{"id":4756,"date":"2018-04-18T16:10:30","date_gmt":"2018-04-18T20:10:30","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=4756"},"modified":"2019-02-06T10:44:17","modified_gmt":"2019-02-06T15:44:17","slug":"output-movement-feature-guide","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/output-movement-feature-guide\/","title":{"rendered":"How to use Output\u2019s MOVEMENT"},"content":{"rendered":"<h1>MOVEMENT is a powerful effects engine that can add a unique and captivating rhythmic motion to any sound.<\/h1>\n<p>From adding subtleties to a synth pad in the studio to manipulating an entire track during a DJ live set, the possibilities of MOVEMENT are endless, confined only by your imagination. The unit allows you to inject rhythmic motion to an array of elements, from common parameters such as volume and panning to unique elements such as compressor warmth and filter resonance. This feature guide will overview some of the essential components of MOVEMENT that you\u2019ll want to be aware of to get the most out of the versatile plugin.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4757 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_1.png\" alt=\"output-movement-01\" width=\"1280\" height=\"695\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_1.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_1-355x193.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_1-400x217.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_1-768x417.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_1-1024x556.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_1-921x500.png 921w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_1-1200x652.png 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/695;\" \/><\/p>\n<h2>The engines<\/h2>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4758 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_2.png\" alt=\"output-movement-02\" width=\"1280\" height=\"755\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_2.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_2-355x209.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_2-400x236.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_2-768x453.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_2-1024x604.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_2-848x500.png 848w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_2-1200x708.png 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/755;\" \/><\/p>\n<p>The two engines on the left and right ends of the plugin\u2019s GUI (see above) are where you\u2019ll be accessing most of MOVEMENT\u2019s controls. Any audio entering MOVEMENT is sent to these engines, which each have two <strong>rhythm sources<\/strong>, four <strong>fx slots<\/strong>, <strong>volume<\/strong> and <strong>pan<\/strong> controls, and a <strong>VU<\/strong> <strong>meter<\/strong>. The overall idea of using MOVEMENT is to create a sense of motion by modulating various effects using the rhythm sources. Note that the two engines behave independently of each other &#8211; rhythms from <strong>engine A<\/strong> can\u2019t modulate parameters in <strong>engine B<\/strong>, and vice versa.<\/p>\n<p>Let\u2019s begin by taking a look at how the rhythm sources work, since they\u2019re the heart and soul of the ultimate sound we\u2019ll be getting. A rhythm source can be edited by hovering over its circular icon and clicking on it, which opens up an editor menu. This menu displays three tools that we can use to create rhythms for each source: a <strong>step sequencer<\/strong>, an <strong>LFO<\/strong>, and <strong>sidechaining<\/strong>.<\/p>\n<h2>1. The rhythm sources<\/h2>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4759 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_3.png\" alt=\"output-movement-03\" width=\"1280\" height=\"800\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_3.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_3-355x222.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_3-400x250.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_3-768x480.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_3-1024x640.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_3-800x500.png 800w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_3-1200x750.png 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/800;\" \/><\/p>\n<p>The <strong>step sequencer<\/strong> can have 1 to 32 steps and the adjustable rate automatically locks with your DAW\u2019s tempo. You can choose a pattern from a set of presets, generate one randomly, or build your own by clicking and dragging each orange bar.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4760 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_4.png\" alt=\"output-movement-04\" width=\"1280\" height=\"800\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_4.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_4-355x222.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_4-400x250.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_4-768x480.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_4-1024x640.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_4-800x500.png 800w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_4-1200x750.png 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/800;\" \/><\/p>\n<p><strong>Pro Tip:<\/strong> For additional nuance, try adjusting the <strong>step shape<\/strong> and <strong>swing<\/strong> values. The step shape changes the envelope of each step, customizing the attack and release characteristics of the modulation on a granular scale. Swing can be adjusted to divide the rhythmic pulse unevenly, creating a more human groove.<\/p>\n<p><strong>1.2 The LFO<\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4761 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_5.png\" alt=\"output-movement-05\" width=\"1280\" height=\"800\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_5.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_5-355x222.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_5-400x250.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_5-768x480.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_5-1024x640.