{"id":20167,"date":"2022-02-11T19:06:24","date_gmt":"2022-02-12T00:06:24","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=20167"},"modified":"2026-02-13T12:56:15","modified_gmt":"2026-02-13T17:56:15","slug":"what-is-temporal-induction","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/what-is-temporal-induction\/","title":{"rendered":"What is temporal induction (and what can music producers learn from it)?"},"content":{"rendered":"\n<p style=\"font-size:15px\" class=\"has-text-align-center\"><strong>Illustration:<\/strong> <a href=\"https:\/\/www.suh-ellie.com\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Ellie Suh (opens in a new tab)\"><strong>Ellie Suh<\/strong><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Temporal induction is an auditory illusion in which a tone seems to continue, even though it&#8217;s actually broken up.<\/h2>\n\n\n\n<p>In other words, a fainter sound can be interrupted by a louder sound, and still appear to be continuous. In this article, let&#8217;s demonstrate temporal induction using a sine wave and a <a aria-label=\"white noise (opens in a new tab)\" href=\"https:\/\/splice.com\/blog\/difference-bewteen-noise\/\" target=\"_blank\" rel=\"noreferrer noopener\">white noise<\/a> signal. Although this phenomenon might not have immediately obvious applications for music production, it\u2019s worth noting that it has various other implications for the world of sound; for example, research on temporal induction suggests that <a aria-label=\"birds can understand context! (opens in a new tab)\" href=\"https:\/\/journals.sagepub.com\/doi\/abs\/10.1111\/1467-9280.00125\" target=\"_blank\" rel=\"noreferrer noopener\">birds can understand context!<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Learning by doing<\/h2>\n\n\n\n<p>When I started writing this article, I admittedly didn&#8217;t have the most detailed idea of what temporal induction even was, so this was also a learning experience for me. I set out to learn about temporal induction using the most effective autodidactic technique I\u2019ve employed over the years: trying it out myself. <\/p>\n\n\n\n<p>But first, I reread the abstract of the paper I referenced earlier. Then, I reread it again, understanding a few more words this time. Eventually, I discerned that the researchers performed an experiment by replacing small segments of birdsong with silence, with white noise, and with another bird\u2019s song.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Exploring temporal induction with Ableton Live<\/h2>\n\n\n\n<p>From there, I attempted to approximate this effect in Ableton Live. My hypothesis was that if I selected some audio samples and processed them in a similar way as the researchers did, I would be able to induce temporal induction in my own perception. First, I created four \u201cbase\u201d audio samples: a sine wave of constant frequency and amplitude, a sine wave walking up a chromatic scale, <a rel=\"noreferrer noopener\" aria-label=\"a trance synth sample from Parallax, (opens in a new tab)\" href=\"https:\/\/splice.com\/sounds\/samples\/de0aa19e2ed2537fe4dad3c2ef71afc2e00ebcba37bc74d49f645945356a2355\/parallax-trance-synth-progressive-trance-sample\" target=\"_blank\">a trance synth sample from Parallax,<\/a> and <a rel=\"noreferrer noopener\" aria-label=\"a field recording of some birdsong (opens in a new tab)\" href=\"https:\/\/splice.com\/sounds\/samples\/4fe033261d83710d06fcdde87f239c90db84c05a0049bc53d663b13d3ff81898\/field-foley-field-recordings-fx-african-ambience-animals-sample\" target=\"_blank\">a field recording of some birdsong<\/a> as an homage to the paper that inspired this post.<\/p>\n\n\n\n<p>Here\u2019s the first experiment: a sine wave, set using Live\u2019s faders at -10 dBFS, interrupted by bursts of white noise, first 200 ms and then 125 ms in length. The idea here was that if the interrupted sound is fainter than the interrupting sound, our brains would be more likely to fill in the missing signal.<\/p>\n\n\n\n<figure class=\"wp-block-audio alignwide\"><audio controls src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/02\/TI_EXAMPLE_1_SINE.mp3\" preload=\"auto\"><\/audio><\/figure>\n\n\n\n<p>Personally, I don&#8217;t experience the phenomenon of temporal induction when I listen to the above sample. I&#8217;m able to discern that the sine wave is interrupted, and the illusion of continuity doesn&#8217;t occur. <\/p>\n\n\n\n<p>I figured maybe a tone that doesn&#8217;t change pitch is too static for our brains to \u201creplace\u201d the missing signal. So, the next experiment used the same sine wave, this time going up in pitch along the chromatic scale.<\/p>\n\n\n\n<figure class=\"wp-block-audio alignwide\"><audio controls src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/02\/TI_EXAMPLE_2_CHROMATIC.mp3\" preload=\"auto\"><\/audio><\/figure>\n\n\n\n<p>This seems to be getting a little closer! Remember, we\u2019re looking for the illusion of an uninterrupted tone despite the noise cutting in. I\u2019m still able to discern that there&#8217;s an interruption in the sine wave, but it doesn\u2019t feel quite as obvious as the previous experiment.