the mandolin or guitar thing that you&#8217;re hearing in \u201cToo Deep\u201d is a chop from something random that I pitched and reverbed out. I could have easily played it because it was super simple, but the feel of it being something that was already played (and then cut and destroyed) gave it a totally different sound than playing it from the VST or straight from a plugin.<\/p>\n<p>I also force myself into other limitations to create something different, because if I play it, there are certain things my mind is going to think of. I like to go to different sounds and packs to just find random shit that\u2019s ambient that will just fill the track without doing what\u2019s expected, because otherwise you\u2019re almost always going to just do the &#8216;normal&#8217; thing that\u2019s in your head. I would have never picked the mandolin &#8211; I would have chosen a different instrument and it probably wouldn\u2019t have happened the same way. I literally make the sound choice that works while I\u2019m going through shit, finding random things and pasting them.<\/p>\n<p>My sessions look crazy. There are some sessions where I don\u2019t have any samples and it\u2019s all MIDI, but there are others where there are ten different folders of sounds that I have &#8211; it\u2019s all art, so it can be anything.<\/p>\n<p><strong>Do you think there\u2019s a stigma around producers using loops? Should producers be crafting melodies from scratch rather than exclusively using samples?<\/strong><\/p>\n<p>If a loop is a good loop, you shouldn\u2019t need to do too much to it &#8211; in the case of <a href=\"https:\/\/splice.com\/sounds\/samples\/368d2aa574da74ec9d062e1e2cfd81443de11efeb5fdf68707be3f39073a7a70\/capsun-proaudio-trap-keys-downtempo-hip-hop-sample\" target=\"_blank\" rel=\"noopener noreferrer\">[the \u201cTwo Deep\u201d] loop<\/a> (from <a href=\"https:\/\/splice.com\/sounds\/capsun-proaudio\/trap-bliss-future-chill\" target=\"_blank\" rel=\"noopener noreferrer\">Capsun ProAudio&#8217;s pack<\/a>), I heard it and it was amazing. I thought about messing with it and changing it and warping it, but at the end of the day, the melody is the most important thing, and the melody was incredible and it didn\u2019t need to be changed. So for me, it was a matter of building around something that was already great, because it\u2019s a dope melody but it\u2019s not anything by itself. You have to make it a cool thing, and not just a somber melody, so we had to take it from that cool somber mood to an actual production.<\/p>\n<p>I don\u2019t have ill feelings towards producing with loops because music is an art. It\u2019s like putting a painting together, and a loop is a tool. There are people who are really great at certain things; when you&#8217;re building a house, you call a plumber because he\u2019s excellent at plumbing. You don\u2019t want to try to do the plumbing &#8211; you allow that person to do what they do. To me, if someone\u2019s playing a melody and they\u2019re really great at it, I\u2019m going to use that and build around that. A melodic loop is just a tool like a drum or a snare, and no one gets upset at any of the other tools that are used in production &#8211; this only matters to other producers. Consumers are never gonna research it, and they&#8217;re never gonna care; it\u2019s either \u201cI love this\u201d or \u201cI hate this,\u201d so that\u2019s a big thing to think about. I don\u2019t produce for producers &#8211; I produce for the artist.<\/p>\n<p><strong>What does your studio setup currently look like?<\/strong><\/p>\n<p>I have an Antelope Orion 2017, Yamaha HS10s, and an Antelope mic. I produce in FL Studio, and I\u2019ve got a Mac and PC so that I can take the beat from FL and record vocals in Pro Tools. Everything\u2019s connected to the same screen, so it\u2019s pretty easy. The studio itself is pretty awesome because we\u2019ve got a cool arcade situation over here with Rampage. There\u2019s a basketball hoop outside for creative breaks, and the lights in the room are triggered by the music. I\u2019ve got a bunch of trinkets &#8211; a lot of horror and retro 90s characters and toys that all set the vibe and keep the room from getting boring. They make the artists that come in feel like they\u2019re in a homier place, and that vibe is just the type of person I am. It\u2019s not extra professional, which helps people really get creative.<\/p>\n<p><strong>What can we expect from Young Fyre in the future?<\/strong><\/p>\n<p>Look out for me and Trinidad\u2019s project, Black Filter. Look out for ERYS, Jaden\u2019s project. Look out for Tyler Cole &#8211; his project\u2019s going to be insane.<\/p>\n<p><strong>What advice would you give to your past self?<\/strong><\/p>\n<p>I would say, \u201cGo hard as hell right now more than ever and be fearless; do not give a shit about people&#8217;s opinions.\u201d I would say, \u201cAlign with the energies that work for you, and do not force yourself into circles that aren\u2019t for you.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Producer Young Fyre discusses producing Kehlani&#8217;s &#8220;Too Deep,&#8221; his studio setup, using loops to craft something original, and more.