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_5-800x500.png 800w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_5-1200x750.png 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/800;\" \/><\/p>\n<p>The <strong>LFO<\/strong> also creates rhythmic motion through an adjustable <strong>rate<\/strong>. MOVEMENT offers a total of twelve waveshapes to choose from, spanning the saw wave seen above to much more obscure waveforms.<\/p>\n<p><strong>Pro Tip:<\/strong> The waveform can be offset by manipulating the <strong>start phase<\/strong> parameter.<\/p>\n<p><strong>1.3 Sidechaining<\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4762 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_6.png\" alt=\"output-movement-06\" width=\"1280\" height=\"800\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_6.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_6-355x222.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_6-400x250.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_6-768x480.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_6-1024x640.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_6-800x500.png 800w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_6-1200x750.png 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/800;\" \/><\/p>\n<p>The third and final way to create a rhythm source is by <strong>sidechaining<\/strong> it to another track within your DAW. MOVEMENT analyzes the incoming signal and creates a corresponding envelope curve. Setting up sidechaining on plugins is different depending on your DAW, so <a href=\"https:\/\/output.com\/article\/sidechain\" target=\"_blank\" rel=\"noopener\">check out this page if you\u2019re not sure how to do so.<\/a> The following four values can be adjusted via the rotary knobs:<\/p>\n<ul>\n<li><strong>Gain<\/strong> adds volume to the input signal, increasing or decreasing the boosting \/ ducking.<\/li>\n<li><strong>Attack<\/strong> controls how long it takes for the modulation to kick in.<\/li>\n<li><strong>Release<\/strong> controls how long it takes for the modulation to return back to zero.<\/li>\n<li><strong>Offset<\/strong> allows you to syncopate the sidechaining with the input signal.<\/li>\n<\/ul>\n<h2>2. Using the rhythm sources to modulate parameters<\/h2>\n<p>Although we now know how to set up a rhythm source, the source alone doesn\u2019t do anything until we assign it to modulate a parameter. To do this, we simply drag our rhythm source onto the rotary knob of a different parameter (see below):<\/p>\n<p><a href=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_7-e1524063818985.png\"><img decoding=\"async\" class=\"alignnone wp-image-4763 size-full lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_7-e1524063818985.png\" alt=\"output-movement-07\" width=\"1132\" height=\"432\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_7-e1524063818985.png 1132w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_7-e1524063818985-355x135.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_7-e1524063818985-400x153.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_7-e1524063818985-768x293.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_7-e1524063818985-1024x391.png 1024w\" data-sizes=\"(max-width: 1132px) 100vw, 1132px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1132px; --smush-placeholder-aspect-ratio: 1132\/432;\" \/><\/a><\/p>\n<p>The example above shows us how to modulate <strong>volume<\/strong> using one of our rhythm sources. We can also just as easily modulate a range of other parameters within the effects units available (<strong>delay<\/strong>, <strong>filter<\/strong>, <strong>reverb<\/strong>, <strong>EQ<\/strong>, <strong>distortion<\/strong>, and <strong>compression<\/strong>), which can be accessed via the <strong>fx slots<\/strong>:<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4768 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_12.png\" alt=\"output-movement-12\" width=\"1280\" height=\"709\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_12.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_12-355x197.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_12-400x222.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_12-768x425.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_12-1024x567.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_12-903x500.png 903w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_12-1200x665.png 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/709;\" \/><\/p>\n<p>The gray slider underneath the knob is the <strong>rhythm slider<\/strong>, which allows you to fine-tune the intensity of the rhythmic modulation applied to the designated parameter.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4769 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_13.png\" alt=\"output-movement-13\" width=\"1280\" height=\"354\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_13.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_13-355x98.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_13-400x111.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_13-768x212.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_13-1024x283.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_13-1200x332.png 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/354;\" \/><\/p>\n<p><strong>Pro Tip:<\/strong> A cool parameter worth modulating is the <strong>rate<\/strong> of a different rhythm source, which can be done by turning on <strong>flux<\/strong>. This creates a fluctuating rhythmic rate that\u2019s unique but still very musical in nature:<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4770 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_14.png\" alt=\"output-movement-14\" width=\"1280\" height=\"719\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_14.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_14-355x199.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_14-400x225.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_14-768x431.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_14-1024x575.