{"id":35204,"date":"2025-03-31T18:08:40","date_gmt":"2025-03-31T22:08:40","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=35204"},"modified":"2025-03-31T18:08:40","modified_gmt":"2025-03-31T22:08:40","slug":"women-in-music-production","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/women-in-music-production\/","title":{"rendered":"Women in music production: Why so few, what it\u2019s like, and how to drive change"},"content":{"rendered":"\n<p style=\"font-size:15px\" class=\"has-text-align-center\"><strong>Illustration:<\/strong> <a href=\"https:\/\/www.jordanemoss.com\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\"><strong>Jordan Moss<\/strong><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">For decades, women have had to pave their own path when it comes to technical roles in any industry, and music technology is no different.<\/h2>\n\n\n\n<p>In the music industry, what is the reality of being a female music producer?<\/p>\n\n\n\n<p>In 2024, female music producers were still one of the most underrepresented communities in music; women held approximately 5.9% of producing credits on the Hot 100 year-end chart (according to the <a href=\"https:\/\/assets.uscannenberg.org\/docs\/aii-inclusion-recording-studio-20240130.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Inclusion in the Recording Studio? Report<\/em> by USC Annenberg<\/a>).<\/p>\n\n\n\n<p>Although this number does not define the overflowing talent that women bring to the table as producers, it\u2019s important to understand why there are so few female producers and how to create more space for women in music technology.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Why are there so few female music producers?<\/h2>\n\n\n\n<p>Many social and cultural factors have contributed to music production being considered a traditionally male-dominated field. Another way to look at this question is whether there are few female producers, or whether there are only few female producers out of many who are recognized and accredited.<\/p>\n\n\n\n<p>Historically, there has been a strong cultural bias that views men as the primary users and creators of technical tools and equipment in music. These sorts of biasses extend even to childhood, where gender norms influence which instruments children learn. According to <a href=\"https:\/\/udspace.udel.edu\/items\/fa53b4c3-fe7b-41b6-8770-701ef19dc991\" target=\"_blank\" rel=\"noreferrer noopener\">a study by Kelly Gathen,<\/a> gender biases in instrument selection make young boys more likely to take guitar and bass lessons, while young girls are steered toward violin and cello.<\/p>\n\n\n\n<p>These small disparities can have long-term effects, reinforcing the perception that women are less suited for roles like music production. Such stereotypes also impact hiring decisions, pay rates, collaborations, and the overall perception of women in studio environments.<\/p>\n\n\n\n<p>A major way in which this gender bias manifests is there being higher standards of approval for women. <a href=\"https:\/\/www.navisite.com\/press-releases\/navisite-reveals-94-of-women-in-tech-believe-they-are-held-to-a-higher-standard-than-their-male-colleagues\/\" target=\"_blank\" rel=\"noreferrer noopener\">Navista\u2019s research<\/a> found that around 94% of women in tech believe they are held to a &#8220;higher standard&#8221; than their male colleagues. In fact, \u201ccisgender women working in the studio reported experiencing more micro-aggressions and discrimination than cisgender women working in STEM academia.&#8221;<\/p>\n\n\n\n<p>Another factor to consider in answering this question is the network and connections-based aspect of the music industry. The industry is hard to break into for any producer, especially when it comes to being invited to studio sessions. According to <a href=\"https:\/\/publications.parliament.uk\/pa\/cm5804\/cmselect\/cmwomeq\/129\/report.html\" target=\"_blank\" rel=\"noreferrer noopener\">a new report called <em>Misogyny in Music<\/em>,<\/a> the music industry remains a \u201cboys\u2019 club\u201d with female artists facing a litany of challenges. The need to overcome gender bias to form certain connections with other music producers presents a sizable barrier for women to enter more sessions.<\/p>\n\n\n\n<p>After overcoming these barriers to entry, once a woman <em>does<\/em> start working as a producer, getting officially credited recognized for your contributions to a record can be another battle. As per <em><a href=\"https:\/\/assets.uscannenberg.org\/docs\/aii-inclusion-recording-studio-20240130.