{"id":27406,"date":"2023-06-21T12:14:40","date_gmt":"2023-06-21T16:14:40","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=27406"},"modified":"2025-09-17T12:07:53","modified_gmt":"2025-09-17T16:07:53","slug":"sound-design-techniques-sampling","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/sound-design-techniques-sampling\/","title":{"rendered":"10 sound design techniques that will change how you sample"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Did you know you could apply delay on only the odd harmonics of a sample, or combine the sonic characteristics of two sounds?<\/h2>\n\n\n\n<p>In the tutorial above, we go over ten timeless sound design techniques for reimagining your samples. Watch along to hear each one applied in the DAW, and read below for highlights.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">10 sound design techniques for reimagining your samples<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">1. Stutter and glitch<\/h3>\n\n\n\n<p>Stutters and glitches can be highly useful as transitions, fills, rhythmic accents, and more. In our tutorial, we use some <a rel=\"noreferrer noopener\" href=\"https:\/\/splice.com\/sounds\/packs\/moment\/unicorn-time-capsule-a-moore-kismet-moment\/\" target=\"_blank\">sounds from Moore Kismet<\/a> to explore how to apply these effects with the native tools in your DAW, via specialized third-party plugins like <a rel=\"noreferrer noopener\" href=\"https:\/\/splice.com\/plugins\/38587013-portal-vst-au-by-output\" target=\"_blank\">PORTAL<\/a> and <a rel=\"noreferrer noopener\" href=\"https:\/\/splice.com\/plugins\/38893042-stutter-edit-2-vst-au-by-izotope\" target=\"_blank\">Stutter Edit,<\/a> and via hardware like <a rel=\"noreferrer noopener\" href=\"https:\/\/www.akaipro.com\/mpc-one-plus\" target=\"_blank\">the Akai MPC One+,<\/a> which features built-in Splice Sounds integration and an XY pad that&#8217;s perfect for the job. Go to 0:16 in the video to learn more about this technique and hear it in action.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2. Pitch automation <\/h3>\n\n\n\n<p><a href=\"https:\/\/splice.com\/blog\/what-is-automation-in-music\/\" target=\"_blank\" rel=\"noreferrer noopener\">Getting creative with the parameters you automate<\/a> is a great way to reimagine your samples and expand your sonic toolkit. Above, we explore how you can even automate pitch on percussive sounds to introduce some unique energy to your beats\u2014go to 2:12 in the video to hear this in action.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-blog-splice wp-block-embed-blog-splice\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"WWj5ufbVlK\"><a href=\"https:\/\/splice.com\/blog\/what-is-automation-in-music\/\">Automation in music: What it is and 5 creative ways to use it<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Automation in music: What it is and 5 creative ways to use it&#8221; &#8212; Blog | Splice\" src=\"https:\/\/splice.com\/blog\/what-is-automation-in-music\/embed\/#?secret=x2KUdmZ277#?secret=WWj5ufbVlK\" data-secret=\"WWj5ufbVlK\" width=\"370\" height=\"209\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">3. Vocoding (on sounds that aren&#8217;t vocals)<\/h3>\n\n\n\n<p>As their name suggests, <a href=\"https:\/\/splice.com\/blog\/what-is-a-vocoder\/\" target=\"_blank\" rel=\"noreferrer noopener\">vocoders<\/a> are most commonly used on vocals\u2014but what if we tried going beyond this expectation? Above, we apply a vocoder on a percussion track and use a synth chord progression as the carrier signal to achieve a unique sense of rhythmic movement. Go to 2:55 in the video to learn more and hear how the technique sounds in the DAW.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4. Reverse reverb<\/h3>\n\n\n\n<p>Here&#8217;s a simple (but incredibly versatile) one\u2014simply <a href=\"https:\/\/splice.com\/blog\/what-is-reverse-reverb\/\" target=\"_blank\" rel=\"noreferrer noopener\">add a reverb to your favorite one-shot, bounce down the audio, and reverse it.<\/a> Like stutters and glitches, this sound design technique can be used as an effective transition between sections\u2014go to 3:53 in the video to hear it in the context of a full production.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-blog-splice wp-block-embed-blog-splice\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"2DtbZhN9ji\"><a href=\"https:\/\/splice.com\/blog\/what-is-reverse-reverb\/\">Reverse reverb: What it is and how to use it<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Reverse reverb: What it is and how to use it&#8221; &#8212; Blog | Splice\" src=\"https:\/\/splice.com\/blog\/what-is-reverse-reverb\/embed\/#?secret=VMUKtdcpSH#?secret=2DtbZhN9ji\" data-secret=\"2DtbZhN9ji\" width=\"370\" height=\"209\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">5. Time stretching (to the extreme)<\/h3>\n\n\n\n<p>Many of us may have used time stretching to align a sample with the BPM of our session\u2014but what if you stretched a sample beyond recognition? At 4:15 in the tutorial, we showcase this technique by creating organic-sounding pads and textures out of small fragments of audio.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">6. Layering and resampling<\/h3>\n\n\n\n<p>While layering is a fundamental technique, doing it right can take some practice. Above, we demonstrate how you can maximize the potential of layering by being meticulous with your fades, and then resampling the audio for further sound design\u2014go to 5:57 in the video to learn more.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">7. Convolution<\/h3>\n\n\n\n<p>Most commonly used for reverb, <a href=\"https:\/\/splice.com\/blog\/effects-101-reverb-explained\/#:~:text=Convolution,worth%20checking%20out.\" target=\"_blank\" rel=\"noreferrer noopener\">convolution<\/a> is a technique that applies the sonic characteristics of one sample (known as the impulse response) to another sound. Above, we showcase how you can import your own one-shots to a convolver to create some intriguing sounds\u2014go to 6:23 in the video to hear convolution in the context of a full production.