{"id":2526,"date":"2019-12-23T12:56:37","date_gmt":"2019-12-23T17:56:37","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=2526"},"modified":"2023-04-27T13:29:29","modified_gmt":"2023-04-27T17:29:29","slug":"mastering-101-signal-flow-metering","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/mastering-101-signal-flow-metering\/","title":{"rendered":"Mastering 101: Signal flow &#038; metering"},"content":{"rendered":"<h2>Signal flow and metering are essential components of mastering that help set up your master for success.<\/h2>\n<p>This post is the second article in our introductory guide to mastering. If you&#8217;ve missed an entry, click on any topic below to catch up:<\/p>\n<ol>\n<li><a href=\"https:\/\/splice.com\/blog\/mastering-101-what-is-mastering\/\">What is mastering?<\/a><\/li>\n<li>Signal flow &amp; metering<\/li>\n<li><a href=\"https:\/\/splice.com\/blog\/mastering-101-eq-basics\/\">EQ<\/a><\/li>\n<li><a href=\"https:\/\/splice.com\/blog\/mastering-101-compression\/\">Compression<\/a><\/li>\n<li><a href=\"https:\/\/splice.com\/blog\/mastering-101-limiting\/\">Limiting<\/a><\/li>\n<li><a href=\"https:\/\/splice.com\/blog\/mastering-101-preperation\/\" target=\"_blank\" rel=\"noopener noreferrer\">Preparation<\/a><\/li>\n<\/ol>\n<h2 style=\"text-align: left;\">Signal flow<\/h2>\n<p style=\"text-align: left;\">Let&#8217;s just dive right into it \u2014 here&#8217;s a good starting point for a digital mastering path in your DAW:<\/p>\n<p style=\"text-align: left;\"><strong>Source \u2192 EQ \u2192 Compressor<span style=\"color: #000000;\"> (2 dB gain reduction) \u2192 Clipper \u2192 Limiter (3 dB gain reduction)<\/span><\/strong><\/p>\n<ul>\n<li style=\"text-align: left;\"><strong>Source<\/strong>: This is your stereo track that you&#8217;d like to master (alternately, it could be stems, but mastering with stems is a whole different ball game).<\/li>\n<li style=\"text-align: left;\"><strong>EQ<\/strong>: Your EQ can be placed here or later; you make the call. Some people place an EQ both before <em>and<\/em> after the compressor, as the compressor tends to color a signal (we&#8217;ll talk about this more in <a href=\"https:\/\/splice.com\/blog\/mastering-101-compression\/\" target=\"_blank\" rel=\"noopener noreferrer\">a future entry<\/a>). Regardless, note that there&#8217;s generally no gain reduction happening here.<\/li>\n<li style=\"text-align: left;\"><strong>Compressor<\/strong>: Remember, mastering is about subtle touches &#8211; you should avoid anything that&#8217;s significantly more than 2 dB of compression at this stage. You want to <em>feel<\/em> the compression rather than <em>hear<\/em> it.<\/li>\n<li style=\"text-align: left;\"><strong>Clipper<\/strong>: Using a clipper is a process that distorts your mix. Yes, you read it right \u2014 <em>distorts<\/em>. The sad truth these days is that to reach commercial loudness, you need to distort your mix (we&#8217;ll revisit this <a href=\"https:\/\/splice.com\/blog\/mastering-101-limiting\/\" target=\"_blank\" rel=\"noopener noreferrer\">later in the guide<\/a>).<\/li>\n<li style=\"text-align: left;\"><strong>Limiter<\/strong>: Similar to the compressor, the limiter will sound unnatural if it brings more than 3 dB of gain reduction to your track (unless the mix has tons of headroom). Although some may choose to produce a &#8220;pumping&#8221; effect for creative purposes, it&#8217;s generally recommended to keep gain reduction to a minimum.<\/li>\n<\/ul>\n<p style=\"text-align: left;\">This signal flow may not make any sense to some of you, but it&#8217;ll soon become clearer as we go through this mastering guide.<\/p>\n<p style=\"text-align: left;\">The takeaway here is that to make something <em>louder<\/em>, you need to <em>reduce<\/em> the dynamic range. That said, the more dynamic range a mix has, the louder it may be on streaming (<a href=\"http:\/\/www.soundonsound.com\/sos\/feb14\/articles\/loudness-war.htm\" target=\"_blank\" rel=\"noopener noreferrer\">check out this article<\/a>&nbsp;if you&#8217;re interested in learning more on this).<\/p>\n<h2 style=\"text-align: left;\">Metering<\/h2>\n<p style=\"text-align: left;\">In mastering, we usually use VU meters that give us <strong>RMS<\/strong> (root mean square) readings of our master. In essence, VU meters give us a good indication of the average levels of our master. A good inexpensive meter to consider getting is <a href=\"http:\/\/www.pspaudioware.com\/plugins\/tools_and_meters\/psp_triplemeter\/\">PSP&#8217;s TripleMeter<\/a>.