{"id":3907,"date":"2017-10-27T11:04:32","date_gmt":"2017-10-27T15:04:32","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=3907"},"modified":"2024-10-30T10:26:53","modified_gmt":"2024-10-30T14:26:53","slug":"writing-spooky-game-music","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/writing-spooky-game-music\/","title":{"rendered":"How Undertale helps us write spooky game music"},"content":{"rendered":"<h2>Does the Lavender Town theme from <em>Pok\u00e9mon<\/em>\u00a0give you the shivers?<\/h2>\n<p>Do you remember running from the monster piano and flying books to the creepy music in the haunted house from <em>Super Mario 64<\/em>? With Halloween right around the corner, there\u2019s no better time to dive into a piece of &#8220;spooky&#8221; video game music and the compositional techniques that elevate the fear factor of the game. More specifically, let&#8217;s take a look at the soundtrack of a more recent video game\u2014<em>Undertale.<\/em><\/p>\n<h2>&#8220;Your Best Nightmare&#8221; (<em>Undertale<\/em>)<\/h2>\n<p>There&#8217;s a heated debate in the <em>Undertale<\/em> community on whether the scariness of Flowey compares to that of <em>Earthbound<\/em>\u2019s Giygas, considering the <em>Earthbound<\/em> franchise is said to have influenced game developer and composer Toby Fox when he was creating <em>Undertale<\/em>. Some view <em>Undertale<\/em> as nothing more than a big homage to <em>Earthbound<\/em>, but wherever you might stand on the matter, it\u2019s undeniable that Toby Fox maintains a unique voice as a composer and storyteller\u2014Photoshop Flowey\u2019s battle theme proves this, standing distinct from Giygas\u2019 theme or other spooky video game pieces in general that come to mind.<\/p>\n<p><iframe title=\"Your Best Nightmare\" width=\"370\" height=\"278\" src=\"https:\/\/www.youtube.com\/embed\/SObWQRaltug?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h2>1. Tonal ambiguity<\/h2>\n<p>Let\u2019s start by taking a look at the opening melodic idea (0:00):<img decoding=\"async\" class=\"alignnone wp-image-3916 size-full lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image6-e1508950403846.png\" alt=\"undertale-spooky-game-music-tonal-ambiguity\" width=\"1474\" height=\"140\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image6-e1508950403846.png 1474w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image6-e1508950403846-355x34.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image6-e1508950403846-400x38.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image6-e1508950403846-768x73.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image6-e1508950403846-1024x97.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image6-e1508950403846-1200x114.png 1200w\" data-sizes=\"(max-width: 1474px) 100vw, 1474px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1474px; --smush-placeholder-aspect-ratio: 1474\/140;\" \/>This melody demonstrates a popular quality of \u201cspooky\u201d music\u2014<strong>tonal ambiguity<\/strong> (or outright atonality). B\u266d, A, C, and C\u266f don\u2019t belong in any major or natural minor key, which immediately throws the listener into a land of uncertainty and tension (you could maybe argue that the piece is in B\u266d harmonic minor if the C\u266f is respelled as a D\u266d, but this assumption will quickly be abandoned in upcoming sections of the piece). The sinister mechanical sound of the synth really heightens the unsettling tone of this melody.<\/p>\n<h2>2. Unpredictable melodic contours<\/h2>\n<p>After a suspenseful silence and spine-chilling laugh, the piece explodes into a beatcore-driven section with the melody above paired against a bassline that looks something like this (0:22):<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-3913 size-full lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image3-e1508947743151.png\" alt=\"spooky-game-music-unpredictable-contours\" width=\"1772\" height=\"164\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image3-e1508947743151.png 1772w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image3-e1508947743151-355x33.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image3-e1508947743151-400x37.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image3-e1508947743151-768x71.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image3-e1508947743151-1024x95.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image3-e1508947743151-1200x111.png 1200w\" data-sizes=\"(max-width: 1772px) 100vw, 1772px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1772px; --smush-placeholder-aspect-ratio: 1772\/164;\" \/><img decoding=\"async\" class=\"alignnone wp-image-3914 size-full lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image4-e1508947808273.png\" alt=\"spooky-game-music-unpredictable-contours-02\" width=\"1754\" height=\"153\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image4-e1508947808273.png 1754w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image4-e1508947808273-355x31.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image4-e1508947808273-400x35.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image4-e1508947808273-768x67.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image4-e1508947808273-1024x89.