{"id":21054,"date":"2022-04-19T17:31:29","date_gmt":"2022-04-19T21:31:29","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=21054"},"modified":"2022-04-24T14:26:13","modified_gmt":"2022-04-24T18:26:13","slug":"beyond-afrobeats","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/beyond-afrobeats\/","title":{"rendered":"Beyond Afrobeats: Mystro, LeriQ, and Dunnie dive into the movement"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Afrobeats is African music.<\/h2>\n\n\n\n<p>The encompassing term describes Nigerian pop music with local roots stretching from the &#8217;50s, comprising a diverse mix of music from West Africa. These musical styles, cultures, and genres that make up Afrobeats\u2014highlife, R&amp;B, hip hop, fuji, juju, and apala, to name a few\u2014have crossed over into the US and other major cities across the globe. Music made in Lagos has penetrated the global pop music framework, influencing the nature of how mainstream music is consumed around the world.<\/p>\n\n\n\n<p>Afrobeats is on a successful march. Even if you\u2019ve never paid any particular attention to African music, attended any African parties, or had Nigerian friends, you\u2019ve most likely discovered Nigerian pop music within the past few months. From TikTok to Instagram, Afrobeats artists have injected themselves into global pop culture, scoring collaborations with Drake, Nicki Minaj, Ed Sheeran, Beyonc\u00e9, Madonna, FKA twigs, and more.<\/p>\n\n\n\n<p>Last year, Nigeria\u2019s WizKid, CKay, and Fireboy DML were some of the most streamed artists on Spotify. They also took over summer 2021 and the year-end holiday party circuit. WizKid\u2019s &#8220;Essence&#8221;\u2014an R&amp;B fusion collaboration with Tems, with Justin Bieber on the remix\u2014cracked the Billboard Hot 100 on its way to becoming the global song of the summer. His compatriot CKay followed suit with the viral hit &#8220;love nwantiti (ah ah ah),&#8221; while adding the distinction of being the most Shazamed song on the planet. With a platinum certification, &#8220;love nwantiti&#8221; sits on top of an increasingly recognized conveyor belt of hits originating from Lagos.<\/p>\n\n\n\n<figure><iframe src=\"https:\/\/open.spotify.com\/embed\/track\/2Xr1dTzJee307rmrkt8c0g?si=b141b5d16fc14e39\" width=\"100%\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/figure>\n\n\n\n<p>\u201cWe are just enjoying the music, experiencing the evolution\u2014but we really haven\u2019t fully grasped how far Afrobeats have gone. It wasn\u2019t up until when Burna Boy won the GRAMMY that I said, &#8216;What a time to be alive\u2026 It\u2019s a story of faith,&#8217;\u201d says <a href=\"https:\/\/splice.com\/sounds\/splice\/dunnie-sample-pack\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Dunnie,<\/a> a Nigerian producer with numerous hits under her belt. Dunnie is part of a generation of creators making unprecedented changes to the sound and driving the evolution of the culture.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>What does Afrobeats music sound like?<\/strong><\/h5>\n\n\n\n<p>The term \u2018Afrobeats\u2019 (not to be confused with the Fela Kuti-pioneered \u2018Afrobeat\u2019) represents a large variety of cultures from sub-Saharan Africa. It\u2019s a cultural umbrella, consisting of sounds rooted in different historic movements. The sound is currently a merger made up of local beats, melodies, and languages, mixed and blended with borrowed Western and Caribbean influences. A typical Afrobeats track is a mid-tempo, dance-y pop tune\u2014a tune for all seasons. Perfect for the club, and handy for a solo vibing session.<\/p>\n\n\n\n<p>It\u2019s also all made in a peculiar manner; much of the work is done by the countless producers packed out across studios in Lagos, Nigeria\u2019s commercial heartbeat. Producers like <a rel=\"noreferrer noopener\" aria-label=\"Mystro Sugar, (opens in a new tab)\" href=\"https:\/\/splice.com\/sounds\/splice\/mystro-sample-pack\" target=\"_blank\">Mystro Sugar,<\/a> <a rel=\"noreferrer noopener\" aria-label=\"LeriQ, (opens in a new tab)\" href=\"https:\/\/splice.com\/sounds\/splice\/leriq-sample-pack\" target=\"_blank\">LeriQ,<\/a> and <a href=\"https:\/\/splice.com\/sounds\/splice\/dunnie-sample-pack\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Dunnie<\/a> spend long periods scouring the world for samples and new takes on music. They import these fragments of foreign genius, and mix them all through a Nigerian filter. The end result has evolved through many years and into what is now a familiar sound on streaming playlists and pop radio.