{"id":22543,"date":"2022-08-19T21:35:19","date_gmt":"2022-08-20T01:35:19","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=22543"},"modified":"2022-08-23T15:25:50","modified_gmt":"2022-08-23T19:25:50","slug":"innovations-music-production-lgbtq-artists","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/innovations-music-production-lgbtq-artists\/","title":{"rendered":"3 key innovations across music production history from LGBTQ+ artists"},"content":{"rendered":"\n<p style=\"font-size:15px\" class=\"has-text-align-center\"><strong>Illustration:<\/strong> <a href=\"https:\/\/www.imrobinthisjoint.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Robin Lewallen (opens in a new tab)\"><strong>Robin Lewallen<\/strong><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">It&#8217;s often said that \u201cmusic is a conversation\u201d\u2014an endless flow of inspiration and creation.<\/h2>\n\n\n\n<p>Within this ever-expanding stream of innovation are many key landmarks that have specifically come from LGBTQ+ artists, groups, and communities. In this article, let&#8217;s continue the conversation and explore just a few of many contributions\u2014some of which you may have been previously unfamiliar with.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1. The persistent, driving rhythms of house music<\/h2>\n\n\n\n<p>Frankie Knuckles is known as the \u201cThe Godfather of House Music.\u201d Enough said, right? He was a multi-hyphenate talent\u2014a DJ kicking off the house music craze, leaving his mark in queer clubs in New York City all the way to his famed residency at <a rel=\"noreferrer noopener\" aria-label=\"the Warehouse in Chicago. (opens in a new tab)\" href=\"https:\/\/splice.com\/blog\/the-warehouse\/\" target=\"_blank\">the Warehouse in Chicago.<\/a> He threw parties for all creeds, welcoming dancers of all backgrounds to his wild events. But what specifically did Frankie Knuckles do to shape house music into what it is today?<\/p>\n\n\n\n<p>As disco\u2019s mainstream popularity declined (due in part to the increasing racist and homophobic backlash to radio stations that played them), disco records were relegated to nightclubs, like the ones Knuckles DJ\u2019ed. His open-format style blended disco with electro music, pop music, funk records, and more. Meanwhile, DJs like Jesse Saunders were experimenting with mixing disco records with drum machines and built-in effects on mixers.<\/p>\n\n\n\n<p>Inspired by Saunders and his label Trax Records, Knuckles collaborated with Jamie Principle on \u201cYour Love.\u201d The song, mixing disco drums with the synthesizer warbles of Kraftwerk, soon became a seminal staple in Chicago house sets.<\/p>\n\n\n\n<figure><iframe src=\"https:\/\/open.spotify.com\/embed\/track\/0vryyKyxCFXT0gg670yNEw?si=bfb9891f7cd04c87\" width=\"100%\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/figure>\n\n\n\n<p>\u201cYour Love\u201d\u2014alongside Jesse Saunders&#8217; \u201cOn &amp; On\u201d\u2014was a definitive chapter in Chicago house music. This new sound, bolstered by the very clubs that Knuckles kicked off, established the roots for the sound of house music as we know it today. Whether it&#8217;s Daft Punk or David Guetta, Knuckles and the Chicago house music scene cast a long shadow.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2. The melodic and reflective sounds of grunge <\/h2>\n\n\n\n<p>H\u00fcsker D\u00fc was a band formed by guitarist and vocalist Bob Mould, drummer and vocalist Grant Hart, and bassist Greg Norton in 1979. The band quickly gained notoriety in Saint Paul&#8217;s hardcore punk scene, and by 1983, H\u00fcsker D\u00fc was pushing the limits of hardcore music and venturing into more ambitious and experimental songwriting. Their magnum opus, <em>Zen Arcade<\/em>, is an indisputably landmark album for alternative music.<\/p>\n\n\n\n<figure><iframe src=\"https:\/\/open.spotify.com\/embed\/album\/0J1DP5GvKrzWumwzlcFhLc?si=MU8mcXIQSSyDWekR6DHccg\" width=\"100%\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/figure>\n\n\n\n<p>H\u00fcsker D\u00fc loved &#8217;60s psychedelic pop groups like The Byrds and The Beatles, and often brought their melodic sensibilities to their own tracks. However, not ones to eschew their hardcore roots, their rhythm guitars boasted the buzzy distortion of MXR M104 pedals, and their leads showcased the distinctive timbres of Ibanez&#8217; stereo chorus pedals. All tied together with Hart\u2019s high-energy drumming and aggressive tempos, H\u00fcsker D\u00fc&#8217;s tracks kept the band squarely rooted in the punk rock world.<\/p>\n\n\n\n<p>All of these sonic elements that H\u00fcsker D\u00fc played a role in carving out set the foundation for the grunge sound further developed by the likes of Nirvana, Pearl Jam, and Mudhoney.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">3. The metallic timbres of hyperpop<\/h2>\n\n\n\n<p>\u201cI start my compositions from a sculptural point,\u201d <a rel=\"noreferrer noopener\" aria-label=\"SOPHIE told V Magazine in 2018. (opens in a new tab)\" href=\"https:\/\/vmagazine.com\/article\/how-sophie-brought-a-radical-shift-to-the-music-industry\/\" target=\"_blank\">SOPHIE told <em>V Magazine<\/em> in 2018.