{"id":4596,"date":"2018-03-15T13:23:24","date_gmt":"2018-03-15T17:23:24","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=4596"},"modified":"2019-02-06T10:48:00","modified_gmt":"2019-02-06T15:48:00","slug":"feature-guide-of-d16-toraverb2","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/feature-guide-of-d16-toraverb2\/","title":{"rendered":"How to use D16\u2019s Toraverb 2"},"content":{"rendered":"<h1>Unlike other plugins on the market, D16\u2019s Toraverb 2 isn\u2019t designed to be a spring, hall, plate, or room reverb &#8211; rather, it\u2019s none and all of these things.<\/h1>\n<p>Designed to be a \u201cconcept algorithm reverb,\u201d Toraverb 2 allows the user to create <em>any<\/em> type of reverb from the ground up. This feature guide will overview some of the essential components of Toraverb 2 that you\u2019ll want to be aware of to get the most out of the powerful plugin.<\/p>\n<h2>1. The pre-delay section<\/h2>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4593 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B01.jpg\" alt=\"D16-Toraverb-01\" width=\"1280\" height=\"536\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B01.jpg 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B01-355x149.jpg 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B01-400x168.jpg 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B01-768x322.jpg 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B01-1024x429.jpg 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B01-1194x500.jpg 1194w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B01-1200x503.jpg 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/536;\" \/><\/p>\n<p><strong>The pre-delay section<\/strong> controls the delay between the dry signal and the reverb. While the pre-delay is displayed in milliseconds by default,<strong> the sync button<\/strong> can be pressed to switch the display to show a adjustable rhythmic value that\u2019s synced to your DAW.<\/p>\n<h2>2. The early \/ late reflections section<\/h2>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4597 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B02.jpg\" alt=\"D16-Toraverb2-02\" width=\"1280\" height=\"536\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B02.jpg 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B02-355x149.jpg 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B02-400x168.jpg 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B02-768x322.jpg 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B02-1024x429.jpg 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B02-1194x500.jpg 1194w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B02-1200x503.jpg 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/536;\" \/><\/p>\n<p>The sound reflections that make up a reverb can be divided into two categories: early and late reflections. Early reflections are the first signs of reverb that arrive to your ear, where the sound only bounces off of one surface, whether that be the floor, a ceiling, or wall. Late reflections follow, arriving to our ears after bouncing off of multiple surfaces. <strong>The early \/ late reflections section<\/strong> of Toraverb 2 offers a host of parameters that can be modified separately for the two reflection types by switching between the tabs at the top of the display. The parameters are as follows:<\/p>\n<ul>\n<li><strong>Size<\/strong> determines how large or small the emulated room is.<\/li>\n<li><strong>Bass cut<\/strong> removes frequencies below a selected threshold.<\/li>\n<li><strong>Crosstalk<\/strong> controls the amount of signal leaked from the left channel to the right, and vice versa.<\/li>\n<li><strong>Attenuation<\/strong> tames the reverb by adding damping properties to the space.<\/li>\n<li><strong>Diffusion<\/strong> defines a reflecting surface\u2019s ability to spread sound energy. If set to <strong>Sharp<\/strong>, the reflecting surface is completely flat, while if set to <strong>Smooth<\/strong>, the surface distorts the wave and scatters it in various directions.<\/li>\n<li><strong>Modulation<\/strong> can also be applied separately to the early and late reflections.<\/li>\n<\/ul>\n<h2>3. The parametric EQ section<\/h2>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4598 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B03.jpg\" alt=\"D16-Toraverb2-03\" width=\"1280\" height=\"536\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B03.jpg 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B03-355x149.jpg 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B03-400x168.jpg 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B03-768x322.jpg 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B03-1024x429.jpg 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B03-1194x500.jpg 1194w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B03-1200x503.jpg 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/536;\" \/><\/p>\n<p>Processing power can be preserved by using Toraverb 2\u2019s built-in EQ module to sculpt your reverb. Low shelf, bell, and high shelf EQ types are available, and gain, cutoff \/ center frequency, and bandwidth can be adjusted for further fine-tuning.