<\/p>\n\n\n\n<p>For this primer, we introduce you to the world of Afrobeats. We explore the sound, its origins, today\u2019s efforts to keep it moving, and what we see in the future.<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" aria-label=\"Find your own sound with samples from artists who are at the forefront of Afrobeats. (opens in a new tab)\" href=\"https:\/\/beyond.splice.com\/afrobeats\" target=\"_blank\"><em><strong>Find your own sound with samples from artists who are at the forefront of Afrobeats.<\/strong><\/em><\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Beginnings and influences<\/h2>\n\n\n\n<p>To discover the true roots of Afrobeats, one would have to create multiple investigations into its composite genres including highlife, juju, fuji, funk, hip hop, and Jamaican dancehall. That said, much of its history and inspiration runs through a Nigerian legend, Fela An\u00edk\u00fal\u00e1p\u00f3 Kuti, who pioneered Afrobeat (without the \u2018s\u2019), a style that is inspiring generations to this day.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>The difference between Afrobeat and Afrobeats<\/strong><\/h5>\n\n\n\n<p>Over 50 years ago, Fela fused highlife, fuji, jazz, and funk to create a new sound named Afrobeat. Characterized by lengthy compositions performed by large bands and packed full of politically-charged, anti-establishment messaging, Afrobeat continues to wield an influence over today\u2019s music landscape.<\/p>\n\n\n\n<p>Afrobeats contains elements of Afrobeat, but it goes beyond Fela\u2019s work. Today\u2019s leading and emerging generation of musicians grew up consuming a wider menu from the &#8217;80s and &#8217;90s, including Fela\u2014but he wasn\u2019t alone. Nigerian influences stretch to a history filled with diverse genres and homegrown musical heroes such as the Lijadu Sisters, King Sunny Ad\u00e9, Oliver De Coque, Ebenezer Obey, William Onyeabor, Christy Essien-Igbokwe, and many others. <\/p>\n\n\n\n<figure><iframe src=\"https:\/\/open.spotify.com\/embed\/track\/3XPOwqZH6WsBLn3uURmXQ4?si=fdde6ad223ea4a62\" width=\"100%\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/figure>\n\n\n\n<p>\u201cThe music I make is Afrofusion because I grew up listening to a lot of different sounds,\u201d says Dunnie, who has multiple credits across the culture. Dunnie grew up in a religious house, spending her formative years listening to faith music from church. She also credits secular influences from Orlando Owoh, Ebenezer Owoh, and King Sunny Ad\u00e9 as parts of her early influences. And just like many others, her world expanded in her teenage years, after visiting a friend and discovering the existence of American pop stars. \u201cIt was only after I was about to start inn secondary school that I went to greet a family friend and heard Beyonc\u00e9. I didn\u2019t know Beyonce existed; I didn\u2019t know Jay-Z existed.\u201d<\/p>\n\n\n\n<p>Family also played a major role in <a rel=\"noreferrer noopener\" aria-label=\"Mystro Sugar's (opens in a new tab)\" href=\"https:\/\/splice.com\/sounds\/splice\/mystro-sample-pack\" target=\"_blank\">Mystro&#8217;s<\/a> assimilation of music. His father was a local musician who played the drums earlier in his life. \u201cI grew up from a musical family, and my dad used to play the drums,&#8221; he tells us. &#8220;I didn&#8217;t really take a big interest in it until I physically saw my dad. I used to just hear that my dad plays drums, but I had never seen it or attended any of his shows. So when I saw it, I was like, &#8216;Okay, this is it. I love this. I love what I&#8217;m seeing.&#8217; So he introduced me to a lot of music.&#8221; <\/p>\n\n\n\n<p>For his colleague, <a rel=\"noreferrer noopener\" aria-label=\"LeriQ, (opens in a new tab)\" href=\"https:\/\/splice.com\/sounds\/splice\/leriq-sample-pack\" target=\"_blank\">LeriQ,<\/a> childhood influences were crucial as well. He received abundant music education in the shape of an old turntable, bought by his father. He fell in love with it, moved it to his bedroom, and made it his personal toy.<\/p>\n\n\n\n<p>\u201cIt had every kind of record you could think of\u2014from classical music to old Nigerian records, I used to listen to everything.\u201d LeriQ says, over a phone conversation in Lagos. \u201cThere was so much music I used while growing up. It was like my toy. I would listen, learn how to move the pin around\u2014that was my thing. Listening to different things\u2014not like I knew what I was doing. But, I was just having fun listening to all the records that I had in my room. It was fun, and I&#8217;m sure that it contributed to my sound library. I&#8217;m very sure.