{"id":3680,"date":"2017-07-27T13:07:17","date_gmt":"2017-07-27T17:07:17","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=3680"},"modified":"2023-03-21T15:58:39","modified_gmt":"2023-03-21T19:58:39","slug":"how-divinci-used-splice-studio-in-his-productions-for-chakra-kahn","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/how-divinci-used-splice-studio-in-his-productions-for-chakra-kahn\/","title":{"rendered":"How DiViNCi used Splice Studio in his productions for Chakra Kahn"},"content":{"rendered":"\n<p>We sat down with finger drummer extraordinaire and Splice user, DiViNCi and his mix engineer, on how they used Splice studio to produce and collaborate on two albums, &#8220;<a href=\"https:\/\/chkrkhn.bandcamp.com\/album\/the-cope-aesthetic-deluxe-edition\">The Cope Aesthetic<\/a>&#8221; and &#8220;<a href=\"https:\/\/chkrkhn.bandcamp.com\/album\/love-is-at-the-core\">Love is at the Core<\/a>&#8221;&nbsp;for DiViNCi&#8217;s group Chakra Kahn.<\/p>\n\n\n\n<p><em><strong>This blog post mentions Splice Studio, which is no longer active. Learn more about the shutdown <a rel=\"noreferrer noopener\" href=\"https:\/\/splice.com\/blog\/studio-shutdown\/\" target=\"_blank\">here.<\/a><\/strong><\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"DiViNCi: Unleashing the Beast w\/ Ableton Live\" width=\"370\" height=\"208\" src=\"https:\/\/www.youtube.com\/embed\/vjMeqlu9U_E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Splice: How did you get started in music?<\/strong><\/p>\n\n\n\n<p><strong>DiViNCi:&nbsp;<\/strong>As someone who wanted to be an inventor, I was really intrigued by the innovative nature and sound of Hip Hop. The deeper I dove in the more inspired I got, and I just had to be a part of it. I started rapping, formed a group with friends, got a job to start buying gear, and by 15 years old was producing our first album.<\/p>\n\n\n\n<p><strong>S: What was the story or reason behind starting Solillaquists of Sound?<\/strong><\/p>\n\n\n\n<p><strong>D:&nbsp;<\/strong>When I was 18, I met Swamburger in Orlando, where I had moved to attend Full Sail. We hit it off so well that it just made sense for us to work together. He later introduced me to his soon-to-be wife Alexandra, who he knew from his days in Chicago, and she and I made an album the first week we met.<\/p>\n\n\n\n<p>She moved to Orlando not long after that and, along with my wife, Tonya, we officially formed the foursome that is Solillaquists of Sound around August of 2002. We all moved in together shortly after and have been living and working together ever since.<\/p>\n\n\n\n<p><strong>S: You are known to be an awesome finger-drummer, how did you create that niche for yourself?<\/strong><\/p>\n\n\n\n<p><strong>D:<\/strong>&nbsp;When I started, the term \u201cfinger drumming\u201d hadn\u2019t been coined yet and there really wasn\u2019t anyone doing that sort of thing, at least that I knew of. If you were interested in making beats or providing a musical backdrop in Hip Hop, your choices were to either become a DJ or a producer\/beatmaker.<\/p>\n\n\n\n<p>I wanted to do both, so I saved up and got an MPC and made beats all day, every day. I was finger drumming and doing live arrangements for years in the studio before I ever stepped on stage. Tapping things out and making changes to the music in real-time with the singer, MC, or musician I was working with was the only way I could properly achieve what I wanted musically.<\/p>\n\n\n\n<p>So when it came time to start performing, it just made sense to bring the MPC on stage and do that same thing rather than burn a CD. Around that time, there were only a handful of other guys doing similar things but each of us had our own style. I think what helped me stand out &#8211; or at least helped carve the niche I created for myself &#8211; is linked to the energy that I tap into and how I lose myself on stage while performing.<\/p>\n\n\n\n<p><iframe src=\"https:\/\/drive.google.com\/file\/d\/0B5fsHQ2mf5lcM0d5VDZkaThaeVU\/preview\" width=\"740\" height=\"480\"><\/iframe><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Q&amp;A with DiViNCi&#8217;s mixing engineer, <a href=\"https:\/\/www.worldclassmastering.com\">Ricardo Sangiao<\/a><\/strong><\/h2>\n\n\n\n<p><strong>Splice: What is it like to collaborate over Splice as an engineer<\/strong><\/p>\n\n\n\n<p><strong>Ricardo<\/strong>:&nbsp;I was first introduced to Splice byDiViNCi. It just seemed too good to be true &#8211; you could upload sessions, upload bounces, rate sessions, add comments very quickly, collaborate with other engineers, producers\u2026 Once I tried it, I realized that it was exactly what it seemed like, and it was great.