{"id":5515,"date":"2018-11-23T12:00:31","date_gmt":"2018-11-23T17:00:31","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=5515"},"modified":"2024-08-09T13:51:32","modified_gmt":"2024-08-09T17:51:32","slug":"manipulating-samples-gross-beat","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/manipulating-samples-gross-beat\/","title":{"rendered":"Manipulating samples with FL Studio&#8217;s Gross Beat"},"content":{"rendered":"<h6 style=\"text-align: center;\">Illustration:&nbsp;<a href=\"http:\/\/www.nivbavarsky.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Niv Bavarksy<\/a><\/h6>\n<h1>Gross Beat has made a big name for itself in the world of music production.<\/h1>\n<p><a href=\"https:\/\/www.image-line.com\/plugins\/Effects\/Gross+Beat\/\" target=\"_blank\" rel=\"noopener noreferrer\">Gross Beat<\/a> is a volume and time\/pitch automation effect VST made by Image-Line, the same company behind the popular DAW, FL Studio. Gross Beat can take a sample or instrument and apply a user-defined time and pitch shifting envelope. It can also automate volume to create gates and other similar effects, and even apply both volume and time\/pitch shift effects simultaneously. In this tutorial, you\u2019ll learn about Gross Beat\u2019s inner workings and how you can use Gross Beat to turn a simple sample into your own work of genius &#8211; let\u2019s get started.<\/p>\n<h2>Getting familiar with Gross Beat<\/h2>\n<p>We\u2019ll be using FL Studio 12 to showcase how you can use Gross Beat to soup up your Splice samples. First, let\u2019s take a look at the user interface. Add Gross Beat to any blank Mixer track and click on it to open the UI.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-5676 size-full lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/11\/Creating-Gross-Beat_ContentAssets_InPostArtboard-1-e1543266402725.png\" alt=\"manipulating-samples-gross-beat-01\" width=\"926\" height=\"695\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/11\/Creating-Gross-Beat_ContentAssets_InPostArtboard-1-e1543266402725.png 926w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/11\/Creating-Gross-Beat_ContentAssets_InPostArtboard-1-e1543266402725-400x300.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/11\/Creating-Gross-Beat_ContentAssets_InPostArtboard-1-e1543266402725-340x255.png 340w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/11\/Creating-Gross-Beat_ContentAssets_InPostArtboard-1-e1543266402725-768x576.png 768w\" data-sizes=\"(max-width: 926px) 100vw, 926px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 926px; --smush-placeholder-aspect-ratio: 926\/695;\" \/><\/p>\n<p>Let\u2019s run through the numbered items:<\/p>\n<ol>\n<li><strong>The time mix level knob<\/strong>&nbsp;changes how much of the time\/pitch effect is being applied to the Mixer track that Gross Beat is on, ranging from 0% to 100%.<\/li>\n<li><strong>The volume mix level knob<\/strong> changes how much of the volume effect envelope is being applied to the Mixer track, and also ranges from 0% to 100%.<\/li>\n<li><strong>The time slot preset bank<\/strong> stores time envelope presets.<\/li>\n<li><strong>The volume slot preset bank<\/strong> stores volume envelope presets.<\/li>\n<\/ol>\n<p>You can click on the set of arrows or the drop down menu at the top right of Gross Beat&#8217;s user interface to access presets that change the volume and time slot banks.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5533 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/gross-beat-presets.gif\" alt=\"manipulating-samples-gross-beat-06\" width=\"1042\" height=\"726\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1042px; --smush-placeholder-aspect-ratio: 1042\/726;\"><\/p>\n<p>Click a <strong>Time<\/strong> or <strong>Volume<\/strong> slot to change the active time or volume envelope to that specific slot preset.