{"id":4585,"date":"2018-03-15T13:23:19","date_gmt":"2018-03-15T17:23:19","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=4585"},"modified":"2019-02-06T10:48:23","modified_gmt":"2019-02-06T15:48:23","slug":"feature-guide-of-d16-antresol","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/feature-guide-of-d16-antresol\/","title":{"rendered":"How to use D16\u2019s Antresol"},"content":{"rendered":"<h1>D16\u2019s Antresol brings the classic sound of an analog BBD stereo flanger back to life with unrivaled precision.<\/h1>\n<p>An authentic virtual emulation of physical circuitry allows for the manipulation of expected parameters as well as intricate nuances. This feature guide will overview some of the essential components of Antresol that you\u2019ll want to be aware of to get the most out of the plugin.<\/p>\n<h2>1. The true BBD section<\/h2>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4586 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B01.jpg\" alt=\"D16-Antresol-01\" width=\"1280\" height=\"587\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B01.jpg 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B01-355x163.jpg 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B01-400x183.jpg 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B01-768x352.jpg 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B01-1024x470.jpg 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B01-1090x500.jpg 1090w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B01-1200x550.jpg 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/587;\" \/><\/p>\n<p><strong>True BBD<\/strong> is the life and blood of the flanger, and what gives Antresol its sonic authenticity. BBD, short for Bucket Brigade Device, refers to a discrete time delay line composed of buffered condensers. If that sentence went over your head, no need to worry &#8211; you don\u2019t have to understand every fine detail of a BBD schematic to use Antresol, beyond knowing that it\u2019s a staple device used by some traditional analog gear (check out <a href=\"https:\/\/www.electrosmash.com\/mn3007-bucket-brigade-devices\">this document<\/a> if you\u2019re looking for a more technical look). While digital signal processing has replaced most bucket brigades, Antresol recreates the delay line for its distinct analog sound, and provides the user with control over its basic parameters:<\/p>\n<ul>\n<li><strong>BBD Length<\/strong> controls the delay line\u2019s buffer length.<\/li>\n<li><strong>The LFO to Clock Voltage Curve<\/strong> determines how values generated by low frequency oscillators are converted to series of impulses for the BBD line oscillator clock.\n<ul>\n<li><strong>Mistress<\/strong> emulates a classic flanger, creating larger change dynamics for smaller delays and vice versa.<\/li>\n<li><strong>Linear<\/strong> establishes a 1:1 relationship between the LFO and the clock.<\/li>\n<li><strong>Concave<\/strong> is the opposite of Mistress, creating larger change dynamics for large delays and smaller change dynamics for small delays.<\/li>\n<\/ul>\n<\/li>\n<li><strong>The Frequency<\/strong> <strong>display<\/strong> shows the current frequency of the BBD\u2019s timing clock, which is determined by various parameters within and outside of the true BBD section.\n<ul>\n<li><strong>Pro Tip:<\/strong> When this value drops below the sampling frequency, sound artifacts become introduced to the signal. This isn\u2019t an accident, but rather a reflection of the flanger\u2019s analogue counterpart, and can be manipulated to produce radical effects such as bit crushing.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h2><strong>2. The LFO section<\/strong><\/h2>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4587 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B02.jpg\" alt=\"D16-Antresol-02\" width=\"1280\" height=\"587\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B02.jpg 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B02-355x163.jpg 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B02-400x183.jpg 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B02-768x352.jpg 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B02-1024x470.jpg 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B02-1090x500.jpg 1090w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B02-1200x550.jpg 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/587;\" \/><\/p>\n<p><strong>The LFO section<\/strong> generates the signal that\u2019s used to control parameters within the True BBD section outlined above. The LFO is controlled by several parameters:<\/p>\n<ul>\n<li><strong>The offset<\/strong> sets the delay time between the dry signal and the LFO\u2019s oscillation.<\/li>\n<li><strong>The rate<\/strong> displays the LFO oscillation rate in Hz, spanning from 0.02 Hz to 40 Hz.<\/li>\n<li><strong>The depth<\/strong> determines the intensity of the LFO\u2019s oscillations.<\/li>\n<li><strong>Tempo sync<\/strong> aligns the frequency and phase of oscillation with the tempo your DAW, with the ability to further adjust to full, triplet, and dotted values of what is set by the rate parameter.<\/li>\n<li><strong>Phase shift<\/strong> allows the user to control the relative phase shift of the LFO between the left and right channels of a stereo track. This means that the two frequencies in each channel don\u2019t necessarily have to be perfectly lined up, but can rather be offset to varying degrees.