Level of Activity<\/a><\/li>\n<\/ol>\n
\nTimbre<\/h3>\n
1. What is Timbre?<\/strong><\/p>\n![\"timbre_music\"](\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\")
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\n- Timbre is the unique<\/strong>, distinguishing quality<\/strong> of a sound made by a music instrument.<\/li>\n
- Timbre allows you to identify<\/strong> two different instruments playing the same note<\/strong>.<\/li>\n
- For example, both a piano and a guitar may be playing the note C3, but because each instrument has its own unique timbre, the listener is able to identify that there are two different instruments playing.<\/li>\n<\/ul>\n
2. Timbre Qualities & Music Arrangement<\/strong><\/p>\n\n- It is important to know what an instruments sounds like and to be able to describe<\/strong> it.<\/li>\n
- Once you know the timbre quality\u00a0<\/strong>of an instrument, you can make informed decisions on how to use it in your arrangements.<\/li>\n
- For example, a violin may have a timbre quality of sounding delicate<\/strong>, high<\/strong> and penetrating<\/strong> when played at certain ranges. With that knowledge in hand, you might want to write a violin melody in that range, during a loud chorus to cut through your arrangement.<\/li>\n
- Similarly, electronic instruments have timbre qualities as well but with greater shaping<\/strong> possibilities.<\/li>\n
- When you built a sound from scratch, you are deciding the timbre qualities of your sound. The flexibility<\/strong> that synth sounds have over an acoustic instrument is that the timbre of your synth can change in any way you like and is not confined<\/strong> to the physicality<\/strong> of the instrument itself. It that sense, synths are very malleable<\/strong>.<\/li>\n<\/ul>\n
3. Practical Applications<\/strong><\/p>\n<\/p>\n
\n- Keep a list of music \/ timbre descriptors<\/strong> when planning out your arrangement.<\/li>\n
- Some examples of descriptors are: gloomy, smooth, narrow, metallic, sharp, soft, delicate, bright, round, high, low, damped, sandy.<\/li>\n
- Tweaking the ADSR<\/strong> curve on your synth helps shape the timbre quality of an instrument.<\/li>\n
- When arranging, try to listen and isolate<\/strong> the different instruments you have. If you can do that, it means you have a well defined timbre structure. If not, try re-thinking the arrangement and evaluating your sounds based on the descriptors above.<\/li>\n<\/ul>\n
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![\"timbre_music\"](\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2016\/05\/music-text-1-1024x768.jpg\")
<\/p>\n![\"timbre_abstract\"](\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2016\/05\/abstract-music-rock-bw.jpg\")
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