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">8. Multi-band effects processing<\/h3>\n\n\n\n<p>Multi-band effects processing expands your sound design possibilities exponentially, allowing you to apply different effects to the different frequency ranges contained within a singular sound. In our tutorial, we showcase how this technique can be used to create captivating textures\u2014go to 7:24 to hear what we came up with in the DAW.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">9. Harmonic processing<\/h3>\n\n\n\n<p>While it may require a specialized tool, processing different components of <a rel=\"noreferrer noopener\" href=\"https:\/\/splice.com\/blog\/what-are-harmonics\/\" target=\"_blank\">the harmonics of a sound<\/a> can be an exciting way to achieve new timbres. Above, we use the Harmonic Split tool in <a href=\"https:\/\/splice.com\/daws\/39084269-bitwig-studio-by-bitwig\" target=\"_blank\" rel=\"noreferrer noopener\">Bitwig Studio<\/a> to process the odd and even harmonics separately\u2014go to 8:09 in the video to hear how this sounds.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">10. Granular LFO movement<\/h3>\n\n\n\n<p>Last but certainly not least, using automation in conjunction with granular processing can create some innovative sounds. In the tutorial, we use <a href=\"https:\/\/splice.com\/plugins\/39120786-phase-plant-au-by-kilohearts\" target=\"_blank\" rel=\"noreferrer noopener\">Kilohearts&#8217; Phase Plant<\/a> to automate the playback position of a sound to spark some ideas\u2014go to 9:05 to see this process in action.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-blog-splice wp-block-embed-blog-splice\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"aJHpxoZhbX\"><a href=\"https:\/\/splice.com\/blog\/intro-granular-synthesis\/\">Granular synthesis: A guide to what it is and how to use it<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Granular synthesis: A guide to what it is and how to use it&#8221; &#8212; Blog | Splice\" src=\"https:\/\/splice.com\/blog\/intro-granular-synthesis\/embed\/#?secret=Lqb0ADRjQk#?secret=aJHpxoZhbX\" data-secret=\"aJHpxoZhbX\" width=\"370\" height=\"209\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusion<\/h2>\n\n\n\n<p>Hopefully this tutorial showcased some sound design techniques that inspire you to try something new the next time you&#8217;re using samples in your session. If you want to use any of the one-shots and loops we used in our video, you can find all of them in <a rel=\"noreferrer noopener\" href=\"https:\/\/splice.com\/sounds\/collections\/qbIc6tSC0l_N5gao-pCKnPCP3N0\/\" target=\"_blank\">this Collection,<\/a> and you can also try out many of the plugins we featured for free via <a rel=\"noreferrer noopener\" href=\"https:\/\/splice.com\/features\/plugins\" target=\"_blank\">Splice Rent-to-Own.<\/a><\/p>\n\n\n\n<p>What was your favorite technique that was covered in the tutorial? What other topics in music production would you like to see us tackle next? Let us know in the comments section of the video, and subscribe to <a href=\"https:\/\/youtube.com\/@splice\/\" target=\"_blank\" rel=\"noreferrer noopener\">the Splice YouTube channel<\/a> for more tips and tutorials.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center\">Explore industry-leading plugins, bundles, DAWs, and more: <\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link\" href=\"https:\/\/splice.com\/plugins\" target=\"_blank\" rel=\"noreferrer noopener\">Browse plugins<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>From convolution to multi-band effects processing, here are ten timeless sound design techniques that will help you reimagine your samples.<\/p>\n","protected":false},"author":33,"featured_media":27408,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1852,1850,1845,1846,1696,49],"tags":[1749,159,1803,1802,333,1473,546,1254,918],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>10 Sound Design Techniques For Sampling - Blog | Splice<\/title>\n<meta name=\"description\" content=\"From convolution to multi-band effects processing, here are ten timeless sound design techniques that will help you reimagine your samples.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/splice.com\/blog\/sound-design-techniques-sampling\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"10 Sound Design Techniques For Sampling - Blog | Splice\" \/>\n<meta property=\"og:description\" content=\"From convolution to multi-band effects processing, here are ten timeless sound design techniques that will help you reimagine your samples.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/splice.com\/blog\/sound-design-techniques-sampling\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Splice\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Splice\" \/>\n<meta property=\"article:published_time\" content=\"2023-06-21T16:14:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-17T16:07:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2023\/06\/0523-10-sound-design-techniques-for-samples-BlogPost.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Harrison Shimazu\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/bitly.com\/namaboku-twt\" \/>\n<meta name=\"twitter:site\" content=\"@splice\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Harrison Shimazu\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/splice.com\/blog\/sound-design-techniques-sampling\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/splice.com\/blog\/sound-design-techniques-sampling\/\"},\"author\":{\"name\":\"Harrison Shimazu\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/1ed73f890efad66c4808440680e9e50d\"},\"headline\":\"10 sound design techniques that will change how you sample\",\"datePublished\":\"2023-06-21T16:14:40+00:00\",\"dateModified\":\"2025-09-17T16:07:53+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/splice.com\/blog\/sound-design-techniques-sampling\/\"},\"wordCount\":789,\"publisher\":{\"@id\":\"https:\/\/splice.com\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/sound-design-techniques-sampling\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2023\/06\/0523-10-sound-design-techniques-for-samples-BlogPost.jpg\",\"keywords\":[\"collections\",\"izotope\",\"kilohearts\",\"phase plant\",\"plugins\",\"rent-to-own\",\"reverb\",\"sounds\",\"youtube\"],\"articleSection\":[\"Bitwig Studio\",\"DAW\",\"Sampling\",\"Sound Design\",\"Tips &amp; 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