{"id":38813,"date":"2025-12-15T12:10:00","date_gmt":"2025-12-15T17:10:00","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=38813"},"modified":"2025-12-18T17:19:55","modified_gmt":"2025-12-18T22:19:55","slug":"shinju-interview","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/shinju-interview\/","title":{"rendered":"Shinju on sound design in Serum, the art of imperfections, and more"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Shinju is a German producer who&#8217;s a household name across SoundCloud\u2019s underground rap and beat scenes.<\/h2>\n\n\n\n<p>In addition to working alongside the likes of Lil Uzi Vert, SahBabii, Black Kray, and Bktherula, shinju is also known and beloved by the music creator community for his Serum preset banks.<\/p>\n\n\n\n<p>In celebration of the release of <a href=\"https:\/\/splice.com\/sounds\/packs\/moment\/utopia-tone-2-a-shinju-moment\/samples\" target=\"_blank\" rel=\"noreferrer noopener\">his <em>utopia tone 2<\/em> sample pack<\/a> on <a href=\"https:\/\/splice.com\/sounds\" target=\"_blank\" rel=\"noreferrer noopener\">Splice Sounds,<\/a> we had the opportunity to sit down with shinju to hear his top <a href=\"https:\/\/splice.com\/plugins\/39137242-serum-2-au-by-xfer-records?bust-cache=4ec25055-fc87-40d0-b4e3-83984afa73f9\" target=\"_blank\" rel=\"noreferrer noopener\">Serum 2<\/a> sound design tips, creative philosophies, and more\u2014read on for highlights.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-background has-link-color wp-elements-39efbc0c532000dee99041621fef4bb8\" style=\"background-color:#62daff\"><a href=\"https:\/\/splice.com\/sounds\/presets\/serum-2\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Explore Serum 2 presets crafted by leading sound designers and producers on Splice.<\/strong><\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Serum sound design tips from shinju<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">What do you like most about using Serum 2?<\/h3>\n\n\n\n<p><strong>Shinju:<\/strong> I think Serum 2 manages well to keep the interface understandable while maintaining a huge scope of possibilities. For me, a big part is also the visualization of modulations and movements, making it easier to understand what&#8217;s going and feel good to use. It&#8217;s always fun seeing wavetables and filters jump around while hearing cool sounds.<\/p>\n\n\n\n<p>In addition, there&#8217;s a huge community around Serum 2 so it&#8217;s quite accessible to learn new things, whether you&#8217;re just starting out or looking for new and interesting ways to create.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">What\u2019s the best way for a beginner to start using Serum 2?<\/h3>\n\n\n\n<p>There&#8217;s endless <a href=\"https:\/\/splice.com\/blog\/tag\/serum\" target=\"_blank\" rel=\"noreferrer noopener\">content about Serum<\/a> out there. Learn <a href=\"https:\/\/splice.com\/blog\/synthesizer-basics\/\" target=\"_blank\" rel=\"noreferrer noopener\">the foundation of synthesizing sound<\/a> first. Afterwards, pick out sounds you hear in songs you like and try to understand how they&#8217;re built and try replicating.<\/p>\n\n\n\n<p>Another great way to learn is to explore pre-made presets, like the ones in <em><a href=\"https:\/\/splice.com\/sounds\/packs\/moment\/utopia-tone-2-a-shinju-moment\/samples\" target=\"_blank\" rel=\"noreferrer noopener\">utopia tone 2,<\/a> <\/em>and dive in to get a grasp of how they&#8217;re made. Also, just sit down and experiment!<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-blog-splice wp-block-embed-blog-splice\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"mVFe3SNxue\"><a href=\"https:\/\/splice.com\/blog\/synthesizer-basics\/\">Synthesizer basics: ADSR, filters, best synths for beginners, and more<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Synthesizer basics: ADSR, filters, best synths for beginners, and more&#8221; &#8212; Blog | Splice\" src=\"https:\/\/splice.com\/blog\/synthesizer-basics\/embed\/#?secret=QArKCNm82z#?secret=mVFe3SNxue\" data-secret=\"mVFe3SNxue\" width=\"370\" height=\"209\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">What are some of your favorite new features of Serum 2 that you\u2019ve used the most?<\/h3>\n\n\n\n<p>Definitely all of the new sound engines! I love the spectral engine and the weird timbres it gives the source material, which really hits my taste. The new sampler engine is great too\u2014it gives so much more freedom to using outside sources, especially compared to the noise section in the original Serum, where you could also load your own samples but the scope was quite limited.