{"id":5284,"date":"2018-09-04T12:07:48","date_gmt":"2018-09-04T16:07:48","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=5284"},"modified":"2025-02-21T12:06:52","modified_gmt":"2025-02-21T17:06:52","slug":"recreating-kicks-punchbox","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/recreating-kicks-punchbox\/","title":{"rendered":"Recreating kicks by Kanye and Azealia Banks with Punchbox"},"content":{"rendered":"<h1>Just like Rocky Balboa, I never shy away from a challenge.<\/h1>\n<p>So when I was challenged to recreate three iconic kick drum sounds from modern popular music using only <a href=\"https:\/\/splice.com\/plugins\/8806418-punchbox-vst-au-by-d16-group\" target=\"_blank\" rel=\"noopener\">D16 Group\u2019s Punchbox drum synthesizer<\/a>, I did what the Rock would do; I drank six raw eggs, put on two layers of sweatpants, performed 200 one-armed push-ups, and bashed suspended sides of raw beef until my knuckles bled.<\/p>\n<p>I now invite you to accompany me on a journey through the vicissitudes and idiosyncrasies of Punchbox-exclusive sound design.\u00a0As you read this post and consume the video content that I have lovingly, painstakingly created for you, I highly recommend listening to the Rocky theme music in a separate tab.<\/p>\n<p>I&#8217;ve also included the final Punchbox patches for each song at the very end of this blog post.<\/p>\n<h2><strong>Kanye West&#8217;s \u201cLove Lockdown\u201d<\/strong><\/h2>\n<p>One of the many standouts from Kanye\u2019s seminal <em>808s and Heartbreak<\/em>, this instantly recognizable sound is the stuff of legend and needs no further introduction. Let\u2019s see how close we can get to this iconic sound using only Punchbox:<\/p>\n<p><iframe title=\"How to create the 808 from Kanye West&#039;s &quot;Love Lockdown&quot; | Punchbox\" width=\"370\" height=\"278\" src=\"https:\/\/www.youtube.com\/embed\/SW0BEXdeKaM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>The kick generator<\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5295 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-5.png\" alt=\"recreating-kicks-punchbox-08\" width=\"1280\" height=\"694\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-5.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-5-400x217.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-5-1024x555.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-5-355x192.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-5-768x416.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/694;\" \/><\/p>\n<p>It doesn\u2019t take professional sound design skills to choose an 808 emulator for <strong>the kick generator section<\/strong> of this patch. A long <strong>decay<\/strong>, short <strong>sweep time<\/strong>, and low <strong>tone<\/strong> setting create an expansive, clean, subby kick that will be perfect for distorting and resampling.<\/p>\n<p><strong>Tops<\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5300 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-1.png\" alt=\"recreating-kicks-punchbox-13\" width=\"1280\" height=\"738\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-1.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-1-400x231.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-1-1024x590.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-1-355x205.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-1-768x443.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/738;\" \/><\/p>\n<p>The reference track includes some click and punch, but the sub is definitely meant to shine through and act as the focal point of the kick sound. When experimenting with recreating this track, I started by simply tweaking the first preset, and since the click already sounded good, I didn\u2019t change any of the sample layers. I did knock the volume down pretty low, and I added a little bit of high pass filtering, but overall these generators aren\u2019t contributing too much to the final sound for this particular kick.<\/p>\n<p><strong>FX<\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5298 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-3.png\" alt=\"recreating-kicks-punchbox-11\" width=\"1280\" height=\"704\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-3.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-3-400x220.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-3-1024x563.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-3-355x195.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-3-768x422.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/704;\" \/><\/p>\n<p>This patch\u2019s \u201csecret sauce\u201d is the <strong>bitcrusher<\/strong>, which is set to 100% wet. By truncating the audio down to 10 bits, I\u2019ve introduced some crunchy digital noise to the sound. Next, I\u2019ll export the sound I created in this patch, then open it up again in another Punchbox patch. That way, I\u2019ll be able to play the sound in a tuned and key-tracked pattern while also retaining the nice crunchy noise, which will move with the sequence instead of being regenerated.