instantiated as an individual plugin<\/strong>. This is far more CPU-sustainable than running a full instance of Ozone every time you want to use one module.<\/li>\n<\/ol>\nOzone 8 Advanced\u2019s Tonal Balance Control<\/h2>\n
Tonal Balance Control is your go-to visual guide to easily sonically match your mix to your favorite master. By displaying spectrum metering information for the track it is currently inserted on relative to a target curve, Tonal Balance Control helps resolve issues with a mix or master lacking the low-end body or high-end brilliance found in professionally produced material.<\/p>\n
1. Broad View<\/strong><\/p>\n![\"ozone-feature-guide-broad-view\"](\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\")
<\/p>\n
Broad View displays target curve ranges, divided into four familiar frequency bands:<\/p>\n
\n- Low: 20 Hz – 250 Hz<\/li>\n
- Low-mid: 250 Hz – 2 kHz<\/li>\n
- Mid: 2 kHz – 8 kHz<\/li>\n
- High-mid: 8 Hz – 20 Hz<\/li>\n<\/ul>\n
The blue bars in each frequency band represent the typical range of spectral variation for your target curve. As you play your track, the white lines will update to show you how your mix compares against the target curve. The goal is to make EQ adjustments to modify your mix so that it falls within the blue target ranges.<\/p>\n
\n- The Crest Factor<\/strong> meter monitors your mix\u2019s dynamic range in the low end. When the meter is far to the left, it indicates that your low end is \u2018too dynamic.\u2019 When it\u2019s far to the right, it indicates that your low end is \u2018too compressed.\u2019<\/li>\n
- The Target<\/strong> adjusts the target curve to emulate one of three preset styles: Modern, Orchestral, and Bass Heavy. That said, you can hit the menu button on the right and select \u201cCreate custom target curve from audio file\u2026\u201d or \u201cCreate custom target curve from folder of audio files\u2026\u201d to create target curves that are based off of your own reference track or album.<\/li>\n<\/ul>\n
2. Fine View<\/strong><\/p>\n<\/p>\n
Toggling to Fine View provides a more detailed look at both the target and your spectrum.<\/p>\n
Pro Tip:<\/strong> If you have both Ozone 8 Advanced and Neutron 2 Advanced, you can use the two plugins together to seamlessly switch between mixing and mastering workflows – you can pull up any instance of Neutron or Ozone right from within the Tonal Balance Control, and any changes in EQ will be automatically reflected.<\/p>\nOzone 8 Advanced\u2019s Spectral Shaper<\/h2>\n
Use the Spectral Shaper in Ozone 8 Advanced to tame harsh frequencies in the high end.<\/p>\n
<\/p>\n
\n- Action region cutoffs<\/strong> determine the range of frequencies the Spectral Shaper will influence. Drag the cutoff handles in the mini-spectrum meter view to adjust the range.<\/li>\n
- The \u201cS\u201d<\/strong> button on the center of the action region will solo the frequency range that will be tamed.<\/li>\n
- The Mode<\/strong> (Light, Medium, or Heavy) sets the intensity of reduction.<\/li>\n
- Threshold<\/strong> sets the level at which spectral gain reduction is applied to the region.<\/li>\n
- Listen<\/strong> solos the audio that\u2019s been reduced by the Spectral Shaper (unlike the \u201cS\u201d button, which solos the audio before the Spectral Shaper is applied).<\/li>\n
- Tone<\/strong> controls the overall brightness of the spectral character.<\/li>\n
- Attack<\/strong> sets the amount of time it takes for the Spectral Shaper to start applying gain reduction when a signal exceeds the Threshold.<\/li>\n
- Release<\/strong> sets the amount of time it takes for the Spectral Shaper to stop applying gain reduction when a signal falls below the Threshold.<\/li>\n
- Metering<\/strong> can be toggled between the Action region meter<\/strong> (displayed above) and the Gain Reduction Trace<\/strong> (displayed below), which displays the incoming waveform with a superimposed curve that shows the gain reduction taking place in real time.<\/li>\n<\/ul>\n
<\/p>\n
Pro Tip:<\/strong> The Gain Reduction Trace can help you in setting appropriate attack and release controls by allowing you to monitor the envelope of gain reduction.<\/p>\nOzone 8 Advanced\u2019s Vintage Tape<\/h2>\n
Inspired by a Studer A810 two-track tape deck, Vintage Tape provides the frequency response and saturation characteristics of magnetic tape without the crosstalk, hiss, wow, or flutter that might spoil your mix.<\/p>\n
<\/p>\n
\n- Input gain<\/strong> changes the level of the incoming signal prior to tape emulation, imitating the idiosyncratic saturation that occurs with tape when set to high amplitudes.<\/li>\n
- Bias<\/strong> influences the shape of the distortion curve, and also impacts the high-end\u2019s frequency response.<\/li>\n
- Speed<\/strong> mainly changes the frequency response, but also affects the level where different frequencies experience distortion.<\/li>\n
- Harmonics<\/strong> can be adjusted to add spectral color to the tape distortion.<\/li>\n
- Low emphasis<\/strong> controls the resonant peak of the reproduce tape head bump, increasing gain in bass-heavy material.<\/li>\n
- High emphasis<\/strong> counteracts the high-frequency loss in the reproduce tape head.<\/li>\n<\/ul>\n
Ozone 8 Advanced\u2019s Vintage Compressor<\/h2>\n
What makes Ozone 8 Advanced\u2019s Vintage Compressor unique is the fact that it\u2019s a feedback compressor, meaning the level detection is done on the output of the compressor rather than on the input. Feedback compression is a staple of older analog compressors, enhancing the compressor\u2019s vintage character.<\/p>\n
<\/p>\n
\n- Threshold<\/strong> sets the point above which gain reduction takes place.<\/li>\n
- Ratio<\/strong> sets the amount of attenuation applied to the signal once it has surpassed the threshold, with higher ratios resulting in more compression.<\/li>\n
- Attack<\/strong> and Release<\/strong> controls determine how quickly the compressor reacts to audio that passes or falls below the threshold.<\/li>\n
- The Mode<\/strong> adjusts the compressor\u2019s overall sonic character:\n
\n- Sharp<\/strong> emphasizes crips dynamics and transients.<\/li>\n
- Balanced<\/strong> preserves dynamics while enhancing the overall body of the signal.<\/li>\n
- Smooth<\/strong> evens out transients and dynamics while bringing out the rest of the signal to create a thicker sound.<\/li>\n<\/ul>\n<\/li>\n
- Gain<\/strong> increases the level of the output, which is particularly useful in compensating for the decrease in volume that occurs with compression.<\/li>\n
- Auto<\/strong> calculates the RMS levels of both the input and output, and then applies the appropriate gain to the output to make up for the difference.<\/li>\n<\/ul>\n
Pro Tip:<\/strong> Similar to the Spectral Shaper, a Gain Reduction Trace meter is also available in the Vintage Compressor, allowing you to monitor the envelope of the gain reduction.<\/p>\nWe hope you found this tour of Ozone 8 Advanced\u2019s features useful! If you have a question, leave it in the comments below.<\/p>\n","protected":false},"excerpt":{"rendered":"
In this feature guide, we overview the innovative new features available in iZotope’s Ozone 8 Advanced.<\/p>\n","protected":false},"author":33,"featured_media":4387,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1697,1696,1702],"tags":[1680,159,679,163,333,1473],"acf":[],"yoast_head":"\n
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<\/p>\n