<\/p>\n\n\n\n<p>We were working around the clock &#8211; I was working at 3 AM, 4 AM, 5 AM, then I would go to sleep. DiViNCi was working at 7 AM, 10 AM, and in the afternoon &#8211; then I would wake up and keep working. We were working so fast, but I also started to feel that connection again, just as if we were working closely in the studio in Orlando. Even the music started sounding better because I could work whenever I was ready to work, regardless of where I was located. So as an engineer, I think Splice has improved my workflow a lot.<\/p>\n\n\n\n<p><strong>S: Are there any mixing tricks you used in any of the songs?<\/strong><br><strong><br><\/strong><strong>R:<\/strong>&nbsp;There\u2019s this plugin called \u201cFrequency Echo,\u201d by Valhalla DSP. It\u2019s free, but just as good as any other paid plugin by any other top plugin manufacturer. I had never used it before the record, and it\u2019s very simple to use.<\/p>\n\n\n\n<p>If you put it on an aux send, and you put the mix to 100%, so you\u2019re just listening to the wet signal, and you start sending the vocal groups to it with a shift, just very subtly, and you start raising the level until you hear it, you\u2019re going to feel like the vocals are moving around you. Then you push it back, so the listener can\u2019t hear the effect but can still feel it. That\u2019s a really cool trick that made the vocals in the mix tracks sound great.<\/p>\n\n\n\n<p><strong>S: What are some lessons you learned from working on this project?<\/strong><\/p>\n\n\n\n<p><strong>R:<\/strong>&nbsp;There\u2019s one track called \u201cMore Than Mind,\u201d where we were mixing it using UAD\u2019s Manley Variable compressor. The compressor glued the track together, adding this rich character to the song. It just sounded good overall. But a couple versions down the line, something had changed in the song. It didn\u2019t sound as good &#8211; it felt like something was holding back the mix.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><img decoding=\"async\" class=\"alignnone wp-image-3682 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-The-Cope-Aesthetic-1024x1014.jpg\" alt=\"\" width=\"348\" height=\"345\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-The-Cope-Aesthetic-1024x1014.jpg 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-The-Cope-Aesthetic-258x255.jpg 258w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-The-Cope-Aesthetic-400x396.jpg 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-The-Cope-Aesthetic-768x760.jpg 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-The-Cope-Aesthetic-505x500.jpg 505w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-The-Cope-Aesthetic-1200x1188.jpg 1200w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-The-Cope-Aesthetic.jpg 1496w\" data-sizes=\"(max-width: 348px) 100vw, 348px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 348px; --smush-placeholder-aspect-ratio: 348\/345;\" \/> <img decoding=\"async\" class=\"alignnone wp-image-3681 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-Love-is-at-the-Core-1024x1024.jpg\" alt=\"\" width=\"345\" height=\"345\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-Love-is-at-the-Core-1024x1024.jpg 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-Love-is-at-the-Core-255x255.jpg 255w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-Love-is-at-the-Core-400x400.jpg 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-Love-is-at-the-Core-768x768.jpg 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-Love-is-at-the-Core-500x500.jpg 500w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-Love-is-at-the-Core-1200x1200.jpg 1200w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2017\/07\/Album-Cover-Love-is-at-the-Core.jpg 1800w\" data-sizes=\"(max-width: 345px) 100vw, 345px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 345px; --smush-placeholder-aspect-ratio: 345\/345;\" \/><br>As of July 1st, Chakra Khan\u2019s newest album, The Cope Aesthetic, is available for download on all digital platforms including iTunes and Spotify.<\/p>\n\n\n\n<p>You can watch the music videos for Chakra Khan\u2019s \u201cNotice\u201d and \u201cBravery Today,\u201d the first two singles from The Cope Aesthetic at <a href=\"http:\/\/www.secondsubject.com\">www.secondsubject.com<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Finger drummer Divinci shares how he used Splice Studio to collaborate and produce his latest two albums for his group Chakra Kahn.<\/p>\n","protected":false},"author":24,"featured_media":3683,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1694,1692],"tags":[22,1635],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - 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