<\/p>\n<ol start=\"5\">\n<li style=\"list-style-type: none;\">\n<ol start=\"5\">\n<li><strong>The&nbsp;volume envelope attack knob<\/strong> controls how fast the volume envelope will reach its designated values when going from a lower volume to a higher volume, from 0 ms to 100 ms.<\/li>\n<li><strong>The volume envelope release knob<\/strong> controls how fast the volume envelope will reach its designated values when going from a higher volume to a lower volume, from 0 ms to 1000 ms.<\/li>\n<li><strong>The volume envelope tension knob<\/strong> controls the &#8216;springiness&#8217; of the <strong>ATT<\/strong> and <strong>REL<\/strong> knobs.<\/li>\n<li><strong>The time offset wheel<\/strong> can be clicked-and-dragged in real time to apply a time and pitch offset. This wheel is what is being automated by the <strong>Time<\/strong> envelope.<\/li>\n<li><strong>Grid snap presets<\/strong> allow for different snapping intervals for your control points.<\/li>\n<li>These buttons can be used to toggle between <strong>Volume<\/strong> envelope editing and <strong>Time<\/strong> envelope editing.<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n<h2>Using Gross Beat for gated vocal effects<\/h2>\n<p>Volume gates are used on vocals in a wide array of electronic music genres including trance and progressive house.&nbsp;Now that we\u2019re a little more familiar with how Gross Beat works, we can use it with <a href=\"https:\/\/splice.com\/features\/sounds\" target=\"_blank\" rel=\"noopener noreferrer\">Splice samples<\/a> to make our own gated vocal effects in FL Studio.<\/p>\n<p>In Gross Beat, volume automation is done using a grid. The horizontal position on the grid is time moving forward, and the vertical position on the grid is volume.<\/p>\n<p><strong>Step 1: Add a sample to the Playlist and match the sample tempo<\/strong><\/p>\n<p>I chose <a href=\"https:\/\/splice.com\/sounds\/samples\/ac9b82a65c799d34ff25c99cdc812f1861c003e6190134be29e30fbfa1474ea4\/splice-edm-vocals-dubstep-female-live-sounds-sample\" target=\"_blank\" rel=\"noopener noreferrer\">a nice vocal sample<\/a> from the<a href=\"https:\/\/splice.com\/sounds\/splice\/roniit-silk-vocal-samples\" target=\"_blank\" rel=\"noopener noreferrer\"> &#8220;Roniit Silk Vocal Samples&#8221;<\/a>&nbsp;pack on Splice. Once downloaded, just click and drag your sample from the FL Studio <strong>Browser\/Plugin picker<\/strong>&nbsp;to the <strong>Playlist<\/strong>.<\/p>\n<p>For the best effect, we need to change FL Studio\u2019s tempo setting to match the sample&#8217;s tempo. In this case, it\u2019s 125 BPM, as indicated in the sample file name and by the Splice library.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5537 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/drag-sample-to-playlist.gif\" alt=\"manipulating-samples-gross-beat-10\" width=\"1251\" height=\"962\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1251px; --smush-placeholder-aspect-ratio: 1251\/962;\"><\/p>\n<p>Also make sure that FL Studio is in <strong>Song<\/strong> mode, since we have the sample in the <strong>Playlist<\/strong>. Toggle it on or off using the button in the toolbar circled below:<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5529 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/Creating-Gross-Beat_ContentAssets_InPostArtboard-2.png\" alt=\"manipulating-samples-gross-beat-02\" width=\"1280\" height=\"368\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/Creating-Gross-Beat_ContentAssets_InPostArtboard-2.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/Creating-Gross-Beat_ContentAssets_InPostArtboard-2-400x115.