{"id":19449,"date":"2021-12-23T23:25:26","date_gmt":"2021-12-24T04:25:26","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=19449"},"modified":"2025-03-20T11:56:40","modified_gmt":"2025-03-20T15:56:40","slug":"processing-adlibs-ideas","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/","title":{"rendered":"4 sound design ideas around processing ad-libs"},"content":{"rendered":"\n

Illustration:<\/strong> