{"id":5317,"date":"2018-09-13T09:58:22","date_gmt":"2018-09-13T13:58:22","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=5317"},"modified":"2020-09-22T19:03:10","modified_gmt":"2020-09-22T23:03:10","slug":"izotope-rx7-standard-feature-guide","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/izotope-rx7-standard-feature-guide\/","title":{"rendered":"How to use iZotope&#8217;s RX 7 Standard"},"content":{"rendered":"<h1>iZotope\u2019s RX is best known for its audio repair and enhancement capabilities, adored by the largest broadcast and post-production facilities across the globe.<\/h1>\n<p>That said, <a href=\"https:\/\/splice.com\/plugins\/9727-rx-7-standard-vst-au-by-izotope\" target=\"_blank\" rel=\"noopener noreferrer\">RX 7<\/a>, the latest version of the toolkit, also boasts various features that make it a powerful asset for commanding and elevating musical performances. Whether you\u2019re working with post production or music production, this feature guide will overview some of the essential components that you\u2019ll want to be aware of to get the most out of <a href=\"https:\/\/splice.com\/plugins\/9727-rx-7-standard-vst-au-by-izotope\" target=\"_blank\" rel=\"noopener noreferrer\">RX 7 Standard<\/a>.<\/p>\n<p><strong>Overview<\/strong><\/p>\n<p>RX 7 Standard has two primary components: the standalone <strong>RX Audio Editor<\/strong>, and a collection of plugins that can be used right within your DAW. We\u2019re going to focus primarily on the standalone editor, which hosts some of the most powerful functionalities RX 7 Standard has to offer (and also includes all of the individual plugins).<\/p>\n<p>When you open up the editor, you\u2019ll be greeted by a blank slate that looks something like this:<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-5333 size-full lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/01_when-opened-e1536851609126.png\" alt=\"izotope-rx-7-editor\" width=\"1280\" height=\"684\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/01_when-opened-e1536851609126.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/01_when-opened-e1536851609126-400x214.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/01_when-opened-e1536851609126-1024x547.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/01_when-opened-e1536851609126-355x190.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/01_when-opened-e1536851609126-768x410.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/684;\" \/><\/p>\n<p>To get started, select an audio file from your computer using the \u201c<strong>Open File<\/strong>\u201d button, or simply drag and drop it right into RX 7 Standard. Up to 16 audio files can be opened at a time, so feel free to work on many different audio files in parallel. Once an audio file is loaded up, the GUI will display a spectrogram representation of your waveform:<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-5334 size-full lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/03_rx-7-standard-editor-e1536851632491.png\" alt=\"izotope-rx-7-spectrogram\" width=\"1280\" height=\"694\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/03_rx-7-standard-editor-e1536851632491.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/03_rx-7-standard-editor-e1536851632491-400x217.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/03_rx-7-standard-editor-e1536851632491-1024x555.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/03_rx-7-standard-editor-e1536851632491-355x192.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/03_rx-7-standard-editor-e1536851632491-768x416.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/694;\" \/><\/p>\n<p><em><strong>Pro Tip:<\/strong> Want to see a standard waveform rather than a spectrogram display (or a little bit of both)? Use the slider on the bottom left of the GUI to adjust the <\/em>waveform \/ spectrogram<em> opacity:<\/em><\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-5335 size-full lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/02_slider-e1536851678204.png\" alt=\"izotope-rx-7-slider\" width=\"1280\" height=\"291\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/02_slider-e1536851678204.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/02_slider-e1536851678204-400x91.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/02_slider-e1536851678204-1024x233.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/02_slider-e1536851678204-355x81.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/02_slider-e1536851678204-768x175.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/291;\" \/><\/p>\n<p><span style=\"font-weight: 400;\">This is the basic setup for using RX 7 Standard &#8211; you can now begin editing and enhancing your audio using the modules accessible via the right-hand bar. Though we won\u2019t go through all of them, we\u2019ll highlight some key components &#8211; starting with <\/span><b>Music Rebalance.<\/b><\/p>\n<p><strong>Music Rebalance<\/strong><\/p>\n<p><iframe title=\"How to Use Music Rebalance in RX 7\" width=\"370\" height=\"208\" src=\"https:\/\/www.youtube.com\/embed\/kEauVQv2Quc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>One of the biggest new features introduced in RX 7 Standard is Music Rebalance, an intelligent tool that employs a machine learning-trained algorithm to identify <strong>voice<\/strong>, <strong>bass<\/strong>, <strong>percussion<\/strong> and <strong>other<\/strong> individual components within a greater mix. With Music Rebalance, a mix can be adjusted and re-animated regardless of whether you have the stems at hand. Subtly boost your bass and percussion, or fearlessly isolate or remove vocals from a track according to your needs.