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/Creating-Gross-Beat_ContentAssets_InPostArtboard-2-1024x294.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/Creating-Gross-Beat_ContentAssets_InPostArtboard-2-355x102.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/Creating-Gross-Beat_ContentAssets_InPostArtboard-2-768x221.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/368;\" \/><\/p>\n<p><b>Step 2: Route the sample to the Gross Beat Mixer track<\/b><\/p>\n<p>Find the newly-added sample in the <strong>Channel<\/strong> <strong>rack<\/strong> and route it to the Gross Beat <strong>Mixer track<\/strong>.<\/p>\n<p><img decoding=\"async\" class=\"size-full wp-image-5534 aligncenter lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/send-sample-to-mixer.gif\" alt=\"manipulating-samples-gross-beat-07\" width=\"615\" height=\"540\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 615px; --smush-placeholder-aspect-ratio: 615\/540;\"><\/p>\n<p>The sample gets sent through the Gross Beat patch, and then to the Master bus. Here&#8217;s what it sounds like:<\/p>\n<div id=\"mp3jWrap_0\" class=\"mjp-s-wrapper s-graphic unsel-mjp \" style=\"font-size:18px;\"><span id=\"playpause_wrap_mp3j_0\" class=\"wrap_inline_mp3j\" style=\"font-weight:700;\"><span class=\"gfxbutton_mp3j play-mjp\" id=\"playpause_mp3j_0\" style=\"font-size:18px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/span>&nbsp;<span class=\"group_wrap\"><span class=\"bars_mp3j\"><span class=\"loadB_mp3j\" id=\"load_mp3j_0\"><\/span><span class=\"posbarB_mp3j\" id=\"posbar_mp3j_0\"><\/span><\/span><span class=\"T_mp3j\" id=\"T_mp3j_0\" style=\"font-size:18px;\"><\/span><span class=\"indi_mp3j\" style=\"font-size:12.6px;\" id=\"statusMI_0\"><\/span><\/span><\/span><\/div><span class=\"s-nosolution\" id=\"mp3j_nosolution_0\" style=\"display:none;\"><\/span><script>\nMP3jPLAYLISTS.inline_0 = [\n\t{ name: \"\", formats: [\"mp3\"], mp3: \"aHR0cHM6Ly9zcGxpY2UuY29tL2Jsb2cvd3AtY29udGVudC91cGxvYWRzLzIwMTgvMTEvUk5UX3ZvY2FsX2JnX2hhcm1vbmllc18wMV8xMjRfQm1fZHJ5Lm1wMw==\", counterpart:\"\", artist: \"\", image: \"\", imgurl: \"\" }\n];\n<\/script>\n\n<script>MP3jPLAYERS[0] = { list: MP3jPLAYLISTS.inline_0, tr:0, type:'single', lstate:'', loop:false, play_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pause_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pp_title:'', autoplay:false, download:false, vol:100, height:'' };<\/script>\n<p><strong>Step 3: Change \u201cDefault\u201d to \u201cMomentary\u201d and select a trance gate<\/strong><\/p>\n<p>Next, open Gross Beat from the Mixer track and select <strong>\u201cMomentary\u201d<\/strong> from the drop down menu like earlier in the tutorial.<\/p>\n<p>A few trance gate options are available in the <strong>Volume<\/strong> slot preset bank. Just click one and hit <strong>&#8220;Play&#8221;<\/strong> in the FL Studio toolbar (or hit the spacebar) to hear the trance gate on your sample. I chose&nbsp;<strong>&#8220;Trance Gt 2&#8221;<\/strong> &#8211; here\u2019s what mine sounds like:<\/p>\n<div id=\"mp3jWrap_1\" class=\"mjp-s-wrapper s-graphic unsel-mjp \" style=\"font-size:18px;\"><span id=\"playpause_wrap_mp3j_1\" class=\"wrap_inline_mp3j\" style=\"font-weight:700;\"><span class=\"gfxbutton_mp3j play-mjp\" id=\"playpause_mp3j_1\" style=\"font-size:18px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/span>&nbsp;<span class=\"group_wrap\"><span class=\"bars_mp3j\"><span class=\"loadB_mp3j\" id=\"load_mp3j_1\"><\/span><span class=\"posbarB_mp3j\" id=\"posbar_mp3j_1\"><\/span><\/span><span class=\"T_mp3j\" id=\"T_mp3j_1\" style=\"font-size:18px;\"><\/span><span class=\"indi_mp3j\" style=\"font-size:12.6px;\" id=\"statusMI_1\"><\/span><\/span><\/span><\/div><span