<\/p>\n\n\n\n<p>I&#8217;m also a fan of using the distortion on the warp modes to distort the oscillators or samples individually instead of processing everything together in the FX section. In my opinion, one of the most powerful changes to Serum 2 is the possibility to add unlimited instances of any effect.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-blog-splice wp-block-embed-blog-splice\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"Yl1KWz7Kmg\"><a href=\"https:\/\/splice.com\/blog\/serum-2-advanced-features\/\">Serum 2 tutorial: Advanced features you need to know<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Serum 2 tutorial: Advanced features you need to know&#8221; &#8212; Blog | Splice\" src=\"https:\/\/splice.com\/blog\/serum-2-advanced-features\/embed\/#?secret=hAaf3P0drI#?secret=Yl1KWz7Kmg\" data-secret=\"Yl1KWz7Kmg\" width=\"370\" height=\"209\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">What are some techniques that you use to achieve imperfections and warmth in Serum 2?<\/h3>\n\n\n\n<p>When it comes to creating presets with an organic and natural feel, I love adding up little imperfections and twists, which all come together to make the sound feel less static and more alive\u2014I&#8217;ll highlight a few of my favorite techniques here.<\/p>\n\n\n\n<p><strong>1. Pitch movement<\/strong><\/p>\n\n\n\n<p>The most straightforward way I like to achieve imperfections in the realm of pitch is through modulating the fine tune parameter of one or more oscillators. You can easily create a pitch drift effect using a simple sine or triangle LFO\u2014but there are a few more interesting modulation sources I like to use.<\/p>\n\n\n\n<p>Employing the noise section, S&amp;H and Chaos LFOs, or one of the main oscillators as modulators for fine pitch can all lead to different, more unpredictable, and organic-sounding pitch drifting.<\/p>\n\n\n\n<p>Another way I like to integrate the noise section is using it as an FM modulator for the oscillators. Trying out different noise samples can lead to great results. I like to go through the transient noise samples, turning the pitch really low and letting it frequency modulate whatever&#8217;s making the sound.<\/p>\n\n\n\n<p>In my <a href=\"https:\/\/splice.com\/sounds\/preset\/c07668fd-be73-4fbd-bd26-1163951ac691\" target=\"_blank\" rel=\"noreferrer noopener\">revachol<\/a> preset from <em>utopia tone 2<\/em>, I used the noise section as a modulator while also randomizing the pitch of the noise with every note. This way, every played note has its pitch modulated with different speeds.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1920\" height=\"1080\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/Serum-gif.gif\" alt=\"A gif demonstrating pitch randomization in Serum 2\" class=\"wp-image-38844 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1920px; --smush-placeholder-aspect-ratio: 1920\/1080;\" \/><\/figure>\n\n\n\n<p>Another one of my personal favorite techniques includes the &#8220;Allpasses&#8221; filter. Putting the mix at about 50% and modulating the cutoff slightly makes everything going through it come out with a charming wobble. Using this technique in the FX section&#8217;s filter after a bunch of other effects can be great too.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"406\" height=\"641\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image1.png\" alt=\"The &quot;Allpasses&quot; filter in Serum 2\" class=\"wp-image-38819 lazyload\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image1.png 406w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image1-253x400.png 253w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image1-162x255.png 162w\" data-sizes=\"(max-width: 406px) 100vw, 406px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 406px; --smush-placeholder-aspect-ratio: 406\/641;\" \/><\/figure><\/div>\n\n\n<p>Other honorable mentions in the pitch domain include modulating the unison detune on an oscillator with two or more voices (I used this on my <a href=\"https:\/\/splice.com\/sounds\/preset\/f019ed4a-c054-4593-89ab-8f6563397b39\" target=\"_blank\" rel=\"noreferrer noopener\">heartgold<\/a> preset), and using the detune option in the GLOBAL tab under voice control.<\/p>\n\n\n\n<p><strong>2. Timbre<\/strong><\/p>\n\n\n\n<p>Sending my sound through the \u201cCombs\u201d filter and modulating the cutoff with a sharp envelope or LFO results in a very distinct movement, which <a href=\"https:\/\/splice.com\/sounds\/preset\/b9fd7087-c606-4415-ae0d-01d41e9700eb\" target=\"_blank\" rel=\"noreferrer noopener\">I&#8217;ve learned to love.<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1999\" height=\"1287\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image4.png\" alt=\"Shinju's Serum 2 UI\" class=\"wp-image-38822 lazyload\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image4.png 1999w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image4-400x258.