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">the USC Annenberg Report,<\/a><\/em> \u201cacross nine years and a total of 1,972 producing credits, men comprised 96.8% of all producers, while women comprised 3.2%. This is a gender ratio of 29.8 men to every 1 woman producer.\u201d Moreover, only 19 out of the 1,972 production credits went to women of color.<\/p>\n\n\n\n<p>Yet, in the face of disrespect, inequality, and a lack of recognition, women have consistently played a powerful role in the music production landscape. Whether it\u2019s electronic music pioneer Suzanne Ciani, GRAMMY-winning mastering engineer Emily Lazar (who also founded <a href=\"https:\/\/www.wearemovingtheneedle.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">We Are Moving The Needle,<\/a> a non-profit that aims to close the vast gender gap within the recording industry), hip hop legend and Sugar Hill Records founder Sylvia Robinson, or multi-faceted powerhouse Missy Elliott\u2014women have always been, and will continue to be, at the forefront of music production.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">How can you support women in music production?<\/h2>\n\n\n\n<p>Now more than ever, we need to support women in music. Here are a few ways you can do so as fellow music creators and listeners.<\/p>\n\n\n\n<p>If you\u2019re a music creator:<\/p>\n\n\n\n<ol>\n<li><strong>Hire more women:<\/strong> The best way you can directly support women in music production is to hire them.<\/li>\n\n\n\n<li><strong>Provide consistent support:<\/strong> Beyond hiring, it\u2019s crucial to create an inclusive and supportive environment once they\u2019re on board.<\/li>\n\n\n\n<li><strong>Go beyond the bias:<\/strong> As mentioned above, women in tech have been stereotyped as being less knowledgeable than their male counterparts. Creating music should not be defined by gender\u2014\u201dfemale producers\u201d are producers.<\/li>\n\n\n\n<li><strong>Give credit:<\/strong> Lack of recognition is a constant battle for female producers. Do your part and give credit where credit is due.<\/li>\n<\/ol>\n\n\n\n<p>In the studio:<\/p>\n\n\n\n<ol>\n<li><strong>Invite more women:<\/strong> Create more diverse teams in your studio by inviting more women to your studio sessions and into your network.<\/li>\n\n\n\n<li><strong>Create a safe space:<\/strong> Make the creators in your studio feel safe by providing basic amenities and applying a no-tolerance policy for disrespect and misconduct.<\/li>\n\n\n\n<li><strong>Create a supportive environment:<\/strong> An inclusive and open environment is crucial for a productive studio session. Creating a space free of ego and judgement will go a long way in getting the most unique ideas.<\/li>\n\n\n\n<li><strong>Foster further connections:<\/strong> Connect the producers at your sessions with more opportunities with people in your network.<\/li>\n<\/ol>\n\n\n\n<p>As a music listener:<\/p>\n\n\n\n<ol>\n<li><strong>Like, share, and comment:<\/strong> Positively engage with music and content created by women artists, add their songs to your playlists, and share their music on your social media.<\/li>\n\n\n\n<li><strong>Stream more music:<\/strong> Discover and stream more music created by women.<\/li>\n\n\n\n<li><strong>Show up:<\/strong> Buy tickets and go to more shows by female artists.<\/li>\n\n\n\n<li><strong>Get more involved:<\/strong> Join more fan communities and support artists by buying their merch, subscribing to their mailing lists, and following and sharing their music releases.<\/li>\n<\/ol>\n\n\n\n<p>Read more insights from women in music production on <a href=\"https:\/\/www.instagram.com\/p\/DG8ir_1uMlm\/?img_index=1\" target=\"_blank\" rel=\"noreferrer noopener\">this post<\/a> from our Instagram.<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center\">Join the Splice Discord to engage with a community of other music creators, participate in producer-led beat battles, and hear exclusive interviews:<\/p>\n\n\n\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link\" href=\"https:\/\/splice.com\/features\/community\" target=\"_blank\" rel=\"noopener noreferrer\">Join the Discord<\/a><\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Join us in an in-depth discussion on the reality and experience of being a female music producer in 2025.<\/p>\n","protected":false},"author":115,"featured_media":35210,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1693,1692],"tags":[1788],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - 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