<\/p>\n\n\n\n<p>Let\u2019s try something else\u2014for the next experiment, we\u2019ll use a melodic sample as source material instead of a sine wave. My hypothesis is that if our brains can be familiar with the harmonic content of the sample, we&#8217;ll be more likely to \u201cfill it in\u201d subconsciously when the noise interrupts the signal. I started with <a rel=\"noreferrer noopener\" aria-label=\"this sample from trance label Parallax, (opens in a new tab)\" href=\"https:\/\/splice.com\/sounds\/samples\/de0aa19e2ed2537fe4dad3c2ef71afc2e00ebcba37bc74d49f645945356a2355\/parallax-trance-synth-progressive-trance-sample\" target=\"_blank\">this trance sample,<\/a> adding in 100 ms bursts of white noise across random times in the arrangement.<\/p>\n\n\n\n<figure class=\"wp-block-audio alignwide\"><audio controls src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/02\/TI_EXAMPLE_3_SAMPLE.mp3\" preload=\"auto\"><\/audio><\/figure>\n\n\n\n<p>Now we\u2019re talking! When I (and hopefully you) listen back to this experiment, even though I obviously know that the sample is being interrupted by white noise, my brain \u201cfills in the gaps\u201d because of the harmonic context of the rest of the sample. I still hear the white noise, but it reminds me of, say, a snare sound or a cymbal sample being triggered, instead of a complete interruption in the sound like the last two experiments. This is the illusion of temporal induction coming into play!<\/p>\n\n\n\n<p>Just for good measure, I thought it might be fun to try one more experiment. Since the original research paper used starling songs as a birdsong for their tests, I found <a rel=\"noreferrer noopener\" aria-label=\"this starling song on Splice, (opens in a new tab)\" href=\"https:\/\/splice.com\/sounds\/samples\/4fe033261d83710d06fcdde87f239c90db84c05a0049bc53d663b13d3ff81898\/field-foley-field-recordings-fx-african-ambience-animals-sample\" target=\"_blank\">this starling song on Splice Sounds,<\/a> and then inserted white noise bursts lasting 200 ms at random intervals throughout.<\/p>\n\n\n\n<figure class=\"wp-block-audio alignwide\"><audio controls src=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2022\/02\/TI_EXAMPLE_4_BIRDS.mp3\" preload=\"auto\"><\/audio><\/figure>\n\n\n\n<p>I think this experiment was actually pretty successful as well! Although the effect isn\u2019t quite as striking as it was for the previous experiment, I do seem to experience temporal induction when listening to this audio file\u2014when the white noise hits, it seems to me that the rest of the recording continues anyway, even though I know it actually doesn\u2019t. I suspect that the effect might not be as pronounced because my brain is more accustomed to listening to music samples than it is to birdsong. Perhaps the illusion would be more obvious for this sample to a starling than it was to me.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-background has-link-color wp-elements-401e1da9bd64023b4473a358de1ffd68\" style=\"background-color:#62daff\"><a href=\"https:\/\/splice.com\/plans\/ableton-live\/about\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Splice is now integrated into Ableton Live\u2014discover how to search, filter, and audition Splice sounds, all synced to your project\u2019s key and tempo.<\/strong><\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">So what does temporal induction have to do with music production?<\/h2>\n\n\n\n<p>As I implied at the top of this article, I don\u2019t think temporal induction is going to become a hot new production technique anytime soon. However, I\u2019m really pleased with how these experiments turned out, and I think we still <em>did<\/em> learn something today. As producers, we don\u2019t always need to fill up our arrangements to the brim\u2014listeners\u2019 brains are amazing things, and they will use context clues to fill in the sounds that they perceive to be missing. As a result of this experimentation, I\u2019m challenging myself to \u201dlet the context do the work\u201d in my arrangements by removing notes or audio at choice moments. Even if we can\u2019t completely reconstruct a full sample from context alone, \u201cdoing more with less\u201d is a powerful production axiom, and the underlying concepts of the phenomenon of temporal induction may be one small reason why it works so well.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center\">Explore royalty-free sounds from leading artists, producers, and sound designers:<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/splice.com\/sounds\" target=\"_blank\" rel=\"noreferrer noopener\">Join Splice today<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>We define what temporal induction is, demonstrate how you can experiment with the phenomenon in your DAW, and explore its underlying lesson for music producers.<\/p>\n","protected":false},"author":37,"featured_media":20177,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1851,1850,1692],"tags":[1712,1254],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>What is temporal induction (and what can music producers learn from it)? 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