\u201d<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">The present<\/h2>\n\n\n\n<p>Afrobeats is fusion music at its core. Its elements come from many ends of the earth. Afrobeats artists and producers explore this music, combining new-age foreign sounds with echoes of the past. When today\u2019s creators make music, each record is a callback of some sort, a dip into nostalgia, into the distant past. Today\u2019s music is yesterday\u2019s music\u2014its delivery and production are different, but the underlying sounds are the same, or at least cousins of each other.<\/p>\n\n\n\n<p>This is one of the best times in history to be making Afrobeats. The ease of producing music has never been higher. Today\u2019s Afrobeat stars, who are mostly in their twenties and thirties, are making an evolved sound. They\u2019re making shorter songs, with an expansionist approach to the art, and a wider range of influences drawn from their counterparts in Europe, the Caribbean, and the Americas. The production is designed to fit into the world\u2019s global pop framework, with shorter songs featuring smooth verses and catchy hooks. A random scan through any Afrobeats hits playlist will turn up a variety of genres. Nigerians listen to everything and adapt their sound to include the hottest trends from around the world.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>A world of competition and evolution<\/strong><\/h5>\n\n\n\n<p>This could be due to the fact that the Nigerian music industry is the home of hyper-competition. With a population of nearly 200 million people, musicians spring up daily from every corner of the country. Standing out from the crowd is often the difference between achieving any measure of commercial success and staying below water. That\u2019s why the industry is popular for its strong research and DIY culture. Producers cast a wide net across niche and global music movements, seeking the next new sound. Local pop music in Lagos is a fusion of discovered sounds.<\/p>\n\n\n\n<p>To achieve a truly new product, producers fuse these homegrown sounds with borrowed samples from other regions, in a process that has stayed consistent through generations. The final product is always in flux, like a living, breathing entity. To follow Afrobeats is to be in a constant state of change. While local pop music made in the early days (the late &#8217;90s and early &#8217;00s) sounded too close to their source influences from America and the Caribbeans, local artists have continued to innovate, bringing their worlds closer with updated productions.<\/p>\n\n\n\n<p>For example, WizKid\u2019s 2021 \u201cEssence\u201d is processed in the US as R&amp;B. Never mind that the artist is Nigerian, and the lyrics are delivered in Nigerian pidgin English. The world connects with it. The world loves it.<\/p>\n\n\n\n<figure><iframe src=\"https:\/\/open.spotify.com\/embed\/track\/5FG7Tl93LdH117jEKYl3Cm?si=d6b9b195b4384066\" width=\"100%\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/figure>\n\n\n\n<p>LeriQ explains further: \u201cWe go around the world picking up sounds and then bringing them back home, with their ingrained rhythms in our hearts and in our lives. We are Africans. The rhythm is inside of us. It&#8217;s not something you can go and learn. Africans don&#8217;t go to music school to make music. We are just Africans.\u201d<\/p>\n\n\n\n<p>The combination of that natural African rhythm with external influences gives the final product. \u201cWe have assimilated a lot of distant sounds and made them our own,\u201d LeriQ continues. \u201cIn some songs, it&#8217;s the beats in the instrumentation that they relate to. Then there are synthesized sounds that are coming into our music. My first album had a lot of synth sounds. It wasn&#8217;t just guitars and piano. There were little synthesized sounds inside of it, but it was still Afrobeats. Although I use synthesized sounds for Afrobeats, they sound new and different from the normal version that you know. That&#8217;s what keeps them saying, &#8216;What is that? That&#8217;s Afrobeats? Oh, nice!