class=\"s-nosolution\" id=\"mp3j_nosolution_1\" style=\"display:none;\"><\/span><script>\nMP3jPLAYLISTS.inline_1 = [\n\t{ name: \"\", formats: [\"mp3\"], mp3: \"aHR0cHM6Ly9zcGxpY2UuY29tL2Jsb2cvd3AtY29udGVudC91cGxvYWRzLzIwMTgvMTEvUk5UX3ZvY2FsX2JnX2hhcm1vbmllc18wMV8xMjRfQm1fZ2F0ZWRfMTAwLm1wMw==\", counterpart:\"\", artist: \"\", image: \"\", imgurl: \"\" }\n];\n<\/script>\n\n<script>MP3jPLAYERS[1] = { list: MP3jPLAYLISTS.inline_1, tr:0, type:'single', lstate:'', loop:false, play_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pause_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pp_title:'', autoplay:false, download:false, vol:100, height:'' };<\/script>\n<p><strong>Step 4: Adjust the volume mix level and ATT\/REL knobs<\/strong><\/p>\n<p>Next, we can lower the <strong>Volume<\/strong> mix knob so that some of the dry sample mixes with the gated sample. It sounds a little less extreme, but it\u2019s ultimately subjective and completely up to you &#8211; I settled at 50%.<\/p>\n<p>You can also adjust the attack and release settings, but I would avoid using 0% for either of them, as this would create clicks due to very rapid changes in volume. I left the&nbsp;<strong>ATT<\/strong> at 2 ms (18%) and the <strong>REL<\/strong> at 4 ms (18%). Again, this is somewhat subjective &#8211; choose what sounds right for you and your vision for your track:<\/p>\n<div id=\"mp3jWrap_2\" class=\"mjp-s-wrapper s-graphic unsel-mjp \" style=\"font-size:18px;\"><span id=\"playpause_wrap_mp3j_2\" class=\"wrap_inline_mp3j\" style=\"font-weight:700;\"><span class=\"gfxbutton_mp3j play-mjp\" id=\"playpause_mp3j_2\" style=\"font-size:18px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/span>&nbsp;<span class=\"group_wrap\"><span class=\"bars_mp3j\"><span class=\"loadB_mp3j\" id=\"load_mp3j_2\"><\/span><span class=\"posbarB_mp3j\" id=\"posbar_mp3j_2\"><\/span><\/span><span class=\"T_mp3j\" id=\"T_mp3j_2\" style=\"font-size:18px;\"><\/span><span class=\"indi_mp3j\" style=\"font-size:12.6px;\" id=\"statusMI_2\"><\/span><\/span><\/span><\/div><span class=\"s-nosolution\" id=\"mp3j_nosolution_2\" style=\"display:none;\"><\/span><script>\nMP3jPLAYLISTS.inline_2 = [\n\t{ name: \"\", formats: [\"mp3\"], mp3: \"aHR0cHM6Ly9zcGxpY2UuY29tL2Jsb2cvd3AtY29udGVudC91cGxvYWRzLzIwMTgvMTEvUk5UX3ZvY2FsX2JnX2hhcm1vbmllc18wMV8xMjRfQm1fZ2F0ZWRfNTAubXAz\", counterpart:\"\", artist: \"\", image: \"\", imgurl: \"\" }\n];\n<\/script>\n\n<script>MP3jPLAYERS[2] = { list: MP3jPLAYLISTS.inline_2, tr:0, type:'single', lstate:'', loop:false, play_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pause_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pp_title:'', autoplay:false, download:false, vol:100, height:'' };<\/script>\n<h2>Creating your own volume slot<\/h2>\n<p>Gross Beat also gives you the option to create your own volume slots. Navigate to <strong>\u201cDefault\u201d<\/strong> again in the drop down menu. You can see 36 empty slots for both <strong>Volume<\/strong> and <strong>Time<\/strong>.<\/p>\n<p>Click on an empty volume slot, select a <strong>grid snap<\/strong>, and right-click in the grid to create your own control points. Click and drag the control points to move them around.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5536 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/custom-volume-slots.gif\" alt=\"manipulating-samples-gross-beat-09\" width=\"1044\" height=\"729\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1044px; --smush-placeholder-aspect-ratio: 1044\/729;\"><\/p>\n<h6 style=\"text-align: center;\"><em>When editing volume envelopes, the vertical position is volume and the horizontal position is time.