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image4-e1508947808273-1200x105.png 1200w\" data-sizes=\"(max-width: 1754px) 100vw, 1754px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1754px; --smush-placeholder-aspect-ratio: 1754\/153;\" \/>And here we were thinking the opening melody was ambiguous! This bassline is truly void of tonality as we know it, almost <a href=\"https:\/\/en.wikipedia.org\/wiki\/Twelve-tone_technique\" target=\"_blank\" rel=\"noopener noreferrer\">twelve-tone<\/a> in its arrangement of pitches. What further makes this bassline so unnerving is its contour\u2014notice how the trajectory of the notes twists and turns in a very erratic manner. When writing your own scary music, try not only selecting unpredictable pitches, but pairing them with <strong>unpredictable melodic contours<\/strong>.<\/p>\n<h2>3. Emotional contrast<\/h2>\n<p>Let\u2019s take a look at one more section of the piece (0:59):<img decoding=\"async\" class=\"alignnone wp-image-3920 size-full lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/undertale-melody.png\" alt=\"undertale-spooky-game-music-emphasizing-contrast\" width=\"1850\" height=\"412\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/undertale-melody.png 1850w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/undertale-melody-355x79.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/undertale-melody-400x89.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/undertale-melody-768x171.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/undertale-melody-1024x228.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/undertale-melody-1200x267.png 1200w\" data-sizes=\"(max-width: 1850px) 100vw, 1850px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1850px; --smush-placeholder-aspect-ratio: 1850\/412;\" \/>Just as we\u2019re starting to get used to the mayhem, Toby Fox takes a sharp turn and introduces this cheerful, songlike tune. The melody sounds like it\u2019s straight out of a beginner\u2019s piano book, and it\u2019s accompanied by a textbook arpeggiated chord progression where the first phrase ends on a half cadence and the second phrase ends with a perfect authentic cadence.<img decoding=\"async\" class=\"alignnone wp-image-3915 size-full lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image5-e1508948282753.png\" alt=\"undertale-spooky-game-music-emphasizing-contrast-02\" width=\"1764\" height=\"374\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image5-e1508948282753.png 1764w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image5-e1508948282753-355x75.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image5-e1508948282753-400x85.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image5-e1508948282753-768x163.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image5-e1508948282753-1024x217.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/10\/image5-e1508948282753-1200x254.png 1200w\" data-sizes=\"(max-width: 1764px) 100vw, 1764px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1764px; --smush-placeholder-aspect-ratio: 1764\/374;\" \/>The melody is actually a direct quote of the cheery &#8220;Your Best Friend&#8221; theme, which the player hears when they first meet Flowey. The difference is that this time the player knows how evil the flower really is, and this new context gives the jovial tune a mocking, twisted quality.<\/p>\n<p><iframe title=\"Your Best Friend\" width=\"370\" height=\"278\" src=\"https:\/\/www.youtube.com\/embed\/LLcztVBXams?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>When composing your own game music, consider <strong>emphasizing contrast\u2014<\/strong>we all know how the scariest scene of a horror movie isn\u2019t always the part accompanied by piercing strings, but the part where a child starts singing an \u201cinnocent\u201d nursery rhyme.<\/p>\n<p>Hopefully you can incorporate some of the ideas we talked about (<strong>tonal ambiguity<\/strong>, <strong>unpredictable melodic contours<\/strong>, and <strong>emphasizing contrast<\/strong>) in writing your own scary video game music.<\/p>\n<p>Interested in exploring more video game music analyses? Check out <a href=\"https:\/\/splice.com\/blog\/legend-of-zelda-overworld-harmony\/\" target=\"_blank\" rel=\"noopener noreferrer\">our harmonic analysis of\u00a0<em>The Legend of Zelda<\/em>&#8216;s overworld theme<\/a> and <a href=\"https:\/\/splice.com\/blog\/super-mario-odyssey-bassline\/\" target=\"_blank\" rel=\"noopener noreferrer\">our exploration of the bassline in\u00a0<em>Super Mario Odyssey<\/em>&#8216;s &#8220;Jump Up, Super Star!&#8221;<\/a><\/p>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center\">Explore royalty-free melodies, chord progressions, and grooves by key, BPM, genre, and more:<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/splice.com\/sounds\" target=\"_blank\" rel=\"noreferrer noopener\">Join Splice today<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In this blog post, we\u2019ll be looking at a piece from the indie sensation &#8220;Undertale&#8221; and the compositional techniques that elevate the fear factor of the game.<\/p>\n","protected":false},"author":33,"featured_media":3921,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1699,1696],"tags":[488,1633,1641,1428,1626],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Undertale and Music Theory: An Analysis of &quot;Your Best Nightmare&quot; - Blog | Splice<\/title>\n<meta name=\"description\" content=\"Let&#039;s analyze an iconic piece from the Undertale OST and break down the music theory techniques Toby Fox uses that elevate its fear factor.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/splice.com\/blog\/writing-spooky-game-music\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Undertale and Music Theory: An Analysis of &quot;Your Best Nightmare&quot; 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