<\/p>\n<p><strong>Resampling<\/strong><\/p>\n<p>Punchbox has a killer feature that\u2019s so small you might miss it at first, second, third, or fourth glance. The \u201c<strong>EXPORT<\/strong>\u201d function, despite its unassuming size and location in the GUI, was integral to my success in creating this patch.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5297 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-4.png\" alt=\"recreating-kicks-punchbox-10\" width=\"1280\" height=\"251\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-4.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-4-400x78.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-4-1024x201.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-4-355x70.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-4-768x151.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/251;\" \/><\/p>\n<p>Take a listen back to the first four bars of \u201cLove Lockdown.\u201d Those readers who are attempting to cultivate a sound designer\u2019s ear will notice that the artifacted noise that gives the original kick its panache does not remain fixed in frequency. In fact, the noise sounds to me like it&#8217;s keytracking with the MIDI pattern of the kick. While I can\u2019t speculate as to whether Kanye actually used resampling techniques to create the original sound, I found that using Punchbox\u2019s resampling features allowed me to produce a reasonable attempt at remaking the iconic sub.<\/p>\n<p>After exporting the sound I made in the description above, I reloaded it into Punchbox\u2019s sampler. I admit I cheated a <em>tiny<\/em> bit here by using Ableton\u2019s built-in Tuner effect to get the tuning perfectly right.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5299 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-2.png\" alt=\"recreating-kicks-punchbox-12\" width=\"1280\" height=\"636\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-2.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-2-400x199.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-2-1024x509.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-2-355x176.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-2-768x382.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/636;\" \/><\/p>\n<p>This resampler mostly just allows me to tune the kick, play it back using the right MIDI pattern, and add a very small amount of additional distortion. I\u2019ve also cut off some of the original\u2019s pop by adding a little attack time through the <strong>kick<\/strong> <strong>generator<\/strong>. Overall, I\u2019m really happy with how this recreation worked out.<\/p>\n<h2>Azealia Banks&#8217; \u201cAnna Wintour\u201d<\/h2>\n<p>I absolutely adore the sound of this kick drum. It\u2019s tastefully distorted, not too subby, and not too punchy. Perhaps more importantly, it\u2019s mixed beautifully into the rest of the track, providing a perfect foundation for Banks&#8217; vocals to shine. Producer Junior Sanchez, a New Jersey house legend, really delivered on this one. My attempt at recreating this sound is below:<\/p>\n<p><iframe title=\"How to Recreate the Kick in Azealia Bank\u2019s \u201cAnna Wintour\u201d | Punchbox\" width=\"370\" height=\"278\" src=\"https:\/\/www.youtube.com\/embed\/L6kPvviyUvs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>The kick generator<\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5288 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-13.png\" alt=\"recreating-kicks-punchbox-01\" width=\"1280\" height=\"750\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-13.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-13-400x234.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-13-1024x600.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-13-355x208.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-13-768x450.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/750;\" \/><\/p>\n<p>I used a sine wave for <strong>the kick generator section<\/strong> of this patch. These settings are pretty standard, but it\u2019s really important to keep the start and end frequency parameters in mind when designing kicks. In this patch, the sound is starting around 310 Hz and ending near 50 Hz (approximately G1). A snapshot of the original track\u2019s spectrum reveals the kick peaking somewhere in this range.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5291 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-11.png\" alt=\"recreating-kicks-punchbox-04\" width=\"1280\" height=\"243\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-11.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-11-400x76.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-11-1024x194.