{"id":21836,"date":"2022-06-01T19:15:25","date_gmt":"2022-06-01T23:15:25","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=21836"},"modified":"2024-07-16T15:48:42","modified_gmt":"2024-07-16T19:48:42","slug":"sound-design-tips-sv1","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/sound-design-tips-sv1\/","title":{"rendered":"4 invaluable tips on sound design from sv1"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Experimental producer, sound designer, and educator sv1 knows how to get the most out of his sounds.<\/h2>\n\n\n\n<p>Introspective but intricate, his music immerses listeners in sonic landscapes that are unlike any other. In celebration of the recent release of <a rel=\"noreferrer noopener\" href=\"https:\/\/splice.com\/sounds\/moment\/data-pollen-an-sv1-moment\" target=\"_blank\">his new <em>Data Pollen<\/em> sample pack,<\/a> we had the opportunity to sit down with sv1 to hear about the lessons he&#8217;s gathered across the span of his creative journey in sound design\u2014read on for highlights.<\/p>\n\n\n\n<figure><iframe src=\"https:\/\/open.spotify.com\/embed\/track\/6PBCZtTWtT5zDQJtcfPCnY?si=bdf6c521902e4229\" width=\"100%\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">1. Maximize what you have<\/h2>\n\n\n\n<p>Getting the most out of sound design doesn&#8217;t mean you need to have every fancy third-party plugin under the sun loaded on your channel strip. If anything, sv1 emphasizes the importance of doing more with less. &#8220;I think it\u2019s all about maximizing what you have,&#8221; he tells us. &#8220;Low-level tools like flangers, basic granulators, and Max object abstractions can do a ton if you use them right, especially when paired with some <a rel=\"noreferrer noopener\" aria-label=\"randomization. (opens in a new tab)\" href=\"https:\/\/splice.com\/blog\/use-randomization-in-your-music\/\" target=\"_blank\">randomization.<\/a>&#8220;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2. Experiment with Max<\/h2>\n\n\n\n<p>In addition to his music, sv1 is known for writing numerous custom sound design tools in <a rel=\"noreferrer noopener\" aria-label=\"Max. (opens in a new tab)\" href=\"https:\/\/cycling74.com\/products\/max\" target=\"_blank\">Max.<\/a> When asked about how other producers can also incorporate Max into their own creative process, sv1 points us towards the software&#8217;s built-in tutorials. &#8220;They&#8217;re super well documented and very easy to digest,&#8221; he says. &#8220;It\u2019s not a YouTube tutorial, so you&#8217;re going to have to read, but it\u2019s really rewarding to even just know the basics.&#8221;<\/p>\n\n\n\n<p>&#8220;My other piece of advice would be to go into learning it by having a goal,&#8221; sv1 continues. &#8220;My goal going into Max was to teach myself how to make all of the <a rel=\"noreferrer noopener\" aria-label=\"basic audio effects (opens in a new tab)\" href=\"https:\/\/splice.com\/blog\/an-introduction-to-mixing\/#:~:text=What%20are%20audio%20plugins%3F\" target=\"_blank\">basic audio effects<\/a> like flangers, phasors, and reverbs. And while you\u2019re on the journey towards your own goals, you may find yourself sidetracked\u2014and that\u2019s where the really interesting and unexpected stuff happens. While on my search, I learned about spectral effects and <a rel=\"noreferrer noopener\" aria-label=\"basic granulation. (opens in a new tab)\" href=\"https:\/\/splice.com\/blog\/intro-granular-synthesis\/\" target=\"_blank\">basic granulation.<\/a> The tools I\u2019ve made from those &#8216;side quests&#8217; are my most favorite and useful ones.&#8221;<\/p>\n\n\n\n<p>Ultimately, the beauty of Max lies in its sheer flexibility. &#8220;I think the greatest advantage of using these is that if there\u2019s a specific function you think pre-existing tools are lacking, you can go and tweak the device so that it does what you want it to do,&#8221; sv1 explains. &#8220;Also, when making these tools, mistakes are likely to happen in the construction since we&#8217;re human. However, these might yield interesting results. I\u2019m sure one of my devices has an unintended flaw in it, but because of this, it produces a lot of interesting sounds I might not have stumbled upon otherwise.&#8221;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">3. Learn from what you love<\/h2>\n\n\n\n<p>When it comes to improving your craft, sv1 recommends <a rel=\"noreferrer noopener\" aria-label=\"actively listening to (opens in a new tab)\" href=\"https:\/\/splice.com\/blog\/use-active-listening-inspire-song\/\" target=\"_blank\">actively listening to<\/a> and recreating the songs that you enjoy. &#8220;That\u2019s how I started, and I personally got more out of that than watching a lot of production tutorials,&#8221; he shares. &#8220;Thankfully, there\u2019s a ton of resources directly from artists now in the way of Patreons, articles like this, and production streams. I think production tutorials can certainly be useful, but you can\u2019t beat primary sources, especially if they&#8217;re from an artist you\u2019re into. Production is usually a lot simpler than it appears.&#8221;<\/p>\n\n\n\n<p>&#8220;I\u2019ve personally been trying hard to recreate all the &#8216;cliche&#8217; (I hate to use that word, because I love them\u2014but you know what I mean) sounds you hear in all the rap kits for the past year or so,&#8221; sv1 tells us. &#8220;I genuinely think making those well is harder to achieve than a lot of experimental sound design\u2014maybe that\u2019s a hot take. Have you ever tried to recreate a 707 clap? That one took me forever. I still can\u2019t get the Spinz 808 right.