{"id":5980,"date":"2019-03-06T11:57:41","date_gmt":"2019-03-06T16:57:41","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=5980"},"modified":"2025-09-17T12:02:41","modified_gmt":"2025-09-17T16:02:41","slug":"how-chromeo-built-their-sound","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/how-chromeo-built-their-sound\/","title":{"rendered":"How Chromeo built their sound"},"content":{"rendered":"<h6 style=\"text-align: center;\">Photographs: Nathaniel Wood<\/h6>\n<h1>Patrick &#8220;P-Thugg&#8221; Gemayel breaks down the duo\u2019s extensive synth collection.<\/h1>\n<p>In 1978, Herbie Hancock released <em>Sunlight<\/em>, an album that delved further into the jazz legend\u2019s explorations of fusion, smooth jazz, R&amp;B, and electro funk. The record is noteworthy for Hancock\u2019s use of <a href=\"https:\/\/splice.com\/blog\/what-is-a-vocoder\/\" target=\"_blank\" rel=\"noopener noreferrer\">the vocoder,<\/a> an instrument and effect he\u2019d continue to utilize on future albums. Maybe not as noteworthy to listeners but noteworthy for music makers was <a href=\"http:\/\/mediad.publicbroadcasting.net\/p\/shared\/npr\/styles\/x_large\/nprshared\/201708\/541569870.jpeg\" target=\"_blank\" rel=\"noopener noreferrer\">the back cover.<\/a> It included a kind of lexicon to Hancock\u2019s music &#8211; a list of every synth, piece of gear, and keyboard that he used on the record. For P-Thugg, one-half of electro-funk outfit Chromeo, it was a revelation.<\/p>\n<p>\u201cHe listed everything,\u201d P-Thugg recalls. \u201cNot only does he show his setup, but it\u2019s listed in the credits.\u201d Next to a photograph of Hancock\u2019s own stage setup was a rundown of his entire synth and instrument rig, from his Sennheiser VSM 201 to his Minimoog and Yamaha Polyphonic. To an impressionable and young producer, this was his field guide for learning synthesis. \u201cIt was all pieces of the puzzle &#8211; so this sound is done by this.\u201d<\/p>\n<h6 style=\"text-align: center;\"><img decoding=\"async\" class=\"alignnone size-full wp-image-5981 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-1.png\" alt=\"chromeo-studio-essentials-in-post-01\" width=\"1500\" height=\"2000\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-1.png 1500w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-1-300x400.png 300w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-1-768x1024.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-1-191x255.png 191w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-1-1152x1536.png 1152w\" data-sizes=\"(max-width: 1500px) 100vw, 1500px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1500px; --smush-placeholder-aspect-ratio: 1500\/2000;\" \/><br \/>\n<em>From top to bottom: A Sequential Circuits Pro-One, Korg MS-20, and Korg Monopoly (left), a Moog Grandmother (center), and a\u00a0Mini-Moog, Nord Modular, and Dave Smith Prophet-5 (right)<\/em><\/h6>\n<p>We met P-Thugg at the Private Sector, Chromeo\u2019s studio in Burbank, California. The duo amass a collection of synths, hardware, instruments, and other sonic goods that are enough to rival the back cover of <em>Sunlight<\/em>. Yet, Chromeo started not in studios but in basements, like the one in Montreal, Canada where high school classmates P-Thugg and David &#8220;Dave 1&#8221; Macklovitch started their project. \u201cWe used to rent this smelly basement garage rehearsal room on Saturday mornings at 9:00 am. Just complete nerds. Throughout high school, we just kept rehearsing, playing, and writing songs. We barely ever played covers. We always played original songs.\u201d<\/p>\n<p>Back then, the duo was primarily writing and recording rock music, but their roots and musical passions originated in hip hop. In his teens, P-Thugg was listening primarily to rap records and playing guitar to samples before knowing what sampling even was. \u201cWhen I was 13, I discovered my grandmother\u2019s toy guitar. There was a song called <a href=\"https:\/\/www.youtube.com\/watch?v=6VYxQ8PfKVU\" target=\"_blank\" rel=\"noopener noreferrer\">\u201cBack By Dope Demand\u201d by King Bee<\/a> and I picked up the guitar line by ear.\u201d He then researched the track further: \u201cI later discovered the sample for this song, which was James Brown&#8217;s \u2018Funky Drummer,\u2019 and in my head, I was trying to figure out &#8211; \u2018how do you make this, and how do you produce music?