{"id":37209,"date":"2025-08-14T12:27:54","date_gmt":"2025-08-14T16:27:54","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=37209"},"modified":"2026-07-17T15:53:06","modified_gmt":"2026-07-17T19:53:06","slug":"hyperpop-guitar-sound-design-techniques","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/hyperpop-guitar-sound-design-techniques\/","title":{"rendered":"Hyperpop guitar sound design techniques (with Junior Astronaut)"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">The recent rise of &#8216;internet guitarists&#8217; has lead to an explosion of innovations in sound design techniques for the instrument.<\/h2>\n\n\n\n<p>In the tutorial video above, classically-trained instrumentalist and producer <a href=\"https:\/\/splice.com\/sounds\/packs\/moment\/blip-pop-a-junior-astronaut-moment\/samples\" target=\"_blank\" rel=\"noreferrer noopener\">Nathan Tipton (a.k.a. Junior Astronaut)<\/a> explores several particularly unique techniques that are often heard in hyperpop and glitch pop guitar arrangements. Watch along to hear them in action, and read highlights below.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-background has-link-color wp-elements-f5a2734ea82e3ec51d9db4acbad33d87\" style=\"background-color:#62daff\"><a href=\"https:\/\/splice.com\/plans\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>New subscribers can try all of Splice\u2014including 200 monthly sample download credits, full access to all premium INSTRUMENT presets, and more\u2014for $4.99\/mo.<\/strong><\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">4 hyperpop guitar sound design techniques<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">1. Edit recordings on the grid<\/h3>\n\n\n\n<p>Inspired by guitarists like <a href=\"https:\/\/www.youtube.com\/@rjpasin\" target=\"_blank\" rel=\"noreferrer noopener\">RJ Pasin<\/a> and <a href=\"https:\/\/www.youtube.com\/c\/brianjcb\" target=\"_blank\" rel=\"noreferrer noopener\">brianjcb,<\/a> this technique involves editing tracked guitar notes so that they&#8217;re perfectly on the grid in the DAW, giving them a glitchy, cute, and video game-like sonic aesthetic.<\/p>\n\n\n\n<style>\n.ssp-player{position:relative;display:flex;align-items:stretch;background:#FFFFFF;border:1px solid #E3E3E3;border-radius:10px;padding:18px 18px;gap:16px;height:120px;max-width:720px;margin:16px auto;box-shadow:0 1px 3px rgba(0,0,0,0.06);overflow:hidden;font-family:'Inter',-apple-system,BlinkMacSystemFont,'Segoe UI',sans-serif;box-sizing:border-box;}\n.ssp-player *{box-sizing:border-box;}\n.ssp-screw{position:absolute;width:6px;height:6px;border-radius:50%;background:radial-gradient(circle at 35% 35%, 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<div class=\"ssp-center\">\n    <div class=\"ssp-title-row\">\n      <span class=\"ssp-led\"><\/span>\n      <span class=\"ssp-title\">MO_JA_160_electric_guitar_chop_glidetime_Cmaj.wav<\/span>\n      <span class=\"ssp-pack\">\u2014 Blip Pop, a Junior Astronaut moment<\/span>\n    <\/div>\n    <canvas class=\"ssp-waveform\"><\/canvas>\n    <div class=\"ssp-meta-row\">\n      <span>160 BPM<\/span><span class=\"ssp-dim\">\/<\/span>\n      <span>C maj<\/span><span class=\"ssp-dim\">\/<\/span>\n      <span class=\"ssp-duration\">0:00<\/span>\n      <div class=\"ssp-tags\"><span class=\"ssp-tag\">guitar<\/span><span class=\"ssp-tag\">chops<\/span><span class=\"ssp-tag\">hyperpop<\/span><\/div>\n    <\/div>\n  <\/div>\n\n  <div class=\"ssp-signal-path\"><\/div>\n\n  <div class=\"ssp-output\">\n    <div class=\"ssp-output-wrap\">\n      <a class=\"ssp-cta\" 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Add lo-fi elements<\/h3>\n\n\n\n<p>Inspired by guitarists like <a href=\"https:\/\/www.youtube.com\/channel\/UCDs6mhf2ZzOG3MHngk4WNPg\" target=\"_blank\" rel=\"noreferrer noopener\">Flawed Mangoes,<\/a> this technique involves adding <a href=\"https:\/\/splice.com\/blog\/how-to-make-lofi-music\/\" target=\"_blank\" rel=\"noreferrer noopener\">lo-fi sound design elements<\/a> to your guitar sound to achieve a nostalgic, hopecore feel.