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image4-1024x659.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image4-355x229.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image4-768x494.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image4-1536x989.png 1536w\" data-sizes=\"(max-width: 1999px) 100vw, 1999px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1999px; --smush-placeholder-aspect-ratio: 1999\/1287;\" \/><\/figure>\n\n\n\n<p><strong>3. Reverb filtering<\/strong><\/p>\n\n\n\n<p>Using the reverb filter has been a staple for me ever since I started making sounds in Serum. It can give a rather boring sound a more interesting and textured timbre, which I love.<\/p>\n\n\n\n<p>Enabling the keytracking on it or modulating a bit (like the &#8220;Combs&#8221; filter I mentioned) creates cool textural movements as well, like what&#8217;s heard in my <a href=\"https:\/\/splice.com\/sounds\/preset\/22c3c51d-c49a-42b7-b1d2-86600932b344\" target=\"_blank\" rel=\"noreferrer noopener\">hearth<\/a> preset.<\/p>\n\n\n\n<p>Here it is without the reverb filter:<\/p>\n\n\n\n<figure class=\"wp-block-audio alignwide\"><audio controls src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/hearth-without-reverbfilter.mp3\" preload=\"auto\"><\/audio><\/figure>\n\n\n\n<p>And here it is with the reverb filter enabled:<\/p>\n\n\n\n<figure class=\"wp-block-audio alignwide\"><audio controls src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/heart-with-reverb-filter.mp3\" preload=\"auto\"><\/audio><\/figure>\n\n\n\n<p>As you can hear, the reverb filter really adds a lot to the sound, taming the higher <a href=\"https:\/\/splice.com\/blog\/what-are-harmonics\/\" target=\"_blank\" rel=\"noreferrer noopener\">harmonics<\/a> and creating a much more pleasant timbre, which sounds less digital and more organic.<\/p>\n\n\n\n<p><strong>4. Bode \/ blur<\/strong><\/p>\n\n\n\n<p>I love playing with the blur parameter in the newly-added bode effect. Modulating it with a fast LFO makes the sounds beautifully unsteady. I&#8217;ve used this technique on my <a href=\"https:\/\/splice.com\/sounds\/preset\/342e6c79-e6d4-4d46-bc11-d194a95d3ced\" target=\"_blank\" rel=\"noreferrer noopener\">guts<\/a> preset, for example.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"984\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/1B098F7D-4450-4C67-A064-09DD40E23102_1_102_a-1024x984.jpeg\" alt=\"Modulation in Serum 2\" class=\"wp-image-38826 lazyload\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/1B098F7D-4450-4C67-A064-09DD40E23102_1_102_a-1024x984.jpeg 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/1B098F7D-4450-4C67-A064-09DD40E23102_1_102_a-400x385.jpeg 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/1B098F7D-4450-4C67-A064-09DD40E23102_1_102_a-265x255.jpeg 265w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/1B098F7D-4450-4C67-A064-09DD40E23102_1_102_a-768x738.jpeg 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/1B098F7D-4450-4C67-A064-09DD40E23102_1_102_a.jpeg 1059w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/984;\" \/><\/figure>\n\n\n\n<p>On my <a href=\"https:\/\/splice.com\/sounds\/preset\/455b2a93-f958-4eed-b17a-34db19fb5402\" target=\"_blank\" rel=\"noreferrer noopener\">lurid<\/a> preset, I used the same technique but with a more transient envelope, giving the start of every two bars a distinct effect.<\/p>\n\n\n\n<p>On most presets, I love to use the NoteOn Rand modulator sources on a bunch of different parameters. I&#8217;ll also use them as aux sources to randomize the amount of other modulations going on. Depending on the modulation destinations, this gives every note a slightly different feel or tone.<\/p>\n\n\n\n<p><strong>5. Distortion<\/strong><\/p>\n\n\n\n<p>In order to create warmer and more organic upper harmonics in my presets, instead of using bright wavetables, I like to use the different distortion types or phase distortion warp modes.<\/p>\n\n\n\n<p>As I prefer my presets to not sound too digital and clean, this gives me a great way to still have some higher frequency content in my sounds, while also contributing to the imperfect \/ organic aesthetic. For example, I might take a wavetable that has a timbre I like, but filter a good amount of the higher frequency content to only have a hint of it left.<\/p>\n\n\n\n<p>Then, I&#8217;ll reintroduce some harmonics again through the distortion effect or warp modes, or even the aforementioned reverb filter. Using the multi-band mode of Serum 2\u2019s compressor is another cool way to introduce those harmonics, which can sound pretty interesting.<\/p>\n\n\n\n<p>From time to time, I might also use the distortion effect with a high drive amount but keep the mix super low to give the sound a very subtle noise floor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">What are some of your tips for building rhythmic textures into your sounds in Serum 2?