<\/em><\/h6>\n<p>Right-click an existing control point to access a menu with additional options. You can delete points and change the way the line between two control points will behave, just like an automation clip &#8211; the<strong> \u201cHold\u201d<\/strong> mode is great for creating your own trance gates.<\/p>\n<h2>Gross Beat for time and pitch effects<\/h2>\n<p>We now move on to the other half of the plugin&#8217;s functionalities, time and pitch automation &#8211; these effects essentially do what a turntable does.&nbsp;Gross Beat can get pretty complicated, so I\u2019ve outlined a few simple concepts that can quickly get you started on making your own automations:<\/p>\n<ol>\n<li><em>The horizontal length<\/em> of a line is the amount of time that Gross Beat will play the sample.<\/li>\n<li><em>The<\/em> <em>slope<\/em> of a line determines the pitch shift of the sample (lines that are level have the same pitch shift).<\/li>\n<li><em>Returning to the slanted dark blue line<\/em> will restart sample playback.<\/li>\n<li>12 semitones = 1 octave, and 1 semitone = the amount of pitch shift between 2 adjacent keys on a keyboard<\/li>\n<\/ol>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5530 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/Creating-Gross-Beat_ContentAssets_InPostExample.png\" alt=\"manipulating-samples-gross-beat-03\" width=\"1280\" height=\"689\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/Creating-Gross-Beat_ContentAssets_InPostExample.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/Creating-Gross-Beat_ContentAssets_InPostExample-400x215.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/Creating-Gross-Beat_ContentAssets_InPostExample-1024x551.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/Creating-Gross-Beat_ContentAssets_InPostExample-355x191.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/Creating-Gross-Beat_ContentAssets_InPostExample-768x413.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/689;\" \/><\/p>\n<p>In the next section, let\u2019s look at how we can use this information.<\/p>\n<h2>Hard trap leads With Gross Beat<\/h2>\n<p><strong>Step 1: Choose a one-shot sample<\/strong><\/p>\n<p>Trap beats often use aggressive brass instruments as leads. I chose <a href=\"https:\/\/splice.com\/sounds\/samples\/39b1e2b72a4ec1ae7c1c6c88501269e7b51a81db6fc338bbff06581de943284c\/splice-trap-brass-&amp;-woodwinds-live-sounds-sample\" target=\"_blank\" rel=\"noopener noreferrer\">this one-shot brass sample from Splice<\/a>. Click and drag your sample into the <strong>Playlist<\/strong> from your <strong>Browser\/Plugin<\/strong> <strong>picker<\/strong>.<\/p>\n<p><strong>Step 2: Set a tempo<\/strong><\/p>\n<p>Next, set the tempo for the FL Studio session. There&#8217;s obviously a lot of variation from song to song, but approximately 70 &#8211; 90 BPM tends to work well as a starting range for trap.<\/p>\n<p><strong>Step 3: Make the sample one bar long<\/strong><\/p>\n<p>Next, go to the sample in the <strong>Playlist<\/strong>. Click the <strong>\u201cSlice\u201d<\/strong> tool, change your main grid to&nbsp;<strong>&#8220;Snap to Bar,&#8221;<\/strong> and chop off any part of the sample that runs over one bar in length. If your sample is shorter than a bar, you can shorten it to \u00bd bar and paste two samples, or \u00bc bar and paste four samples, depending on the length of your sample.<\/p>\n<p><img decoding=\"async\" class=\"size-full wp-image-5532 aligncenter lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/slice-sample.gif\" alt=\"manipulating-samples-gross-beat-05\" width=\"582\" height=\"429\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 582px; --smush-placeholder-aspect-ratio: 582\/429;\"><\/p>\n<p><strong>Step 4: Route the sample to a Gross Beat Mixer track<\/strong><\/p>\n<p>Just like we did in step 2 from the previous section of the tutorial, route the sample to a Gross Beat&nbsp;Mixer track.