&#8217;\u201d<\/p>\n<h6 style=\"text-align: center;\"><img decoding=\"async\" class=\"alignnone size-full wp-image-5982 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-2.png\" alt=\"chromeo-studio-essentials-in-post-02\" width=\"1500\" height=\"1125\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-2.png 1500w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-2-400x300.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-2-1024x768.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-2-340x255.png 340w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-2-768x576.png 768w\" data-sizes=\"(max-width: 1500px) 100vw, 1500px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1500px; --smush-placeholder-aspect-ratio: 1500\/1125;\" \/><br \/>\n<em>An MXR Drum Computer and Linn LM1\u00a0<\/em><\/h6>\n<p>The intro to \u201cBack By Dope Demand\u201d hints towards Chromeo\u2019s later, funkier ambitions. The first few seconds contains a pitched-down sample of <a href=\"https:\/\/www.youtube.com\/watch?v=WWqyJ46TLrY\" target=\"_blank\" rel=\"noopener noreferrer\">Herbie Hancock\u2019s \u201cWiggle Waggle,\u201d<\/a> and from there a love of all things funk music sparked, as did the drive to explore the sources of more hip hop samples. \u201cI started buying records, making a catalog in my head of which hip hop songs come from what sample and from what record.\u201d<\/p>\n<p>Although initially bonding over Led Zeppelin and Jimi Hendrix, Dave 1 shared both P-Thugg\u2019s passion for hip hop and interest in production. Maintaining a lineup, however, began to prove difficult. \u201cIt&#8217;s hard to keep a band going, and the nucleus was the both of us,\u201d P-Thugg explains. \u201cSo instead of a full band, we started producing.\u201d He bought an Akai S950 sampler to emulate the \u201ccrunchy, dirty drums\u201d of the hip hop records they loved. They experimented with Cakewalk&#8217;s software, learning to program their drums and sequence MIDI patterns. Around then, he also purchased his first synth &#8211; a Korg Micro Preset 500, a 32-note monophonic synth used by the likes of Jean-Michael Jarre and Brian Eno. \u201cIt had three sounds, but it was analog and I could do the portamento G Funk sound on it- I could do kind of a bass on it and I was happy,\u201d he recalls. \u201cWell, these are oscillators in my hands, it&#8217;s amazing.&#8221;<\/p>\n<h6 style=\"text-align: center;\"><img decoding=\"async\" class=\"alignnone size-full wp-image-5988 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-2.png\" alt=\"chromeo-studio-essentials-in-post-07\" width=\"2187\" height=\"1431\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-2.png 2187w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-2-400x262.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-2-1024x670.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-2-355x232.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-2-768x503.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-2-1536x1005.png 1536w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-2-2048x1340.png 2048w\" data-sizes=\"(max-width: 2187px) 100vw, 2187px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 2187px; --smush-placeholder-aspect-ratio: 2187\/1431;\" \/><br \/>\n<em>An E-MU Systems Emulator II and Roland Jupiter (left) and a Korg MS-20 and Korg Mono \/ Poly (right)<\/em><\/h6>\n<p>Their musical palette expanded alongside their interest in production as they evolved and incorporated elements of electronic music, funk, jazz, and rock. They dived deep into the repertoires of Daft Punk (\u201cthey would use funk samples the way hip hop producers would &#8211; it talked to us and touched us in a different way\u201d), Michael Jackson (\u201c&#8217;Thriller&#8217; was so clean and well-produced; you can hear all the layers and you can pretty much decipher what&#8217;s happening\u201d), and most consequentially, Zapp &amp; Roger. Known for their use of the talk box and influence on generations of G-funk, electro, and West Coast hip hop, Zapp &amp; Roger\u2019s \u201cMore Bounce To The Ounce\u201d convinced P-Thugg to buy a talk box and learn how to play keyboard. \u201cI always wanted to be a singer but I don\u2019t have the voice for it,\u201d he explains. \u201cWhen I discovered the talk box, that&#8217;s what made me start playing keys. This allowed me to sing and pour my feelings out.\u201d<\/p>\n<h6 style=\"text-align: center;\"><img decoding=\"async\" class=\"alignnone size-full wp-image-5985 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-4.png\" alt=\"chromeo-studio-essentials-in-post-04\" width=\"1500\" height=\"1125\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-4.png 1500w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-4-400x300.