<\/h3>\n\n\n\n<p>Creating rhythmic LFOs and mapping them to the parameters that make up the sound&#8217;s timbre works well for this. For example, on my <a href=\"https:\/\/splice.com\/sounds\/preset\/1bf9d27b-2af4-4115-a1b5-d6d2eb029547\" target=\"_blank\" rel=\"noreferrer noopener\">balneum<\/a> preset, LFO 2 is playing a synced dotted pattern while modulating four different parameters.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"655\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image5-1024x655.png\" alt=\"Shinju's balneum preset in Serum 2\" class=\"wp-image-38823 lazyload\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image5-1024x655.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image5-400x256.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image5-355x227.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image5-768x491.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image5-1536x982.png 1536w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image5.png 1999w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/655;\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Do you have any tips for working in FL Studio, specifically with Serum 2?<\/h3>\n\n\n\n<p>Perhaps creating <a href=\"https:\/\/splice.com\/blog\/what-is-automation-in-music\/\" target=\"_blank\" rel=\"noreferrer noopener\">automation<\/a> clips for LFO rates, pitch bend, or macros\u2014lately, I&#8217;ve been enjoying using the automation recording function in FL Studio. I feel like it&#8217;s a great alternative to automation clips, which can get a bit finicky to work with.<\/p>\n\n\n\n<p>So, after I&#8217;ve created some chords or a melody I like, I might play with some of the macros or the mod wheel inside of Serum 2 while recording the movements in FL. This also leads to more organic automations, which I maybe wouldn&#8217;t have drawn in when using clips.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"359\" height=\"275\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image2.png\" alt=\"The recording filter options in FL Studio\" class=\"wp-image-38820 lazyload\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image2.png 359w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image2-333x255.png 333w\" data-sizes=\"(max-width: 359px) 100vw, 359px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 359px; --smush-placeholder-aspect-ratio: 359\/275;\" \/><\/figure><\/div>\n\n\n<p>I definitely encourage everyone to try out the macros and especially the mod wheel for the presets in <em>utopia tone 2<\/em>\u2014you might find some cool twists to the sounds!<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Shinju on his favorite presets and creative philosophy<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Are there additional Serum 2 presets from your pack that you want to highlight? Can you break down how they were made?<\/h3>\n\n\n\n<p>With the newly-added spectral engine, I enjoyed using phrases I&#8217;ve made before or random audio files from my other projects as source material and going through them to find small sections that could be turned into a new instrument.<\/p>\n\n\n\n<p>In the <a href=\"https:\/\/splice.com\/sounds\/preset\/88f4f850-6255-4bad-a483-f1c12e4b4284\" target=\"_blank\" rel=\"noreferrer noopener\">myshkin<\/a> preset, for example, I grabbed a long recording of myself messing around and found a cool moment where the sound transformed near the end. This created a lovely evolving synth. After that, I just layered a second simple oscillator to give the sound some body and added some filtering, distortion, and the bode effect through the macros.<\/p>\n\n\n\n<p>I used the same technique for the <a href=\"https:\/\/splice.com\/sounds\/preset\/ae1bef3c-b74d-4bdd-8a68-245ce7e6aab6\" target=\"_blank\" rel=\"noreferrer noopener\">ointment<\/a> preset, with the addition of a fast delayed LFO on the POS knob of my spectral source, resulting in a fluttering movement being introduced after a short delay when holding a note.<\/p>\n\n\n\n<p>On the other hand, the <a href=\"https:\/\/splice.com\/sounds\/preset\/c4115b44-54fc-4f44-91be-1e6fe237bbce\" target=\"_blank\" rel=\"noreferrer noopener\">emberling<\/a> preset has a cool interaction between the multi-sample engine and the PD self warp mode. As different keygroups use a different sample when using the multi-sample engine, the PD (SELF) warp mode will react differently with the different samples played. This results in great variation when playing different notes.