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-11-355x67.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-11-768x146.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/243;\" \/><\/p>\n<p><strong>Tops<\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5290 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-10.png\" alt=\"recreating-kicks-punchbox-03\" width=\"1280\" height=\"728\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-10.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-10-400x228.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-10-1024x582.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-10-355x202.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-10-768x437.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/728;\" \/><\/p>\n<p>These layers add critical timbral flavor to this recreation. I especially love the <strong>tops<\/strong> sample, \u201cCry For Help 2,\u201d for its spacious, hollow spectral characteristics. When I listened to the original track, I heard a scooped, squishy space to the kick that immediately piqued my interest. This tops sample really allowed that space to exist. The other two layers, \u201cTonal Supreme 3\u201d and \u201cDiggin\u2019,\u201d add modern sensibilities via more tonal, synthetic-feeling clicks. I used relatively mild filters to remove air and mud, while preserving the sound qualities that led me to choose these samples in the first place.<\/p>\n<p><strong>FX<\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5289 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-12.png\" alt=\"recreating-kicks-punchbox-02\" width=\"1280\" height=\"702\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-12.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-12-400x219.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-12-1024x562.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-12-355x195.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-12-768x421.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/702;\" \/><\/p>\n<p>This FX chain might appear aggressive, but it\u2019s really just tweaking a sound with which I&#8217;m already fairly satisfied. The <strong>bitcrusher<\/strong>, resampling around 3.5 kHz, and the <strong>distortion<\/strong>, driven to taste, provide this patch a pleasing punch. However, notice the <strong>FX amount<\/strong> knobs, which are conservatively set to pass a mostly dry signal.<\/p>\n<p>The real standout here is Punchbox\u2019s <strong>limiter<\/strong> module, whose quality continually surprises me. This aggressive limiting squashes the kick\u2019s extraordinary crispy transients while endowing the sound with a beautiful subby weight. While I don&#8217;t feel the sound of the attack is perfect, the limiter module helped me deliver a reasonable approximation of Junior Sanchez\u2019s distortion settings.<\/p>\n<h2><strong>Ghostemane&#8217;s \u201cMercury: Retrograde\u201d<\/strong><\/h2>\n<p>Ghostemane\u2019s music is aggressive, powerful, and visceral. You\u2019ve got to love this kick sound &#8211; distorted, driven, and in-your-face, but still subby enough to shake your rearview mirror. Recreating this sound was loads of fun, especially given Punchbox\u2019s delightfully simple <a href=\"https:\/\/splice.com\/blog\/what-is-skeuomorphism\/\" target=\"_blank\" rel=\"noopener\">skeuomorphic<\/a> GUI. As you\u2019ll see in the video below, the bass and kick sounds are distinct and layered together, so I remade both:<\/p>\n<p><iframe title=\"How to Recreate the Kick in Ghostemane\u2019s \u201cMercury: Retrograde\u201d | Punchbox\" width=\"370\" height=\"278\" src=\"https:\/\/www.youtube.com\/embed\/ph4txZnc5oM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>The sub bass: the generators section<\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5296 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-6.png\" alt=\"recreating-kicks-punchbox-09\" width=\"1280\" height=\"654\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-6.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-6-400x204.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-6-1024x523.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-6-355x181.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-6-768x392.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/654;\" \/><\/p>\n<p>Since we\u2019re going to be layering this sub bass with another kick drum patch, it\u2019s not necessary to emphasize the <strong>click<\/strong>, <strong>tops<\/strong>, or <strong>tools<\/strong> sections. While \u201cChoking A Rat 2\u201d might be one of my favorite sample names of all time, it\u2019s not doing too much in this patch. \u201cBarely 1\u201d and \u201cClose Up 5,\u201d however, are giving this patch a small energy boost through a subtle high-end burst, similar to layering an open hi-hat on the patch.