<\/p>\n<p><strong>Step 5: Open the default Gross Beat patch<\/strong><\/p>\n<p>Now open up the default Gross Beat patch, which contains all of the empty time and volume slots.<\/p>\n<p><strong>Step 6: Automate the time and pitch<\/strong><\/p>\n<p>Setting your Gross Beat snap value to 1\/12 or 1\/16 will give you finer control, but there are situations where you\u2019d want to use \u2153 or \u00bc. Start adding points by right-clicking &#8211;&nbsp;I like to begin with something simple in the first slot, and then I copy it into the second slot and make a few changes. You can repeat this process until you have a few progressively more complex-sounding time slot presets.<\/p>\n<h6 style=\"text-align: center;\"><img decoding=\"async\" class=\"alignnone size-full wp-image-5535 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/copy-state-paste-state.gif\" alt=\"manipulating-samples-gross-beat-08\" width=\"1050\" height=\"895\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1050px; --smush-placeholder-aspect-ratio: 1050\/895;\"><br \/>\n<em>Use the Copy and Paste states to copy slots. With step editing on, you can right-click and drag to erase points quickly.<\/em><\/h6>\n<p>You can use a combination of <strong>Hold<\/strong> and <strong>Single<\/strong> curve shape modes for your lines. If you right-click on a point, you can also shift the pitch of the sample being played prior to that point up or down by a semitone. Below are a few patterns I made &#8211; notice that the lines all return to the slanted blue line after the interval&#8217;s done playing.<\/p>\n<h6 style=\"text-align: center;\"><img decoding=\"async\" class=\"alignnone size-full wp-image-5531 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/time-slot-scroll-through.gif\" alt=\"manipulating-samples-gross-beat-04\" width=\"1051\" height=\"935\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1051px; --smush-placeholder-aspect-ratio: 1051\/935;\"><br \/>\n<em>Scrolling through the time slots, we can see the automation clip that controls which one is selected in the Playlist.<\/em><\/h6>\n<p>I ended up with 10 different slots and created an automation clip to automate which slot is selected. Just right-click a slot and click <strong>\u201cCreate automation clip\u201d<\/strong>&nbsp; &#8211; the height of the automation clip controls which slot is active. Here&#8217;s what it all sounds like:<\/p>\n<div id=\"mp3jWrap_3\" class=\"mjp-s-wrapper s-graphic unsel-mjp \" style=\"font-size:18px;\"><span id=\"playpause_wrap_mp3j_3\" class=\"wrap_inline_mp3j\" style=\"font-weight:700;\"><span class=\"gfxbutton_mp3j play-mjp\" id=\"playpause_mp3j_3\" style=\"font-size:18px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/span>&nbsp;<span class=\"group_wrap\"><span class=\"bars_mp3j\"><span class=\"loadB_mp3j\" id=\"load_mp3j_3\"><\/span><span class=\"posbarB_mp3j\" id=\"posbar_mp3j_3\"><\/span><\/span><span class=\"T_mp3j\" id=\"T_mp3j_3\" style=\"font-size:18px;\"><\/span><span class=\"indi_mp3j\" style=\"font-size:12.6px;\" id=\"statusMI_3\"><\/span><\/span><\/span><\/div><span class=\"s-nosolution\" id=\"mp3j_nosolution_3\" style=\"display:none;\"><\/span><script>\nMP3jPLAYLISTS.inline_3 = [\n\t{ name: \"\", formats: [\"mp3\"], mp3: \"aHR0cHM6Ly9zcGxpY2UuY29tL2Jsb2cvd3AtY29udGVudC91cGxvYWRzLzIwMTgvMTEvZ3Jvc3MtYmVhdC1oYXJkLXRyYXAtbGVhZHMubXAz\", counterpart:\"\", artist: \"\", image: \"\", imgurl: \"\" }\n];\n<\/script>\n\n<script>MP3jPLAYERS[3] = { list: MP3jPLAYLISTS.inline_3, tr:0, type:'single', lstate:'', loop:false, play_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pause_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pp_title:'', autoplay:false, download:false, vol:100, height:'' };<\/script>\n<h2>Wrapping up<\/h2>\n<p>It should now be clear why Gross Beat has gained so much popularity in the world of electronic music &#8211; it allows us to take any sample and make custom-built sounds to suit our needs. This versatile plugin may take some time to get the hang of, but proves to be a very powerful tool to any music producer, whether you\u2019re just starting out or you&#8217;re a seasoned pro.