<\/li>\n<\/ul>\n<h2>3. The feedback section<\/h2>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4588 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B03.jpg\" alt=\"D16-Antresol-03\" width=\"1280\" height=\"587\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B03.jpg 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B03-355x163.jpg 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B03-400x183.jpg 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B03-768x352.jpg 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B03-1024x470.jpg 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B03-1090x500.jpg 1090w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B03-1200x550.jpg 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/587;\" \/><\/p>\n<p><strong>The feedback section<\/strong> is quite straightforward, responsible for simply controlling the amount of feedback in the delay loop. The more feedback you have, the more intense the flanging effect will feel, particularly in regards to pitch. The left and right channels can be independently adjusted, or linked by turning on <strong>the<\/strong> <strong>Link flag.<\/strong><\/p>\n<h2>4. The FX section<\/h2>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4589 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B04.jpg\" alt=\"D16-Antresol-04\" width=\"1280\" height=\"587\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B04.jpg 1280w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B04-355x163.jpg 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B04-400x183.jpg 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B04-768x352.jpg 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B04-1024x470.jpg 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B04-1090x500.jpg 1090w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/D16-Antresol-B04-1200x550.jpg 1200w\" data-sizes=\"(max-width: 1280px) 100vw, 1280px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1280px; --smush-placeholder-aspect-ratio: 1280\/587;\" \/><\/p>\n<p>The FX section handles the final step of the flanger &#8211; combining the dry and flanged signals. Let\u2019s take a look at some of the controls in more detail:<\/p>\n<ul>\n<li><strong>The Mistress Auto Mix Mode<\/strong> button toggles whether the FX block is operating manually or automatically.<\/li>\n<li><strong>The Gain L\/M knob<\/strong> sets the volume of the flanged signal for the left (or mid) channel.<\/li>\n<li><strong>The Gain R\/S<\/strong> <strong>knob<\/strong> sets the volume of the flanged signal for the right (or side) channel.<\/li>\n<li><strong>The FX knob<\/strong> sets the ratio in volume between the flanged and dry signals.<\/li>\n<\/ul>\n<p><strong>Pro Tip:<\/strong> If Mistress Auto Mix Mode is activated, the wet and dry signals are mixed together automatically. The ratio is determined based on the feedback loop parameters with the attempt to achieve an optimal sound.<\/p>\n<p>We hope you found this tour of Antresol\u2019s features useful! If you have a question, leave it in the comments below.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This feature guide explores Antresol, a plugin that brings the classic sound of an analog BBD stereo flanger back to life with unrivaled precision.<\/p>\n","protected":false},"author":33,"featured_media":4590,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1696,1702],"tags":[1142,1680,333,1473],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>How to use D16\u2019s Antresol - Blog | Splice<\/title>\n<meta name=\"description\" content=\"This feature guide explores Antresol, a plugin that brings the classic sound of an analog BBD stereo flanger back to life with unrivaled precision.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/splice.com\/blog\/feature-guide-of-d16-antresol\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How to use D16\u2019s Antresol - Blog | Splice\" \/>\n<meta property=\"og:description\" content=\"This feature guide explores Antresol, a plugin that brings the classic sound of an analog BBD stereo flanger back to life with unrivaled precision.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/splice.com\/blog\/feature-guide-of-d16-antresol\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Splice\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Splice\" \/>\n<meta property=\"article:published_time\" content=\"2018-03-15T17:23:19+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-02-06T15:48:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/antresol_BlogImage.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Harrison Shimazu\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/bitly.com\/namaboku-twt\" \/>\n<meta name=\"twitter:site\" content=\"@splice\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Harrison Shimazu\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/splice.com\/blog\/feature-guide-of-d16-antresol\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/splice.com\/blog\/feature-guide-of-d16-antresol\/\"},\"author\":{\"name\":\"Harrison Shimazu\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/1ed73f890efad66c4808440680e9e50d\"},\"headline\":\"How to use D16\u2019s Antresol\",\"datePublished\":\"2018-03-15T17:23:19+00:00\",\"dateModified\":\"2019-02-06T15:48:23+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/splice.com\/blog\/feature-guide-of-d16-antresol\/\"},\"wordCount\":710,\"publisher\":{\"@id\":\"https:\/\/splice.com\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/feature-guide-of-d16-antresol\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2018\/03\/antresol_BlogImage.jpg\",\"keywords\":[\"d16\",\"feature guide\",\"plugins\",\"rent-to-own\"],\"articleSection\":[\"Tips &amp; 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