{"id":5119,"date":"2018-07-20T12:00:20","date_gmt":"2018-07-20T16:00:20","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=5119"},"modified":"2025-03-20T13:49:28","modified_gmt":"2025-03-20T17:49:28","slug":"how-top-songwriters-producers-use-splice","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/how-top-songwriters-producers-use-splice\/","title":{"rendered":"Studio Notes: How today’s top songwriters and pop producers are using Splice"},"content":{"rendered":"
Illustration: Cathryn Virginia<\/a><\/h6>\n

Splice has officially infiltrated the realm of pop production.<\/h1>\n

From Oak Felder crafting Demi Lovato\u2019s \u201cSorry Not Sorry\u201d with a Splice 808 and snap<\/a> to Ian Kirkpatrick using KRANE\u2019s iconic bamboo snare on Dua Lipa’s \u201cNew Rules,\u201d Splice<\/a> has become a primary toolkit for many of today\u2019s top producers and songwriters.\u00a0To get a look into how these artists are utilizing Splice, we spoke with Hook N Sling<\/a>, Mr Hudson<\/a>, SLY, and Steve Solomon in Los Angeles about how the platform fits into their workflow.<\/p>\n

Hook N Sling<\/h2>\n

Hook N Sling has conquered the electronic realm as both a DJ and a producer, but many may be surprised to find out that he\u2019s also carved out a substantial career in the pop world, writing with everyone from Neil Ormandy to James Newman.<\/p>\n

Splice plays an integral role in the Australian producer\u2019s workflow. \u201cIt\u2019s a lot quicker than digging through my terabytes of drum samples,\u201d he says. \u201cThe Splice stuff is a lot more usable than the sample libraries I have.\u201d<\/p>\n

Beyond this, Splice allows Hook N Sling to approach an array of genres with a fresh spin. \u201cI like taking sounds from other genres and putting them into what I\u2019m working on,\u201d he says. \u201cIf I\u2019m writing a house record, I don\u2019t use house sounds. I take sounds from a future bass pack, or from a hip hop pack, or a Flume-inspired pack.\u201d<\/p>\n

Mr Hudson<\/h2>\n

Mr Hudson has worn many hats over the course of his decade-plus career, having produced for everyone from Kanye West to Duran Duran, as well as more recently written alongside DJ Snake, Future, and more.<\/p>\n

For Mr Hudson, Splice has opened the door for greater creative output. \u201cSplice has allowed me to enjoy doing something that I was previously reluctant to do, which is to produce on the road,\u201d he says. \u201cNow I\u2019m doing productions in my hotel room on a good pair of headphones. I wasn\u2019t doing that before Splice. What was dead time is now time that I can make a beat.\u201d<\/p>\n

Beyond this, Splice has inspired Mr Hudson to explore sampling in novel ways. \u201cI love the fact that it\u2019s allowing me to use sounds that I wouldn\u2019t have used. Brass and strings for example, which are super corny if you use a preset, and super unwieldy and expensive in terms of time and logistics if you use human beings. But I know what\u2019s going to work when I chop up a loop from Splice.\u201d<\/p>\n

SLY<\/h2>\n

At just 25 years old, Danish producer SLY has already worked alongside Martin Garrix, Liam Payne, Tori Kelly, and more. As one of the more in-demand producers in Scandinavia at the moment, SLY utilizes Splice as a means to prepare for his various collaborative studio sessions.<\/p>\n

\u201cBefore a session, I\u2019ll open up Splice and I\u2019ll listen through samples and search through weird stuff,\u201d he says. \u201cWhenever I hear something good, I\u2019ll download it. I won\u2019t use it right away, but then when I\u2019m in the session, I\u2019ll open the tab and listen through and see if it works. Not having to spend two hours getting the right drum sound is huge. That way we can continue on what\u2019s actually important, which is writing the song.\u201d<\/p>\n

For SLY, Splice serves to keep the creativity flowing in his studio sessions. \u201cIt\u2019s about quickly being able to build a vibe that\u2019s inspiring,\u201d he says, \u201cSplice will never write a song<\/a> for you, but a song will never be written if no one is inspired.\u201d<\/p>\n

Steve Solomon<\/h2>\n

Steve Solomon originally hails from a rock background, but since crossing over to the pop world he has worked with everyone from James Arthur to Demi Lovato and Christina Perri. As someone who favors songwriting over the nitty-gritty technicality of sound design, Steve has found Splice\u2019s preset libraries to be a great source of inspiration.<\/p>\n

\u201cThe presets that are available through Splice, so many of them are amazing,\u201d Steve says. \u201cI feel like there are a lot of soft synths out there where the presets are close, but man, I wish they didn\u2019t have all that delay or reverb. With Splice, it seems like many of the presets are already really usable, which is great for me, because it gets us back to the point, which is ‘let\u2019s just make music.’\u201d<\/p>\n

In particular, Steve has found Serum<\/a> and its corresponding presets particularly useful. \u201cThere\u2019s this one called the \u2018Flume reese bass.\u2019 Man, that thing is amazing. Every time I pull it up, I\u2019m like, ‘Can I really use this again?’ I\u2019ve used it a lot, and it still sounds awesome. Having access to those kinds of things just gets you back to making music and creating more quickly.\u201d<\/p>\n

Explore over 2 million sounds from the artists you love, industry-leading sample labels, and more with Splice Sounds.<\/a><\/strong><\/p>\n\n\n

\n\n\n\n

Explore royalty-free sounds from leading artists, producers, and sound designers:<\/p>\n\n\n\n

\n
Join Splice today<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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