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-4-1024x768.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-4-340x255.png 340w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-4-768x576.png 768w\" data-sizes=\"(max-width: 1500px) 100vw, 1500px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1500px; --smush-placeholder-aspect-ratio: 1500\/1125;\" \/><br \/>\n<em>A Rocktron Banshee 2 Talk Box, played through a Yamaha DX100<\/em><\/h6>\n<p>The Chromeo sound began coming together, a synthesis of live music, sampling, vintage synthesizers, and their signature talk box toplines. They had a throwback sound that payed homage to the 70s and 80s while still feeling fresh and energetic. \u201cThe most important thing when you discover your passion, when you discover you want to make music,\u201d he advises, \u201cis having a style.\u201d They eventually linked up with Tiga, a DJ and record shop owner also based in Montreal, who signed the duo to Turbo Recordings. Together they released their debut record <em>She\u2019s in Control<\/em> in 2004 (including their first hit, \u201cNeedy Girl\u201d), followed by their 2007 breakout album <em>Fancy Footwork<\/em>. After signing to Atlantic Records, they released <em>Business Casual<\/em> (2010) and <em>White Women<\/em> (2014), continuing to develop their blend of electro-funk, soul, and nu disco while touring the world. In 2017, the duo decided to relocate studios to Burbank and built the Private Sector, a Batcave for all things synthesizer.<\/p>\n<p>Walking through a series of dark and winding hallways, you eventually enter into a space with wood-paneled walls, lined from floor to ceiling in synths. It feels as if you&#8217;ve time-traveled into the past and the future all at once. The back wall of the main studio is comprised of a grid of vinyls that serve as inspiration for the duo, and bits of paper notes cover the surface of the desk.<\/p>\n<h6 style=\"text-align: center;\"><img decoding=\"async\" class=\"alignnone size-full wp-image-5984 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-3-1.png\" alt=\"chromeo-studio-essentials-in-post-03\" width=\"1500\" height=\"1125\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-3-1.png 1500w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-3-1-400x300.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-3-1-1024x768.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-3-1-340x255.png 340w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-3-1-768x576.png 768w\" data-sizes=\"(max-width: 1500px) 100vw, 1500px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1500px; --smush-placeholder-aspect-ratio: 1500\/1125;\" \/><br \/>\n<em>An Ernie Ball Music Man electric bass<\/em><\/h6>\n<p>There\u2019s some new (a Moog Grandmother), some old (a pair of Juno-106s), some boutique (a Linn LM-1 drum machine), some small (a Roland MKS-80 rackmount), some enormous (a Midas mixing console), some stringed (a Music Man vintage bass) and of course, their signature sauce (a Rocktron Banshee 2 talk box run through a Yamaha DX100). P-Thugg recalls how the collection began: \u201cIt became mostly about sounding as close as possible to our favorite records, understanding what synths did what\u2026 that&#8217;s where the nerd job of collecting came in.\u201d He elaborates, \u201cIt\u2019s a matter of doing research and some dedicated listening. Collecting old records, looking at old videos. All you have left to decipher is which synths they used for what sounds.\u201d<\/p>\n<p>The work between the two Chromeo members is carefully delegated, both contributing production while focusing on different elements of the songwriting. P-Thugg typically lays down a solid foundation, and Dave 1 focuses on crafting melodies and hooks. \u201cI\u2019m usually the guy who&#8217;s silent,\u201d he explains. \u201cI&#8217;ll usually start chords, chord progressions, etc. I&#8217;m not so much of a melody guy &#8211; that&#8217;s mostly Dave&#8217;s department.\u201d He goes into a track already knowing the exact kinds of sounds they want to approach. \u201cI&#8217;ll usually already have an aesthetic to the production in my head, and then all that\u2019s left is to find the right sounds and go through the banks on the synths.\u201d<\/p>\n<h6 style=\"text-align: center;\"><img decoding=\"async\" class=\"alignnone size-full wp-image-5989 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-1.png\" alt=\"chromeo-studio-essentials-in-post-08\" width=\"2187\" height=\"1431\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-1.png 2187w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-1-400x262.