&#8217;\u201d<\/p>\n\n\n\n<figure><iframe src=\"https:\/\/open.spotify.com\/embed\/album\/2L0hy6oP1fFAih809pgHQq?si=nOhPNYeFQrWUfPC4eHt_nw\" width=\"100%\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>The elements that make up a great Afrobeats track<\/strong><\/h5>\n\n\n\n<p>So what makes a great Afrobeats track? Beyond the vibe and the heady escapism it provides, what are the necessary components to make a track truly stand out? Is it the beat? <a rel=\"noreferrer noopener\" aria-label=\"The polyrhythmic drumming (opens in a new tab)\" href=\"https:\/\/splice.com\/blog\/polyrhythms-music-producer\/\" target=\"_blank\">The polyrhythmic drumming<\/a> that cracks through every record? Or is it the synths? Let&#8217;s not forget the synths. <\/p>\n\n\n\n<p>&#8220;It\u2019s very groove-focused,\u201d Dunnie explains. \u201cThe drums in the beat have to be locked, and then packed with melodies. When you have melodies <em>and<\/em> groove, you have a perfect Afrobeats record. And sometimes, the singing itself is also key. Afrobeats is a really big genre, and there are different approaches to it. Traditionally, the singing in Afrobeats is very percussive in nature. But you can be percussive like Burna, or also soulful like WizKid and Tems. Either way, it all works\u2014but the core of it is the groove and the drums, which are very hard-hitting.&#8221;<\/p>\n\n\n\n<p>\u201cA lot of our drums are actually inspired by hip hop,&#8221; she continues. &#8220;A lot of producers use <a rel=\"noreferrer noopener\" aria-label=\"hip hop packs. (opens in a new tab)\" href=\"https:\/\/splice.com\/sounds\/genres\/hip-hop\" target=\"_blank\">hip hop packs,<\/a> so we have a lot of influence from hip hop, R&amp;B, soul, and dancehall as well&#8230; Afrobeats is a concoction of different genres, centered with all of these grooves and the soul of Africa.&#8221;<\/p>\n\n\n\n<p>Mystro also adds, \u201cI believe it&#8217;s the chords and certain progressions that just make you <em>feel<\/em> it. They make you feel comfortable. For example, in the studio, I start with my chord progressions, and then I see the face of whoever I&#8217;m working with. It\u2019s always okay; they&#8217;re comfortable with that. There&#8217;s this form of bliss when you get the progression right. And we are very relatable. I know that some people disregard production, but it\u2019s the most important part of everything\u2014it\u2019s what brings the songs together.&#8221;<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">The future of Afrobeats<\/h2>\n\n\n\n<p>As Afrobeats continues its march towards world domination, there\u2019s a palpable excitement in Lagos. The scene is flush with cash, as global companies increase their footprint. In the last three years, every major global music corporation has either put boots on the ground in Nigeria, or expanded their service and focus to the culture. Billboard just launched an Afrobeats Songs chart to capture the increasing real estate of the culture. <\/p>\n\n\n\n<p>These moves have taken an effect on the sound. As the connection between Afrobeats and the rest of the world is cemented and consolidated via deals like these, it shows in the music and in the lives of its creators.<\/p>\n\n\n\n<p>\u201cOpportunities! Opportunities! It means more ears,\u201d LeriQ says. And he\u2019s spot-on. Nigerian music now competes at the highest levels. Fireboy DML\u2019s &#8220;Peru,&#8221; a local freestyle, has now flamed through the UK, spawning a collaboration with Ed Sheeran that blasted it to the top. On TikTok, Nigerian records continue to rank high among the highest-charting records. On the scoreboard, WizKid and CKay have earned platinum certifications in the US within the last six months.<\/p>\n\n\n\n<figure><iframe src=\"https:\/\/open.spotify.com\/embed\/track\/3s1KwrLP0NlFWiWbjz6bfQ?si=8d115a1d0bf9427d\" width=\"100%\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/figure>\n\n\n\n<p>But there\u2019s a feeling that this is just the start. People want more\u2014it\u2019s the Nigerian way to want more. \u201cI see us one day having a GRAMMY category,&#8221; Dunnie says. &#8220;I know it&#8217;s a long shot, and might take us a few years to get there. But with the way we&#8217;re moving\u2014and we&#8217;re moving in numbers\u2014it\u2019s going to come. What happened with Carribean is going to happen. Other people are going to start doing their own form of Afrobeats, and expressing it in their own way.&#8221;<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\">Looking to explore Afrobeats in your own music? Check out exclusive sample packs from Mystro, LeriQ, Dunnie, and more:<\/p>\n\n\n\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link\" href=\"https:\/\/beyond.splice.com\/afrobeats\" target=\"blank\" rel=\"noopener noreferrer\">Explore the sounds<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>We spoke with Mystro, LeriQ, and Dunnie to explore the origins of Afrobeats, where the genre is at today, and where it&#8217;s headed next.<\/p>\n","protected":false},"author":118,"featured_media":21059,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1693,1692],"tags":[1791,1770,1386],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Beyond Afrobeats: Mystro, LeriQ, and Dunnie dive into the movement - 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