<\/p>\n<p>Once you click on the Music Rebalance feature, it\u2019ll open up a separate window that looks something like this:<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-5321 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/image1-1024x932.png\" alt=\"izotope-rx7-editor-music-rebalance\" width=\"535\" height=\"487\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/image1-1024x932.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/image1-400x364.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/image1-280x255.png 280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/image1-768x699.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/image1.png 1140w\" data-sizes=\"(max-width: 535px) 100vw, 535px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 535px; --smush-placeholder-aspect-ratio: 535\/487;\" \/><\/p>\n<p>Let\u2019s explore some of the adjustable parameters in greater detail:<\/p>\n<ul>\n<li><strong>Gain<\/strong> adjusts the dB level of the particular component (voice, bass, percussion, or other).<\/li>\n<li><strong>Sensitivity<\/strong> sets how strict the separation algorithm will be in defining what it considers to be a particular type of sound. Low values will contain less bleed in exchange for more artifacts, while higher values will contain more bleed in exchange for less artifacts. Note that the sensitivity values are relative to one another, meaning that setting all values to 3.0 is the same as setting all values to 9.0.<\/li>\n<li><strong>The separation algorithm<\/strong> determines how the module separates the sound sources, and can be set to <strong>channel independent,<\/strong> <strong>joint channel<\/strong>, or <strong>advanced joint channel <\/strong>mode. The channel independent mode offers the fastest but lowest quality separation, while the advanced joint channel mode takes more processing time but offers the highest quality separation.<\/li>\n<\/ul>\n<p><em><strong>Pro Tip:<\/strong><\/em>\u00a0<em>E<\/em><em>ach setting you create can be previewed, bypassed, compared, and rendered. Consider previewing a lower quality demo before comparing, since the latter can take some time to load. That said, the compare function is extremely helpful for experimenting with <\/em>and<em> A\/Bing different sensitivity and gain settings before choosing one to render.<\/em><\/p>\n<p><strong>Repair Assistant<\/strong><\/p>\n<p>Another significant addition brought to RX 7 Standard is\u00a0<strong>Repair Assistant<\/strong>, a feature that detects noise, clicks, sibilance, and more so that you can clean up your audio with more efficiency and effectivity than ever. You can access this intelligent helper by pressing Repair Assistant button on the top right corner of the application. This will initiate a menu that prompts you to identify a material type &#8211; <strong>dialogue<\/strong>, <strong>music<\/strong>, or <strong>other<\/strong>:<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-5336 size-full lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/05_source-select-e1536851705991.png\" alt=\"izotope-rx-7-source-select\" width=\"1280\" height=\"713\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/05_source-select-e1536851705991.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/05_source-select-e1536851705991-400x223.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/05_source-select-e1536851705991-1024x570.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/05_source-select-e1536851705991-355x198.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/05_source-select-e1536851705991-768x428.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/713;\" \/><\/p>\n<p>Once you select the appropriate source and hit \u201c<strong>Start analysis<\/strong>,\u201d Repair Assistant will begin analyzing your audio for issues in <strong>clipping<\/strong>, <strong>clicks<\/strong>, <strong>hum<\/strong>, and <strong>noise<\/strong>:<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-5337 size-full lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/06_analyzing-e1536851725932.png\" alt=\"izotope-rx-7-analyzing\" width=\"1280\" height=\"460\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/06_analyzing-e1536851725932.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/06_analyzing-e1536851725932-400x144.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/06_analyzing-e1536851725932-1024x368.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/06_analyzing-e1536851725932-355x128.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/06_analyzing-e1536851725932-768x276.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/460;\" \/><\/p>\n<p><em><strong>Pro Tip<\/strong>: Confident that your audio already sounds great? If Repair Assistant doesn\u2019t find any issues in these categories, it will still generate some subtle cleanup processing chains for you.<\/em><\/p>\n<p>After its analysis, Repair Assistant offers you three possible solutions with 10 second previews that can be easily compared and contrasted against the original audio:<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-5338 size-full lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/07_repair-assistant-e1536851749319.png\" alt=\"izotope-rx-7-repair-assistant\" width=\"1280\" height=\"736\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/07_repair-assistant-e1536851749319.