<\/p>\n\n\n\n<p>And lastly, the <a href=\"https:\/\/splice.com\/sounds\/preset\/882b6804-4e2a-4cbb-b9fc-45a7c849a168\" target=\"_blank\" rel=\"noreferrer noopener\">shapeshifter<\/a> preset makes heavy use of the NoteOn Rand modulation source. The sound itself consists of a fairly simple pluck, but with the NoteOn Rand mapped to a bunch of different parameters, the sound greatly varies in length and timbre with each played note.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"660\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image3-1024x660.png\" alt=\"Shinju's shapeshifter preset in Serum 2\" class=\"wp-image-38821 lazyload\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image3-1024x660.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image3-400x258.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image3-355x229.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image3-768x495.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image3-1536x990.png 1536w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/image3.png 1999w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/660;\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">What are your intentions and goals for this pack?<\/h3>\n\n\n\n<p>My main intention for this pack was definitely to elaborate and expand on the tonal universe I&#8217;ve built so far with my previous releases. These sounds are very much built upon my personal aesthetic ideas, detached from any trends or what&#8217;s cool at the moment. Furthermore, it&#8217;s always my goal to create something unique, interesting, and novel.<\/p>\n\n\n\n<p>With that in mind, I&#8217;m very glad to see people enjoying the pack and becoming inspired by it!<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center\">Incorporate shinju&#8217;s imaginative sounds into your own productions:<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-1 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/splice.com\/sounds\/packs\/moment\/utopia-tone-2-a-shinju-moment\/samples\" target=\"_blank\" rel=\"noreferrer noopener\">Explore the sounds<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Read our exclusive interview with shinju, who shares insights on how he crafts his iconic Serum presets, the art of imperfections, and more.<\/p>\n","protected":false},"author":128,"featured_media":38814,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1694,1846,1692,1696],"tags":[333,1120,1473,1061,362,1254,666],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Shinju Interview: Serum Sound Design, the Art of Imperfections, and More - Blog | Splice<\/title>\n<meta name=\"description\" content=\"Read our exclusive interview with shinju, who shares insights on how he crafts his iconic Serum presets, the art of imperfections, and more.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/splice.com\/blog\/shinju-interview\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Shinju Interview: Serum Sound Design, the Art of Imperfections, and More - Blog | Splice\" \/>\n<meta property=\"og:description\" content=\"Read our exclusive interview with shinju, who shares insights on how he crafts his iconic Serum presets, the art of imperfections, and more.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/splice.com\/blog\/shinju-interview\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Splice\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Splice\" \/>\n<meta property=\"article:published_time\" content=\"2025-12-15T17:10:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-18T22:19:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/1225-ShinjuxSerum2-QA_BlogPost.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"James Firak-Winters\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@splice\" \/>\n<meta name=\"twitter:site\" content=\"@splice\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"James Firak-Winters\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/splice.com\/blog\/shinju-interview\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/splice.com\/blog\/shinju-interview\/\"},\"author\":{\"name\":\"James Firak-Winters\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/6ceb4c771222deea016a8040da65dcf5\"},\"headline\":\"Shinju on sound design in Serum, the art of imperfections, and more\",\"datePublished\":\"2025-12-15T17:10:00+00:00\",\"dateModified\":\"2025-12-18T22:19:55+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/splice.com\/blog\/shinju-interview\/\"},\"wordCount\":1745,\"publisher\":{\"@id\":\"https:\/\/splice.com\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/shinju-interview\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/12\/1225-ShinjuxSerum2-QA_BlogPost.png\",\"keywords\":[\"plugins\",\"presets\",\"rent-to-own\",\"sample packs\",\"Serum\",\"sounds\",\"synth\"],\"articleSection\":[\"Artist Interviews\",\"Sound Design\",\"Stories\",\"Tips &amp; 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