<\/p>\n\n\n\n<figure class=\"wp-block-audio alignwide\"><audio controls src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/08\/MO_JA_160_electric_guitar_chop_hopcore_Bmin.wav\" preload=\"auto\"><\/audio><\/figure>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><a href=\"https:\/\/splice.com\/sounds\/sample\/b12ab08163fac8a02f631529686e432fb6fbf3dd017f666d3ccc4f819d3b45d0\" target=\"_blank\" rel=\"noreferrer noopener\">Find this royalty-free guitar sample on Splice Sounds<\/a><\/p>\n\n\n\n<p>Multiple small adjustments come together to achieve this effect\u2014think pitch warbles (via plugins like <a href=\"https:\/\/www.unfilteredaudio.com\/products\/lo-fi-af\" target=\"_blank\" rel=\"noreferrer noopener\">LO-FI-AF<\/a> or <a href=\"https:\/\/splice.com\/plugins\/20283103-rc-20-retro-color-vst-au-by-xln-audio\" target=\"_blank\" rel=\"noreferrer noopener\">RC-20 Retro Color<\/a>), reverses, delays, killswitch emulations, etc.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-blog-splice wp-block-embed-blog-splice\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"laK7XDdKnn\"><a href=\"https:\/\/splice.com\/blog\/how-to-make-lofi-music\/\">How to make lo-fi music: Tools, theory, and techniques<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;How to make lo-fi music: Tools, theory, and techniques&#8221; &#8212; Blog | Splice\" src=\"https:\/\/splice.com\/blog\/how-to-make-lofi-music\/embed\/#?secret=DilaRT3akJ#?secret=laK7XDdKnn\" data-secret=\"laK7XDdKnn\" width=\"370\" height=\"209\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Go to 3:47 in the tutorial video to hear this technique implemented in Logic Pro.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">3. Use a slip delay<\/h3>\n\n\n\n<p>Inspired by guitarists like <a href=\"https:\/\/www.instagram.com\/juice.a.cuice\/\" target=\"_blank\" rel=\"noreferrer noopener\">Juice Cuice,<\/a> this technique draws from the 'slip delay' sound of the ever-popular MOOD MKII guitar pedal. What makes its sound stand out from a traditional delay is the addition of <a href=\"https:\/\/splice.com\/blog\/intro-granular-synthesis\/\" target=\"_blank\" rel=\"noreferrer noopener\">granular synthesis-style glitches<\/a> and reverses.<\/p>\n\n\n\n<figure class=\"wp-block-audio alignwide\"><audio controls src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/08\/MO_JA_114_electric_guitar_chop_motorolla_Cmaj.wav\" preload=\"auto\"><\/audio><\/figure>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><a href=\"https:\/\/splice.com\/sounds\/sample\/89305200beb3b6ddcc39d6f8c6e7d4e710342bcd907e6160ad7982066e284603\" target=\"_blank\" rel=\"noreferrer noopener\">Find this royalty-free guitar sample on Splice Sounds<\/a><\/p>\n\n\n\n<p>\"This sound was a huge inspiration for <a href=\"https:\/\/splice.com\/sounds\/packs\/moment\/blip-pop-a-junior-astronaut-moment\/samples\" target=\"_blank\" rel=\"noreferrer noopener\">the <em>Blip Pop<\/em> pack,<\/a> especially because it sounds wild with even just a basic beat behind it,\" Tipton says.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-blog-splice wp-block-embed-blog-splice\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"hlJrDc4nqK\"><a href=\"https:\/\/splice.com\/blog\/intro-granular-synthesis\/\">Granular synthesis: A guide to what it is and how to use it<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Granular synthesis: A guide to what it is and how to use it&#8221; &#8212; Blog | Splice\" src=\"https:\/\/splice.com\/blog\/intro-granular-synthesis\/embed\/#?secret=JkAWbOmBg2#?secret=hlJrDc4nqK\" data-secret=\"hlJrDc4nqK\" width=\"370\" height=\"209\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Go to 6:26 in the tutorial video to hear this technique implemented in Logic Pro.