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-7911 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2016\/02\/signal-flow-metering-psp-triplemeter-01.png\" alt=\"signal-flow-metering-psp-triplemeter-01\" width=\"1078\" height=\"463\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2016\/02\/signal-flow-metering-psp-triplemeter-01.png 1078w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2016\/02\/signal-flow-metering-psp-triplemeter-01-400x172.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2016\/02\/signal-flow-metering-psp-triplemeter-01-1024x440.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2016\/02\/signal-flow-metering-psp-triplemeter-01-355x152.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2016\/02\/signal-flow-metering-psp-triplemeter-01-768x330.png 768w\" data-sizes=\"(max-width: 1078px) 100vw, 1078px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1078px; --smush-placeholder-aspect-ratio: 1078\/463;\" \/><\/p>\n<p style=\"text-align: left;\">A few things to note about VU Meters:<\/p>\n<p style=\"text-align: left;\"><strong>&nbsp;0 VU is relative<\/strong>: The digital value of 0 VU is defined using the meter calibration control. The reason for this is to allow scaling for different target levels.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-7912 lazyload\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2016\/02\/signal-flow-metering-psp-triplemeter-02.png\" alt=\"signal-flow-metering-psp-triplemeter-02\" width=\"1093\" height=\"463\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2016\/02\/signal-flow-metering-psp-triplemeter-02.png 1093w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2016\/02\/signal-flow-metering-psp-triplemeter-02-400x169.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2016\/02\/signal-flow-metering-psp-triplemeter-02-1024x434.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2016\/02\/signal-flow-metering-psp-triplemeter-02-355x150.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2016\/02\/signal-flow-metering-psp-triplemeter-02-768x325.png 768w\" data-sizes=\"(max-width: 1093px) 100vw, 1093px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1093px; --smush-placeholder-aspect-ratio: 1093\/463;\" \/><\/p>\n<p><strong>2.<\/strong>&nbsp;<strong>Target levels<\/strong>: In the mastering world, there are general reference points in respect to target levels. For PSP TripleMeter, you can calibrate 0 VU by clicking <strong>PSP VU 3<\/strong>. This will surface the &#8216;back&#8217; of the meter.<\/p>\n<p>Below are rough target levels for some common genres:<\/p>\n<ul style=\"text-align: left;\">\n<li>Classical: 0 VU = -18 dBFS<\/li>\n<li>Jazz: 0 VU = -9 dBFS<\/li>\n<li>Pop: 0 VU = -8 dBFS<\/li>\n<li>Aggressive pop \/ hip hop: = -7 dBFS<\/li>\n<\/ul>\n<p style=\"text-align: left;\">Because 0 VU is relative, it doesn&#8217;t necessarily mean you&#8217;re clipping even if you surpass it.&nbsp;If you&#8217;re only touching the 0 VU mark occasionally, you have a dynamic master. If you&#8217;re going over 0 VU and into the red occasionally, you have a louder but less dynamic master. And if you&#8217;re slamming the red, you have a compressed master with less dynamic range.<\/p>\n<h2>Creating a mastering template<\/h2>\n<p>Now that you know about signal flow and metering, it&#8217;s easy to create a reusable mastering template in your DAW. All you have to do is set up and save a master track with plugins in this order:<\/p>\n<ol>\n<li>EQ<\/li>\n<li>Compressor<\/li>\n<li>Clipper<\/li>\n<li>Limiter<\/li>\n<li>VU meter (with your target level set according to genre)<\/li>\n<\/ol>\n<p>That&#8217;s it for this entry \u2014 next, let&#8217;s cover <a href=\"https:\/\/splice.com\/blog\/mastering-101-eq-basics\/\" target=\"_blank\" rel=\"noopener noreferrer\">EQ basics.<\/a><\/p>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center\">Explore royalty-free one-shots, loops, FX, MIDI, and presets from leading artists, producers, and sound designers:<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/splice.com\/sounds\" target=\"_blank\" rel=\"noreferrer noopener\">Join Splice today<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Learn about how signal flow and metering are essential components of mastering that help set up your master for success.<\/p>\n","protected":false},"author":24,"featured_media":8009,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1697,1696],"tags":[1638,1265],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Mastering 101: Signal flow &amp; 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