&#8221;<\/p>\n\n\n\n<p>&#8220;More technically, I just try to listen to what\u2019s going on and look closely at the waveform, as well as the frequency spectrum,&#8221; he continues. &#8220;Then, I try to deduce what kind of effects are going on, with mostly just a lot of trial and error and listening. It took me a long time to figure it out; I didn\u2019t look at a lot of tutorials, because most of the ones out there I could find were for the bigger EDM-type sounds. Once I figured out how to make them, I just experimented with the processing and tried to find new ways I wanted them to sound, now that I had the recipe.&#8221;<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>An inside look into sv1&#8217;s process<\/strong><\/h5>\n\n\n\n<p>Discussing <em>Data Pollen<\/em>, sv1 opens up the DAW to give us an intimate look into how he created some of the claps in the pack, which were inspired by the aforementioned 707 clap.<\/p>\n\n\n\n<p>&#8220;With most drum synthesis, it\u2019s good to start with a noise oscillator. It\u2019s all about shaping noise most of the time,&#8221; he says.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-medium\"><img decoding=\"async\" width=\"329\" height=\"400\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-01-329x400.png\" alt=\"sv1-in-post-01\" class=\"wp-image-21847 lazyload\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-01-329x400.png 329w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-01-210x255.png 210w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-01.png 551w\" data-sizes=\"(max-width: 329px) 100vw, 329px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 329px; --smush-placeholder-aspect-ratio: 329\/400;\" \/><\/figure><\/div>\n\n\n\n<p>&#8220;Next, we can apply a volume envelope to match the shape of the sample.&#8221;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"151\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-02-1024x151.png\" alt=\"707 clap sample\" class=\"wp-image-21848 lazyload\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-02-1024x151.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-02-400x59.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-02-355x53.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-02-768x114.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-02.png 1190w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/151;\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"768\" height=\"375\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-03.png\" alt=\"sv1-in-post-03\" class=\"wp-image-21849 lazyload\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-03.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-03-400x195.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-03-355x173.png 355w\" data-sizes=\"(max-width: 768px) 100vw, 768px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 768px; --smush-placeholder-aspect-ratio: 768\/375;\" \/><\/figure>\n\n\n\n<p>&#8220;From there, we can use a bandpass filter to get the timbre of our clap right. Automating the cutoff and mix of the filter can give it a slight whooshing sound that&#8217;s subtly present in claps.&#8221;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-medium\"><img decoding=\"async\" width=\"271\" height=\"400\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-04-271x400.png\" alt=\"sv1-in-post-04\" class=\"wp-image-21850 lazyload\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-04-271x400.png 271w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-04-173x255.png 173w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-04.png 481w\" data-sizes=\"(max-width: 271px) 100vw, 271px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 271px; --smush-placeholder-aspect-ratio: 271\/400;\" \/><\/figure><\/div>\n\n\n\n<p>&#8220;Next, I added some <a href=\"https:\/\/splice.com\/blog\/effects-101-distortion\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"distortion (opens in a new tab)\">distortion<\/a> and <a href=\"https:\/\/splice.com\/blog\/what-is-compression\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"compression (opens in a new tab)\">compression<\/a> to just glue the sound together and make it a bit thicker. There\u2019s no real recipe for this; I just experimented with the effects and parameters until the sound came out how I wanted.&#8221;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"382\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-05-1024x382.png\" alt=\"\" class=\"wp-image-21851 lazyload\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-05-1024x382.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-05-400x149.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-05-355x132.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-05-768x286.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-05.png 1185w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/382;\" \/><\/figure>\n\n\n\n<p>&#8220;Finally, I added several more effects to just clean up the sound a bit further. The three compressors give the sound more punch and richness. The erosion is there to brighten up the clap a bit, and the EQ just shapes up the sound a bit more at the end.&#8221;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"134\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-06-1024x134.png\" alt=\"\" class=\"wp-image-21852 lazyload\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-06-1024x134.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-06-400x52.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-06-355x46.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-06-768x100.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-06-1536x201.png 1536w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-06.png 1685w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/134;\" \/><\/figure>\n\n\n\n<p>&#8220;Just as a final tip, <a rel=\"noreferrer noopener\" aria-label=\"bounce out your files (opens in a new tab)\" href=\"https:\/\/splice.com\/blog\/exporting-your-track\/\" target=\"_blank\">bounce out your files<\/a> and look at them next to the original\u2014a lot of information can be gleaned from just looking at the waveform and the frequency spectrum.