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/07_repair-assistant-e1536851749319-400x230.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/07_repair-assistant-e1536851749319-1024x589.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/07_repair-assistant-e1536851749319-355x204.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/07_repair-assistant-e1536851749319-768x442.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/736;\" \/><\/p>\n<p><em><strong>Pro Tip:<\/strong> Use the intensity variant buttons (right below each preview spectrogram) to generate two additional intensity variations of a single processing chain:<\/em><\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-5339 size-full lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/08_intensity-variation-e1536851769446.png\" alt=\"izotope-rx-7-repair-assistant-intensity-variation\" width=\"1280\" height=\"742\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/08_intensity-variation-e1536851769446.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/08_intensity-variation-e1536851769446-400x232.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/08_intensity-variation-e1536851769446-1024x594.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/08_intensity-variation-e1536851769446-355x206.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/08_intensity-variation-e1536851769446-768x445.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/742;\" \/><\/p>\n<p><strong>De-bleed, de-ess, de-plosive, de-X<\/strong><\/p>\n<p>One of the first things you may have noticed about RX 7 Standard is how many \u2018de-somethings\u2019 occupy the list of modules:<\/p>\n<p><img decoding=\"async\" class=\"wp-image-5341 size-full aligncenter lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/09_de-everything-e1536851797171.png\" alt=\"izotope-rx-7-modules\" width=\"553\" height=\"720\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/09_de-everything-e1536851797171.png 553w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/09_de-everything-e1536851797171-307x400.png 307w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/09_de-everything-e1536851797171-196x255.png 196w\" data-sizes=\"(max-width: 553px) 100vw, 553px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 553px; --smush-placeholder-aspect-ratio: 553\/720;\" \/><\/p>\n<p>Most of these features address the need to attenuate something undesirable that was captured in a recording, and their parameters are pretty straightforward. Let\u2019s just quickly outline what each module targets:<\/p>\n<ul>\n<li><strong>De-bleed<\/strong> attenuates the leakage of one signal into another, most commonly used to combat microphone and headphone bleed.<\/li>\n<li><strong>De-click<\/strong> eliminates undesirable short impulses that are often the result of digital errors, mouth noises, etc.<\/li>\n<li><strong>De-clip<\/strong> removes digital and analog clipping artifacts, particularly useful for salvaging one-take recordings that would be perfect if not for a moment of clipping.<\/li>\n<li><strong>De-crackle<\/strong>\u00a0removes clicks that are close together in time and soft in volume,\u00a0great when utilized in conjunction with de-clip.<\/li>\n<li><strong>De-ess<\/strong> attenuates sibilance, most commonly used with vocal recordings.<\/li>\n<li><strong>De-hum<\/strong> targets and eliminates stable tonal noises, often caused by air conditioners or other electrical appliances.<\/li>\n<li><strong>De-plosive<\/strong> reduces plosives in a signal, particularly handy if a pop filter was not utilized during the recording process.<\/li>\n<li><strong>De-reverb<\/strong> allows you to control the amount of ambient space in a recording, using signal analysis techniques to propose optimal setting suggestions.<\/li>\n<\/ul>\n<p>Depending on whether you\u2019re doing post production, dialogue editing, music production, or something else altogether, you may find that you use some of these modules more than others. What\u2019s key is learning to identify what issue is present in your signal, and then finding the tool that addresses your particular issue (and for many of the most common problems, Repair Assistant is there to help you out). The above modules are all available as plugins too, which means they can be quickly accessed directly within your DAW.<\/p>\n<p>This concludes our tour of RX 7 Standard\u2019s key features &#8211; there\u2019s so much more to explore with the toolkit, but hopefully this guide gives you some starting points for you to get your feet wet. If you have a question, leave it in the comments below.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Music Rebalance and Repair Assistant are the newest features iZotope brings to RX 7 Standard &#8211; we take a look at how you can use them effectively in your productions.<\/p>\n","protected":false},"author":33,"featured_media":5319,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1696,1702],"tags":[1667,1680,159,333,1473,1726],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>How to use iZotope&#039;s RX 7 Standard - Blog | Splice<\/title>\n<meta name=\"description\" content=\"Music Rebalance and Repair Assistant are the newest features in iZotope&#039;s RX 7 audio repair and restoration plugin. 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