<\/a> Pulling from the artificial, the manufactured, and the fictile, it\u2019s no wonder SOPHIE always felt beyond human herself. With her unmistakable sound design prowess\u2014building electric zaps using her Elektron Monomachine and crafting unwieldy metallic bolts with her Octatrack\u2014SOPHIE introduced a new perspective on sound design to pop music, not unlike how <a rel=\"noreferrer noopener\" aria-label=\"Wendy Carlos (opens in a new tab)\" href=\"https:\/\/splice.com\/blog\/who-is-wendy-carlos\/\" target=\"_blank\">Wendy Carlos<\/a> introduced Moog to film scores.<\/p>\n\n\n\n<figure><iframe src=\"https:\/\/open.spotify.com\/embed\/track\/0y4YmA9UGpQnWdIFbWBHu0?si=182c310a65274cd9\" width=\"100%\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/figure>\n\n\n\n<p>Whether it was the forward-looking &#8220;LEMONADE&#8221; or the ripped plastic of &#8220;Faceshopping,&#8221; SOPHIE\u2019s influence spawned a generation of new music makers. From her friend Flume\u2019s flirtations with scratching and dense synths to Charli XCX jettisoning pop music into the experimental to <a rel=\"noreferrer noopener\" aria-label=\"this new generation of \u201chyperpop,\u201d (opens in a new tab)\" href=\"https:\/\/splice.com\/blog\/beyond-hyperpop\/\" target=\"_blank\">this new generation of hyperpop,<\/a> SOPHIE\u2019s signature metallic sound design is being blended with every genre under the sun. SOPHIE forever.<\/p>\n\n\n\n<p>Have any of these innovations influenced your own music? Which artists would you like to see us discuss next? Start a conversation with us on <a rel=\"noreferrer noopener\" aria-label=\"the Splice Discord. (opens in a new tab)\" href=\"https:\/\/discord.gg\/splice\" target=\"_blank\">the Splice Discord.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Learn about three key innovations in music production and songwriting history that have come from the likes of Frankie Knuckles, H\u00fcsker D\u00fc, and SOPHIE.<\/p>\n","protected":false},"author":39,"featured_media":22560,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1692],"tags":[1386,479,1783],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>3 key innovations across music production history from LGBTQ+ artists - Blog | Splice<\/title>\n<meta name=\"description\" content=\"Learn about three key innovations in music production and songwriting history that have come from the likes of Frankie Knuckles, H\u00fcsker D\u00fc, and SOPHIE.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/splice.com\/blog\/innovations-music-production-lgbtq-artists\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"3 key innovations across music production history from LGBTQ+ artists - Blog | Splice\" \/>\n<meta property=\"og:description\" content=\"Learn about three key innovations in music production and songwriting history that have come from the likes of Frankie Knuckles, H\u00fcsker D\u00fc, and SOPHIE.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/splice.com\/blog\/innovations-music-production-lgbtq-artists\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Splice\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Splice\" \/>\n<meta property=\"article:published_time\" content=\"2022-08-20T01:35:19+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-08-23T19:25:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/08\/LGBTQ_Production_Breakthroughs_BlogPost.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ken Herman\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@splice\" \/>\n<meta name=\"twitter:site\" content=\"@splice\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ken Herman\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/splice.com\/blog\/innovations-music-production-lgbtq-artists\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/splice.com\/blog\/innovations-music-production-lgbtq-artists\/\"},\"author\":{\"name\":\"Ken Herman\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/548b2d412f2bcbed86d4f495bb5496a0\"},\"headline\":\"3 key innovations across music production history from LGBTQ+ artists\",\"datePublished\":\"2022-08-20T01:35:19+00:00\",\"dateModified\":\"2022-08-23T19:25:50+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/splice.com\/blog\/innovations-music-production-lgbtq-artists\/\"},\"wordCount\":683,\"publisher\":{\"@id\":\"https:\/\/splice.com\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/innovations-music-production-lgbtq-artists\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/08\/LGBTQ_Production_Breakthroughs_BlogPost.jpg\",\"keywords\":[\"history\",\"house\",\"hyperpop\"],\"articleSection\":[\"Stories\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/splice.com\/blog\/innovations-music-production-lgbtq-artists\/\",\"url\":\"https:\/\/splice.com\/blog\/innovations-music-production-lgbtq-artists\/\",\"name\":\"3 key innovations across music production history from LGBTQ+ artists - 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