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4. Apply a patchbay workflow to pedals<\/h3>\n\n\n\n<p>Last but not least, Tipton suggests applying <a href=\"https:\/\/splice.com\/blog\/what-is-a-patchbay\/\" target=\"_blank\" rel=\"noreferrer noopener\">a patchbay workflow<\/a> to working with pedals to achieve the experimental sound design that's a signature of hyperpop guitars.<\/p>\n\n\n\n<figure class=\"wp-block-audio alignwide\"><audio controls src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2025\/08\/MO_JA_140_electric_guitar_texture_heavenly_Dmaj.wav\" preload=\"auto\"><\/audio><\/figure>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><a href=\"https:\/\/splice.com\/sounds\/sample\/d15b6112eb6caa7b387f31b6b1187bf97409f6ea1ac3d6997eca310cf426a618\" target=\"_blank\" rel=\"noreferrer noopener\">Find this royalty-free guitar sample on Splice Sounds<\/a><\/p>\n\n\n\n<p>\"I own a few Chase Bliss pedals, and most of them have stereo I\/O,\" Tipton tells us. \"So, I had an idea one day\u2014what if I took the left stereo out and plugged it into one pedal, and then I took the right stereo out and plugged it into another pedal? Then, what if I could do that a bunch of times, treating my pedalboard as a modular setup instead of the traditional linear-style setup?\"<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-blog-splice wp-block-embed-blog-splice\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"zAiBrQMxBn\"><a href=\"https:\/\/splice.com\/blog\/what-is-a-patchbay\/\">What is a patchbay (and how does it work)?<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;What is a patchbay (and how does it work)?&#8221; &#8212; Blog | Splice\" src=\"https:\/\/splice.com\/blog\/what-is-a-patchbay\/embed\/#?secret=AbLSwIPdk2#?secret=zAiBrQMxBn\" data-secret=\"zAiBrQMxBn\" width=\"370\" height=\"209\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Even if you don't own a physical patchbay or dozens of guitar pedals, you can implement this approach entirely in-the-box with some clever <a href=\"https:\/\/splice.com\/blog\/audio-bus-guide\/\" target=\"_blank\" rel=\"noreferrer noopener\">audio busing<\/a>\u2014the key takeaway is approaching sound design with this sort of curiosity.<\/p>\n\n\n\n<p>Go to 8:42 in the tutorial video to hear this technique implemented in various ways in Logic Pro.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Go forth and design your own hyperpop guitar sounds<\/h2>\n\n\n\n<p>And there you have it! Hopefully this guide gave you some insights into how you can emulate and push the boundaries of the sounds you've heard from some of your favorite guitarists on the internet.<\/p>\n\n\n\n<p>Do you have any go-to techniques of your own that we didn't cover? What other topics would you like to see us explore next? Let us know in the comments section of the video, and subscribe to <a href=\"https:\/\/www.youtube.com\/@splice\" target=\"_blank\" rel=\"noreferrer noopener\">the Splice YouTube channel<\/a> for more artist-led tips, tutorials, and insights.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center\">Incorporate Junior Astronaut's captivating guitar sounds into your own productions:<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-1 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/splice.com\/sounds\/packs\/moment\/blip-pop-a-junior-astronaut-moment\/samples\" target=\"_blank\" rel=\"noreferrer noopener\">Explore the sounds<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Nathan Tipton (a.k.a. Junior Astronaut) shares four unique sound design techniques that are often heard in hyperpop and glitch pop guitar arrangements. <\/p>\n","protected":false},"author":33,"featured_media":37211,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[1850,1856,1846,1696,49],"tags":[1724,1783,1061,1254,918],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Hyperpop Guitar Sound Design Techniques You Need to Know - Blog | Splice<\/title>\n<meta name=\"description\" content=\"Nathan Tipton (a.k.a. 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