<\/p>\n","protected":false},"author":40,"featured_media":6131,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1694,1692,1659],"tags":[22,1635],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Young Fyre on producing Kehlani&#039;s &quot;Too Deep&quot; - Blog | Splice<\/title>\n<meta name=\"description\" content=\"Producer Young Fyre discusses producing Kehlani&#039;s &quot;Too Deep,&quot; his studio setup, using loops to craft something original, and more.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Young Fyre on producing Kehlani&#039;s &quot;Too Deep&quot; - Blog | Splice\" \/>\n<meta property=\"og:description\" content=\"Producer Young Fyre discusses producing Kehlani&#039;s &quot;Too Deep,&quot; his studio setup, using loops to craft something original, and more.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Splice\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Splice\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-17T16:00:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-08-06T18:50:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/04\/Young_Fyre-QA_BlogPost.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Splice Partners\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@splice\" \/>\n<meta name=\"twitter:site\" content=\"@splice\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Splice Partners\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/\"},\"author\":{\"name\":\"Splice Partners\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/1a6b61cf6a2d5d490b035dc956d94b3b\"},\"headline\":\"Young Fyre on producing Kehlani&#8217;s &#8220;Too Deep&#8221;\",\"datePublished\":\"2019-04-17T16:00:28+00:00\",\"dateModified\":\"2019-08-06T18:50:18+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/\"},\"wordCount\":1211,\"publisher\":{\"@id\":\"https:\/\/splice.com\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/04\/Young_Fyre-QA_BlogPost.png\",\"keywords\":[\"interview\",\"production life\"],\"articleSection\":[\"Artist Interviews\",\"Stories\",\"z.carousel\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/\",\"url\":\"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/\",\"name\":\"Young Fyre on producing Kehlani's \\\"Too Deep\\\" - Blog | Splice\",\"isPartOf\":{\"@id\":\"https:\/\/splice.com\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/04\/Young_Fyre-QA_BlogPost.png\",\"datePublished\":\"2019-04-17T16:00:28+00:00\",\"dateModified\":\"2019-08-06T18:50:18+00:00\",\"description\":\"Producer Young Fyre discusses producing Kehlani's \\\"Too Deep,\\\" his studio setup, using loops to craft something original, and more.\",\"breadcrumb\":{\"@id\":\"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/#primaryimage\",\"url\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/04\/Young_Fyre-QA_BlogPost.png\",\"contentUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/04\/Young_Fyre-QA_BlogPost.png\",\"width\":1280,\"height\":800,\"caption\":\"young-fyre-blog-post-featured-image\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/splice.com\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Young Fyre on producing Kehlani&#8217;s &#8220;Too Deep&#8221;\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/splice.com\/blog\/#website\",\"url\":\"https:\/\/splice.com\/blog\/\",\"name\":\"Splice Blog\",\"description\":\"An inside look at making music\",\"publisher\":{\"@id\":\"https:\/\/splice.com\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/splice.com\/blog\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/splice.com\/blog\/#organization\",\"name\":\"Splice\",\"alternateName\":\"Splice Sounds\",\"url\":\"https:\/\/splice.com\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2023\/09\/Splice-logo-black-background.png\",\"contentUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2023\/09\/Splice-logo-black-background.png\",\"width\":2928,\"height\":1540,\"caption\":\"Splice\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/Splice\",\"https:\/\/x.com\/splice\",\"https:\/\/www.instagram.com\/splice\/\",\"https:\/\/www.youtube.com\/@splice\",\"https:\/\/discord.com\/invite\/splice\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/1a6b61cf6a2d5d490b035dc956d94b3b\",\"name\":\"Splice Partners\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/7d94399a3605b5c4e64478c4393ef618?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/7d94399a3605b5c4e64478c4393ef618?s=96&d=mm&r=g\",\"caption\":\"Splice Partners\"},\"url\":\"https:\/\/splice.com\/blog\/author\/splicepartners\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Young Fyre on producing Kehlani's \"Too Deep\" - Blog | Splice","description":"Producer Young Fyre discusses producing Kehlani's \"Too Deep,\" his studio setup, using loops to craft something original, and more.