<\/p>\n<h2>4. The early \/ late reflections mixer<\/h2>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4599 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B04.jpg\" alt=\"D16-Toraverb2-04\" width=\"1280\" height=\"536\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B04.jpg 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B04-355x149.jpg 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B04-400x168.jpg 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B04-768x322.jpg 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B04-1024x429.jpg 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B04-1194x500.jpg 1194w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B04-1200x503.jpg 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/536;\" \/><\/p>\n<p>This section controls the mix of the signals coming from <strong>the early \/ late reflection section<\/strong> described above. The mixer allows you to adjust the panning of the left \/ right (or mid \/ side) channels independently for the early and late reflections, in addition to the gain of each.<\/p>\n<h2>5. The master section<\/h2>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4600 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B05.jpg\" alt=\"D16-Toraverb2-05\" width=\"1280\" height=\"536\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B05.jpg 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B05-355x149.jpg 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B05-400x168.jpg 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B05-768x322.jpg 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B05-1024x429.jpg 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B05-1194x500.jpg 1194w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Tekturon-B05-1200x503.jpg 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/536;\" \/><\/p>\n<p>The final section of the plugin is <strong>the master section<\/strong>, where the following global features are set:<\/p>\n<ul>\n<li><strong>FX<\/strong> influences the dry \/ wet balance of the output.\n<ul>\n<li><strong>Pro Tip:<\/strong> The padlock icon can be clicked to keep the dry \/ wet ratio constant, even when switching between different presets.<\/li>\n<\/ul>\n<\/li>\n<li><strong>FX curve<\/strong> defines how the plugin transitions between the dry and wet signals.<\/li>\n<li><strong>Ducking<\/strong> controls the strength of a compressor that attenuates the reverb proportionally to the changing volume levels of the dry signal.<\/li>\n<li><strong>Att. \/ Rel.<\/strong> adjusts the speed of the ducking\u2019s attack and release times.<\/li>\n<\/ul>\n<p>We hope you found this tour of Toraverb 2\u2019s features useful! If you have a question, leave it in the comments below.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This feature guide explores Toraverb 2, a \u201cconcept algorithm reverb\u201d that allows the user to create any type of reverb from the ground up.<\/p>\n","protected":false},"author":33,"featured_media":4601,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1696,1702],"tags":[1142,1680,333,1473,546],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>How to use D16\u2019s Toraverb 2 - Blog | Splice<\/title>\n<meta name=\"description\" content=\"This feature guide explores Toraverb 2, a \u201cconcept algorithm reverb\u201d that allows the user to create any type of reverb from the ground up.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/splice.com\/blog\/feature-guide-of-d16-toraverb2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How to use D16\u2019s Toraverb 2 - Blog | Splice\" \/>\n<meta property=\"og:description\" content=\"This feature guide explores Toraverb 2, a \u201cconcept algorithm reverb\u201d that allows the user to create any type of reverb from the ground up.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/splice.com\/blog\/feature-guide-of-d16-toraverb2\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Splice\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Splice\" \/>\n<meta property=\"article:published_time\" content=\"2018-03-15T17:23:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-02-06T15:48:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/toraverb2_BlogImage.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Harrison Shimazu\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/bitly.com\/namaboku-twt\" \/>\n<meta name=\"twitter:site\" content=\"@splice\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Harrison Shimazu\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/splice.com\/blog\/feature-guide-of-d16-toraverb2\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/splice.com\/blog\/feature-guide-of-d16-toraverb2\/\"},\"author\":{\"name\":\"Harrison Shimazu\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/1ed73f890efad66c4808440680e9e50d\"},\"headline\":\"How to use D16\u2019s Toraverb 2\",\"datePublished\":\"2018-03-15T17:23:24+00:00\",\"dateModified\":\"2019-02-06T15:48:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/splice.com\/blog\/feature-guide-of-d16-toraverb2\/\"},\"wordCount\":548,\"publisher\":{\"@id\":\"https:\/\/splice.com\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/feature-guide-of-d16-toraverb2\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/toraverb2_BlogImage.jpg\",\"keywords\":[\"d16\",\"feature guide\",\"plugins\",\"rent-to-own\",\"reverb\"],\"articleSection\":[\"Tips &amp; 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