<\/p>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center\">Explore royalty-free one-shots, loops, FX, MIDI, and presets from leading artists, producers, and sound designers:<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/splice.com\/sounds\" target=\"_blank\" rel=\"noreferrer noopener\">Join Splice today<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In this tutorial, you\u2019ll learn about Gross Beat\u2019s inner workings and how you can use Gross Beat to turn a simple sample into your own work of genius.<\/p>\n","protected":false},"author":48,"featured_media":5517,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1850,1854,1696,1702],"tags":[1254],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Manipulating samples with FL Studio&#039;s Gross Beat - Blog | Splice<\/title>\n<meta name=\"description\" content=\"In this tutorial, you\u2019ll learn about Gross Beat\u2019s inner workings and how you can use Gross Beat to turn a simple sample into your own work of genius.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/splice.com\/blog\/manipulating-samples-gross-beat\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manipulating samples with FL Studio&#039;s Gross Beat - Blog | Splice\" \/>\n<meta property=\"og:description\" content=\"In this tutorial, you\u2019ll learn about Gross Beat\u2019s inner workings and how you can use Gross Beat to turn a simple sample into your own work of genius.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/splice.com\/blog\/manipulating-samples-gross-beat\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Splice\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Splice\" \/>\n<meta property=\"article:published_time\" content=\"2018-11-23T17:00:31+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-09T17:51:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/Creating-Gross-Beat_BlogPost-1024x640.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"640\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Nick Madaffari\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@splice\" \/>\n<meta name=\"twitter:site\" content=\"@splice\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nick Madaffari\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/splice.com\/blog\/manipulating-samples-gross-beat\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/splice.com\/blog\/manipulating-samples-gross-beat\/\"},\"author\":{\"name\":\"Nick Madaffari\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/1429b10d95df4784aeaf55e5b70cb77c\"},\"headline\":\"Manipulating samples with FL Studio&#8217;s Gross Beat\",\"datePublished\":\"2018-11-23T17:00:31+00:00\",\"dateModified\":\"2024-08-09T17:51:32+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/splice.com\/blog\/manipulating-samples-gross-beat\/\"},\"wordCount\":1718,\"publisher\":{\"@id\":\"https:\/\/splice.com\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/manipulating-samples-gross-beat\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/10\/Creating-Gross-Beat_BlogPost.png\",\"keywords\":[\"sounds\"],\"articleSection\":[\"DAW\",\"FL Studio\",\"Tips &amp; 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