{"id":23206,"date":"2022-10-09T03:22:53","date_gmt":"2022-10-09T07:22:53","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=23206"},"modified":"2023-03-27T12:34:43","modified_gmt":"2023-03-27T16:34:43","slug":"chord-progression-tips-you-wish-you-knew-earlier","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/chord-progression-tips-you-wish-you-knew-earlier\/","title":{"rendered":"4 chord progression tips you&#8217;ll wish you knew earlier"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Across all sorts of styles and genres, chord progressions are consistently one of the most key elements of an arrangement.<\/h2>\n\n\n\n<p>In this tutorial video, we use the instruments available in <a rel=\"noreferrer noopener\" href=\"https:\/\/splice.com\/plugins\/39096276-v-collection-9-vst-au-by-arturia\" target=\"_blank\">Arturia&#8217;s V Collection 9<\/a> to demonstrate four chord progression tips we wish we knew earlier. See below for a summary of top takeaways, and watch above for more details and to hear how each tip applies in the DAW.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">1. A little syncopation goes a long way<\/h2>\n\n\n\n<p><strong>Syncopation<\/strong> is a technique where rhythms that avoid the downbeat (or wherever else the &#8216;expected&#8217; accent lies) are emphasized. Even if you&#8217;re not making math rock or djent, a little bit of syncopation can go a long way in adding some additional interest and energy to your music. Above, we discuss both how to apply syncopation on the grid as well as how timbre and envelope settings can also play key roles.<\/p>\n\n\n\n<p>Go to 0:19 in the video to hear more on this topic and see how it applies in action.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">2. The ii &#8211; V &#8211; I chord progression is iconic for a reason<\/h2>\n\n\n\n<p>The <strong>ii &#8211; V &#8211; I chord progression<\/strong> is seen as a staple in jazz, but the truth is that it can be used in almost any style of music. One of the qualities that makes the sequence so widely applicable and pleasing to the ear is how it encapsulates a miniature cadence, moving from a predominant chord (ii) to dominance (V) to the tonic (I).<\/p>\n\n\n\n<p>Above, we walk through what the ii &#8211; V &#8211; I chord progression looks like in major and minor keys, how to voice it in effective ways, and how to get comfortable with the sequence in various keys.<\/p>\n\n\n\n<p>Go to 4:51 in the video to hear more on this topic and see how it applies in action.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">3. Chord substitutions are your friend<\/h2>\n\n\n\n<p><strong>Chord substitution<\/strong> is a technique where you swap an existing chord with a less expected option. While there&#8217;s a <em>ton<\/em> that can be done even just within your primary key, the possibilities expand exponentially when you also start incorporating chords from closely-related and distant keys.<\/p>\n\n\n\n<p>Above, we showcase two popular techniques that provide some structure to chord substitutions from outside keys: <strong>borrowed chords<\/strong> and <a href=\"https:\/\/splice.com\/blog\/tritone-the-devils-interval\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>tritone<\/strong><\/a><strong> substitution.<\/strong><\/p>\n\n\n\n<p>Go to 8:16 in the video to learn more about these techniques and hear how they apply in action.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">4. Arpeggios shouldn&#8217;t be underestimated<\/h2>\n\n\n\n<p><strong>Arpeggiation<\/strong>\u2014a technique where you break up a chord into its individual notes\u2014might be seen as a relatively basic technique. However, the use of both MIDI devices and resampling can take your arpeggios to totally unique territory.<\/p>\n\n\n\n<p>Go to 13:01 in the video to hear more on this topic and see how it applies in action.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Let us know your chord progression tips<\/h2>\n\n\n\n<p>What were your favorite chord progression tips from the video? Do you have any additional go-to techniques of your own? Let us know in the comments section of <a rel=\"noreferrer noopener\" href=\"https:\/\/youtu.be\/I1qTPRJfX6c\" target=\"_blank\">the video,<\/a> and subscribe to <a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/c\/splice\/\" target=\"_blank\">the Splice YouTube channel<\/a> for more music production tips and tutorials.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center\">Try V Collection 9 for free, and then rent-to-own it until it&#8217;s yours:<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link\" href=\"https:\/\/splice.com\/plugins\/39096276-v-collection-9-vst-au-by-arturia\" target=\"_blank\" rel=\"noreferrer noopener\">Try V Collection 9 for free<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>From syncopation techniques to tricks for using devices for arpeggios, here are four chord progression tips we wish we knew earlier.<\/p>\n","protected":false},"author":33,"featured_media":23209,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1699,1696],"tags":[1677,1633,333,1473,1686],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - 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