&#8221;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"400\" data-src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-07-1024x400.png\" alt=\"sv1-in-post-07\" class=\"wp-image-21853 lazyload\" data-srcset=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-07-1024x400.png 1024w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-07-400x156.png 400w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-07-355x139.png 355w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-07-768x300.png 768w, https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/sv1-in-post-07.png 1123w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/400;\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">4. Just enjoy music<\/h2>\n\n\n\n<p>Last but certainly not least, sv1 encourages us to just enjoy music for the sake of music. &#8220;This took me the longest time to learn, but try to avoid listening to music for technical reasons,&#8221; he tells us. &#8220;Listen to music because you enjoy it and you like the way it makes you feel\u2014not because you\u2019re trying to get some sort of technical benefit from it. You&#8217;ll not only enjoy music more, but you&#8217;ll have a better idea of what you can and want to bring. I feel like a lot of my earlier music was rooted in some sort of technical sound design arms race, rather than the reasons I love music. However, that&#8217;s not to say you can\u2019t love those things. There are no \u2018wrong\u2019 decisions as long as you\u2019re learning and reflecting.&#8221;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">What&#8217;s next for sv1<\/h2>\n\n\n\n<p>Looking ahead, sv1 is aiming to follow his own advice. &#8220;My sound has been recently leaning towards rap production,&#8221; he shares. &#8220;I started out <a rel=\"noreferrer noopener\" aria-label=\"making beats, (opens in a new tab)\" href=\"https:\/\/splice.com\/blog\/how-to-make-beats-for-a-song\/\" target=\"_blank\">making beats,<\/a> so I guess this is just my return to what got me excited about producing in the first place, and I think it\u2019s got me excited about music again now that I\u2019ve come back to it. What\u2019s next for me is a lot more of what I was doing in 2021. I\u2019m still trying to refine that sound that I cultivated for myself last year. The biggest thing I\u2019m working on currently is trying to figure out how to push that sound more experimentally. I think what I made in 2021 was a good first step, but there\u2019s definitely a lot more I can do with it. I\u2019m excited about it.&#8221;<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\">Explore the world of sound design with sv1&#8217;s new sample pack:<\/p>\n\n\n\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link\" href=\"https:\/\/splice.com\/sounds\/moment\/data-pollen-an-sv1-moment\" target=\"blank\" rel=\"noopener noreferrer\">Explore the sounds<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Experimental producer, sound designer, and educator sv1 shares four key lessons around sound design and creativity.<\/p>\n","protected":false},"author":33,"featured_media":21855,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1846,1696],"tags":[1061,1254],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>4 invaluable tips on sound design from sv1 - Blog | Splice<\/title>\n<meta name=\"description\" content=\"In this article, experimental producer, sound designer, and educator sv1 shares four key lessons around sound design and creativity.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/splice.com\/blog\/sound-design-tips-sv1\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"4 invaluable tips on sound design from sv1 - Blog | Splice\" \/>\n<meta property=\"og:description\" content=\"In this article, experimental producer, sound designer, and educator sv1 shares four key lessons around sound design and creativity.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/splice.com\/blog\/sound-design-tips-sv1\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Splice\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Splice\" \/>\n<meta property=\"article:published_time\" content=\"2022-06-01T23:15:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-07-16T19:48:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/Getting-The-Best-out-of-SV1_BlogPost-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Harrison Shimazu\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/bitly.com\/namaboku-twt\" \/>\n<meta name=\"twitter:site\" content=\"@splice\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Harrison Shimazu\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/splice.com\/blog\/sound-design-tips-sv1\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/splice.com\/blog\/sound-design-tips-sv1\/\"},\"author\":{\"name\":\"Harrison Shimazu\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/1ed73f890efad66c4808440680e9e50d\"},\"headline\":\"4 invaluable tips on sound design from sv1\",\"datePublished\":\"2022-06-01T23:15:25+00:00\",\"dateModified\":\"2024-07-16T19:48:42+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/splice.com\/blog\/sound-design-tips-sv1\/\"},\"wordCount\":1297,\"publisher\":{\"@id\":\"https:\/\/splice.com\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/sound-design-tips-sv1\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/06\/Getting-The-Best-out-of-SV1_BlogPost-1.png\",\"keywords\":[\"sample packs\",\"sounds\"],\"articleSection\":[\"Sound Design\",\"Tips &amp; 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