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/","og_locale":"en_US","og_type":"article","og_title":"Young Fyre on producing Kehlani's \"Too Deep\" - Blog | Splice","og_description":"Producer Young Fyre discusses producing Kehlani's \"Too Deep,\" his studio setup, using loops to craft something original, and more.","og_url":"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/","og_site_name":"Blog | Splice","article_publisher":"https:\/\/www.facebook.com\/Splice","article_published_time":"2019-04-17T16:00:28+00:00","article_modified_time":"2019-08-06T18:50:18+00:00","og_image":[{"width":1280,"height":800,"url":"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/04\/Young_Fyre-QA_BlogPost.png","type":"image\/png"}],"author":"Splice Partners","twitter_card":"summary_large_image","twitter_creator":"@splice","twitter_site":"@splice","twitter_misc":{"Written by":"Splice Partners","Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/#article","isPartOf":{"@id":"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/"},"author":{"name":"Splice Partners","@id":"https:\/\/splice.com\/blog\/#\/schema\/person\/1a6b61cf6a2d5d490b035dc956d94b3b"},"headline":"Young Fyre on producing Kehlani&#8217;s &#8220;Too Deep&#8221;","datePublished":"2019-04-17T16:00:28+00:00","dateModified":"2019-08-06T18:50:18+00:00","mainEntityOfPage":{"@id":"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/"},"wordCount":1211,"publisher":{"@id":"https:\/\/splice.com\/blog\/#organization"},"image":{"@id":"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/#primaryimage"},"thumbnailUrl":"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/04\/Young_Fyre-QA_BlogPost.png","keywords":["interview","production life"],"articleSection":["Artist Interviews","Stories","z.carousel"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/","url":"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/","name":"Young Fyre on producing Kehlani's \"Too Deep\" - Blog | Splice","isPartOf":{"@id":"https:\/\/splice.com\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/#primaryimage"},"image":{"@id":"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/#primaryimage"},"thumbnailUrl":"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/04\/Young_Fyre-QA_BlogPost.png","datePublished":"2019-04-17T16:00:28+00:00","dateModified":"2019-08-06T18:50:18+00:00","description":"Producer Young Fyre discusses producing Kehlani's \"Too Deep,\" his studio setup, using loops to craft something original, and more.","breadcrumb":{"@id":"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/#primaryimage","url":"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/04\/Young_Fyre-QA_BlogPost.png","contentUrl":"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/04\/Young_Fyre-QA_BlogPost.png","width":1280,"height":800,"caption":"young-fyre-blog-post-featured-image"},{"@type":"BreadcrumbList","@id":"https:\/\/splice.com\/blog\/young-fyre-kehlani-too-deep\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/splice.com\/blog\/"},{"@type":"ListItem","position":2,"name":"Young Fyre on producing Kehlani&#8217;s &#8220;Too Deep&#8221;"}]},{"@type":"WebSite","@id":"https:\/\/splice.com\/blog\/#website","url":"https:\/\/splice.com\/blog\/","name":"Splice Blog","description":"An inside look at making music","publisher":{"@id":"https:\/\/splice.com\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/splice.com\/blog\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/splice.com\/blog\/#organization","name":"Splice","alternateName":"Splice Sounds","url":"https:\/\/splice.com\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/splice.com\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/splice.com\/blog\/wp-content\/uploads\/2023\/09\/Splice-logo-black-background.png","contentUrl":"https:\/\/splice.com\/blog\/wp-content\/uploads\/2023\/09\/Splice-logo-black-background.png","width":2928,"height":1540,"caption":"Splice"},"image":{"@id":"https:\/\/splice.com\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/Splice","https:\/\/x.com\/splice","https:\/\/www.instagram.com\/splice\/","https:\/\/www.youtube.com\/@splice","https:\/\/discord.com\/invite\/splice"]},{"@type":"Person","@id":"https:\/\/splice.com\/blog\/#\/schema\/person\/1a6b61cf6a2d5d490b035dc956d94b3b","name":"Splice Partners","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/splice.com\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/7d94399a3605b5c4e64478c4393ef618?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/7d94399a3605b5c4e64478c4393ef618?s=96&d=mm&r=g","caption":"Splice Partners"},"url":"https:\/\/splice.com\/blog\/author\/splicepartners\/"}]}},"_links":{"self":[{"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/posts\/6130"}],"collection":[{"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/comments?post=6130"}],"version-history":[{"count":1,"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/posts\/6130\/revisions"}],"predecessor-version":[{"id":6133,"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/posts\/6130\/revisions\/6133"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/media\/6131"}],"wp:attachment":[{"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/media?parent=6130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/categories?post=6130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/tags?post=6130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}