<\/p>\n<p>When creating this sub bass patch, I planned to first create a clean sine wave, then distort the hell out of it. I\u2019m using relatively standard settings for this: the sine sweeps from ~330 to ~47 Hz to match the key of the track. I also jacked the <strong>hold<\/strong> portion of the amplitude envelope all the way up to ensure that we\u2019ve got a long, powerful bass sound that doesn\u2019t die as the note is held.<\/p>\n<p><strong>The sub bass: FX<\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5294 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-7.png\" alt=\"recreating-kicks-punchbox-07\" width=\"1280\" height=\"727\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-7.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-7-400x227.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-7-1024x582.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-7-355x202.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-7-768x436.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/727;\" \/><\/p>\n<p>Now for the really fun part &#8211; we\u2019ve got some noisy flavor added here from the <strong>bitcrusher<\/strong> quantizing the signal to 10 bits, but since its dry\/wet ratio is set relatively low, this is a subtle effect. I played around for quite a while to land on these <strong>distortion<\/strong> settings &#8211; the module is really providing a pleasant, round set of harmonics here. It took a significant amount of dialing in to achieve this effect, but in the end I used a bandpass filter around 120 Hz, coupled with some support from the <strong>equalizer<\/strong>\u00a0module to emphasize the ringing quality of the sub. Finally, I\u2019ve really pushed the <strong>limiter<\/strong> module to the point where it&#8217;s contributing its own sonic character to the patch instead of simply providing gain control.<\/p>\n<p>Eagle-eyed readers will also notice that I\u2019ve selected the option to <strong>mixdown<\/strong> after the first FX module. Although it\u2019s possible to re-order Punchbox\u2019s FX modules, I found it more expedient for this patch to simply initiate the mixdown after FX1 instead. This preference controls the point in the patch where the generators are mixed with the sends.<\/p>\n<p><strong>The kick: the generators section<\/strong><\/p>\n<p>This kick drum has a slightly different pattern than the 808, so I created a separate instance of Punchbox on a new MIDI track. Here, we\u2019ll focus on a punchier kick that cuts through the mix, leaving the sub some much-needed space to breathe.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5293 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-8.png\" alt=\"recreating-kicks-punchbox-06\" width=\"1280\" height=\"715\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-8.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-8-400x223.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-8-1024x572.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-8-355x198.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-8-768x429.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/715;\" \/><\/p>\n<p>You\u2019ve just got to love the names of these samples. Punchbox\u2019s layering capabilities are really important to this patch, since we\u2019re really looking for a convincing, transient punch. I\u2019ve used the \u201cStop Right There\u201d and \u201cAccelerator\u201d samples together here to emulate the sound of a bass drum beater &#8211; these two tonal clicks really work nicely in tandem. It\u2019s always fun to layer a clap on top of your kick drum for a little extra energy, which is what I\u2019ve done here with \u201cClap Your Hands,\u201d although the volume is low so this effect is quite subtle. The meat of this kick sound is coming from a <strong>909<\/strong> generator pitched to around 50 Hz. The result is a solid, meaty kick with a delightfully noisy click that will layer beautifully with the sub we\u2019ve created.<\/p>\n<p><strong>The kick: FX<\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5292 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-9.png\" alt=\"recreating-kicks-punchbox-05\" width=\"1280\" height=\"704\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-9.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-9-400x220.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-9-1024x563.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-9-355x195.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Punchbox_UGE_InPostArtboard-9-768x422.png 768w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/704;\" \/><\/p>\n<p>There\u2019s nothing too surprising about this FX chain. I\u2019m adding a reasonable amount of <strong>distortion<\/strong> by pushing the <strong>preamp<\/strong> gain up pretty high, but we\u2019re only at around 35% for the dry\/wet ratio, so a significant portion of the clean signal remains. A lowpass just under 3 kHz removes unwanted popping from the transient, while a few slight post-EQ notes help contour the sound before the <strong>limiter<\/strong> clips off the peaks. Coupled with our 808, this is a really potent, edgy bass section.