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_14-890x500.png 890w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_14-1200x674.png 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/719;\" \/><\/p>\n<h2>3. Using the XY Pad to automate modulation parameters<\/h2>\n<p>The <strong>XY Control<\/strong> feature can be applied to a parameter by right clicking over the rotary knob:<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4771 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_15.png\" alt=\"output-movement-15\" width=\"1280\" height=\"399\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_15.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_15-355x111.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_15-400x125.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_15-768x239.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_15-1024x319.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_15-1200x374.png 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/399;\" \/><\/p>\n<p>All parameters that are assigned the XY Control feature will have a small circular XY Control icon attached to them. This is important to be aware of, since many presets will have this icon already attached to a range of parameters:<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4772 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_16.png\" alt=\"output-movement-16\" width=\"1280\" height=\"353\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_16.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_16-355x98.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_16-400x110.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_16-768x212.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_16-1024x282.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_16-1200x331.png 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/353;\" \/><\/p>\n<p>These parameters will be automatically automated when you adjust the <strong>XY Pad<\/strong> in the center of the GUI:<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4773 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_Artboard-16.png\" alt=\"output-movement-17\" width=\"1280\" height=\"680\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_Artboard-16.png 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_Artboard-16-355x189.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_Artboard-16-400x213.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_Artboard-16-768x408.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_Artboard-16-1024x544.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_Artboard-16-941x500.png 941w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Output_InPost_Artboard-16-1200x638.png 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/680;\" \/><\/p>\n<p>Moving the XY Control icon on this pad vertically impacts the rotary knobs with XY Control in <strong>engine A<\/strong>, whereas moving the icon horizontally impacts the parameters with XY Control in <strong>engine B<\/strong>. This feature is a handy way to adjust a group of parameters with one motion. The dial above the pad is another useful global feature, allowing you to adjust the <strong>dry \/ wet ratio<\/strong> of the entire plugin.<\/p>\n<p>This concludes our tour of MOVEMENT\u2019s main features! The plugin might feel a little daunting at first, primarily because it operates on the principle of making every last detail customizable. At the end of the day the best way to get a hang of MOVEMENT is through firsthand experimentation, and hopefully this feature guide helps in getting you started.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This feature guide explores Output&#8217;s MOVEMENT, a plugin that allows you to inject rhythmic motion to an expansive array of parameters.<\/p>\n","protected":false},"author":33,"featured_media":4774,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1696,1702],"tags":[1680,1681,1662,333,1473],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>How to use Output\u2019s MOVEMENT - Blog | Splice<\/title>\n<meta name=\"description\" content=\"This feature guide explores Output&#039;s MOVEMENT, a plugin that allows you to inject rhythmic motion to an expansive array of parameters.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/splice.com\/blog\/output-movement-feature-guide\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How to use Output\u2019s MOVEMENT - Blog | Splice\" \/>\n<meta property=\"og:description\" content=\"This feature guide explores Output&#039;s MOVEMENT, a plugin that allows you to inject rhythmic motion to an expansive array of parameters.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/splice.com\/blog\/output-movement-feature-guide\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Splice\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Splice\" \/>\n<meta property=\"article:published_time\" content=\"2018-04-18T20:10:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-02-06T15:44:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Abstract_BlogImage.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Harrison Shimazu\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/bitly.com\/namaboku-twt\" \/>\n<meta name=\"twitter:site\" content=\"@splice\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Harrison Shimazu\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/splice.com\/blog\/output-movement-feature-guide\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/splice.com\/blog\/output-movement-feature-guide\/\"},\"author\":{\"name\":\"Harrison Shimazu\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/1ed73f890efad66c4808440680e9e50d\"},\"headline\":\"How to use Output\u2019s MOVEMENT\",\"datePublished\":\"2018-04-18T20:10:30+00:00\",\"dateModified\":\"2019-02-06T15:44:17+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/splice.com\/blog\/output-movement-feature-guide\/\"},\"wordCount\":924,\"publisher\":{\"@id\":\"https:\/\/splice.com\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/output-movement-feature-guide\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/04\/Abstract_BlogImage.png\",\"keywords\":[\"feature guide\",\"movement\",\"output\",\"plugins\",\"rent-to-own\"],\"articleSection\":[\"Tips &amp; 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