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-1-1024x670.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-1-355x232.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-1-768x503.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-1-1536x1005.png 1536w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-dip-1-2048x1340.png 2048w\" data-sizes=\"(max-width: 2187px) 100vw, 2187px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 2187px; --smush-placeholder-aspect-ratio: 2187\/1431;\" \/><br \/>\n<em>From top to bottom: A Memorymoog, Roland Jupiter 8, and Yamaha DX5 (left), and an Electro-Harmonix Polyphase, Mu-Tron III, and Maestro Fuzz Tone (right)<\/em><\/h6>\n<p>Having such a collection necessitates getting to know every nook, knob, and preset for each synthesizer. Doing so allows you to hear a sound in your head and know exactly which synth you need to use to achieve it. \u201cI know all these synths by heart,\u201d P-Thugg tells us. \u201cI\u2019ll usually know &#8211; I want a Syntex pad on this, or I want the Korg Mono \/ Poly bass or the Memorymoog lead on this.\u201d An idea for a track could come down to two synths with seemingly identical presets. For example, \u201cIf I want a clavinet sound,\u201d he explains, \u201cI might want it from the Memorymoog and not from the Prophet-5. The texture is different and the quality is different.\u201d<\/p>\n<p>For the past century, synthesizers have represented all things new, exciting, challenging, and rule-breaking about creating music. They exist as both a time capsule for generations of music makers past and a taste of the future &#8211; just think about what new sounds, songwriting techniques, and experimentations await in every module. It\u2019s evident that P-Thugg\u2019s passion and knowledge for this equipment runs far deeper than being a fanatic collector or replicating old records. \u201cI just see these things as living people,\u201d he explains. \u201cIt is a voice. Sometimes the oscillators don\u2019t want to wind up and they\u2019re just not having it. They make a sound that\u2019ll never appear again, on that same synthesizer on that same patch. That\u2019s what gives you the soul of the synth.\u201d<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5986 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-5.png\" alt=\"chromeo-studio-essentials-in-post-05\" width=\"1500\" height=\"1125\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-5.png 1500w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-5-400x300.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-5-1024x768.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-5-340x255.png 340w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2019\/03\/chromeo-studio-essentials-5-768x576.png 768w\" data-sizes=\"(max-width: 1500px) 100vw, 1500px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1500px; --smush-placeholder-aspect-ratio: 1500\/1125;\" \/><\/p>\n<p>A bit of each of these synths find their way into \u201cChromeo: Analog Catalog Vol. 1,\u201d their first sample pack. The kit, with over 500 of Chromeo\u2019s signature sounds, provides a glimpse into their studio, not unlike the back cover of Hancock\u2019s <em>Sunlight<\/em>. There\u2019s a bit of Memorymoog, a bit of the Korg Mono \/ Poly, some Music Man bass loops, and much more. \u201cI\u2019m like an artisan cheesemaker,\u201d he laughs, \u201cwho made the cheese in his backyard.\u201d<\/p>\n<p>He considers the pack an homage to their lifetime of collecting synthesizers, and is particularly proud of the talk box samples. \u201cHaving the talk box on there was really important because it\u2019s one of the Chromeo trademarks.\u201d He calls the pack a gift to his 13-year-old self, who was just learning about synthesizers and sampling for the first time. \u201cIf I had this as a kid, I\u2019d think\u2026 Wow, amazing.\u201d<\/p>\n<p><a href=\"https:\/\/splice.com\/sounds\/splice\/chromeo-sample-pack\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Download &#8220;Chromeo: Analog Catalog Vol. 1&#8221; here.<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Patrick &#8220;P-Thugg&#8221; Gemayel of Chromeo shares how the duo arrived to their sound over years of exploring diverse influences and discovering new gear.<\/p>\n","protected":false},"author":39,"featured_media":5987,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1693,1692,1659],"tags":[1061,1254],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - 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