<\/p>\n<p>I hope you enjoyed this foray into sound design with Punchbox as much as I did. If you liked reading this piece, give it a shot yourself. There\u2019s no better way to learn than by doing.<\/p>\n<p><strong><a href=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/Recreating-Kicks-in-Punchbox.zip\">Click here to download the final Punchbox patches for each of the songs.<\/a><\/strong><\/p>\n<p><a href=\"https:\/\/splice.com\/plugins\/8806418-punchbox-vst-au-by-d16-group\" target=\"_blank\" rel=\"noopener\"><strong>Design top-notch, never-before-heard, dancefloor-crushing kicks with Punchbox for $5.99\/mo until you own it outright.<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We recreate the kicks heard in Kanye West&#8217;s &#8220;Love Lockdown,&#8221; Azealia Banks&#8217; &#8220;Anna Wintour,&#8221; and Ghostemane&#8217;s &#8220;Mercury: Retrograde&#8221; using nothing but D16&#8217;s Punchbox.<\/p>\n","protected":false},"author":37,"featured_media":5285,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1696,1659],"tags":[1142,348,333,1473],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Recreating kicks by Kanye and Azealia Banks with Punchbox - Blog | Splice<\/title>\n<meta name=\"description\" content=\"Punchbox is D16&#039;s kick drum plugin that brings together the best of two worlds - the expressiveness of synthesis and the richness of sampling. In this article, we recreate the kicks heard in Kanye West&#039;s &quot;Love Lockdown,&quot; Azealia Banks&#039; &quot;Anna Wintour,&quot; and Ghostemane&#039;s &quot;Mercury: Retrograde&quot; using nothing but Punchbox.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/splice.com\/blog\/recreating-kicks-punchbox\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Recreating kicks by Kanye and Azealia Banks with Punchbox - Blog | Splice\" \/>\n<meta property=\"og:description\" content=\"Punchbox is D16&#039;s kick drum plugin that brings together the best of two worlds - the expressiveness of synthesis and the richness of sampling. In this article, we recreate the kicks heard in Kanye West&#039;s &quot;Love Lockdown,&quot; Azealia Banks&#039; &quot;Anna Wintour,&quot; and Ghostemane&#039;s &quot;Mercury: Retrograde&quot; using nothing but Punchbox.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/splice.com\/blog\/recreating-kicks-punchbox\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Splice\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Splice\" \/>\n<meta property=\"article:published_time\" content=\"2018-09-04T16:07:48+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-21T17:06:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/PB_NewUpdates_Blog-1024x683.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Max Rewak\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@splice\" \/>\n<meta name=\"twitter:site\" content=\"@splice\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Max Rewak\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/splice.com\/blog\/recreating-kicks-punchbox\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/splice.com\/blog\/recreating-kicks-punchbox\/\"},\"author\":{\"name\":\"Max Rewak\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/ac115eb79fc1d26dff55bbdd992c0bce\"},\"headline\":\"Recreating kicks by Kanye and Azealia Banks with Punchbox\",\"datePublished\":\"2018-09-04T16:07:48+00:00\",\"dateModified\":\"2025-02-21T17:06:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/splice.com\/blog\/recreating-kicks-punchbox\/\"},\"wordCount\":1794,\"publisher\":{\"@id\":\"https:\/\/splice.com\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/recreating-kicks-punchbox\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/PB_NewUpdates_Blog.png\",\"keywords\":[\"d16\",\"drums\",\"plugins\",\"rent-to-own\"],\"articleSection\":[\"Tips &amp; Tutorials\",\"z.carousel\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/splice.com\/blog\/recreating-kicks-punchbox\/\",\"url\":\"https:\/\/splice.com\/blog\/recreating-kicks-punchbox\/\",\"name\":\"Recreating kicks by Kanye and Azealia Banks with Punchbox - Blog | Splice\",\"isPartOf\":{\"@id\":\"https:\/\/splice.com\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/splice.com\/blog\/recreating-kicks-punchbox\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/recreating-kicks-punchbox\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/09\/PB_NewUpdates_Blog.png\",\"datePublished\":\"2018-09-04T16:07:48+00:00\",\"dateModified\":\"2025-02-21T17:06:52+00:00\",\"description\":\"Punchbox is D16's kick drum plugin that brings together the best of two worlds - the expressiveness of synthesis and the richness of sampling. 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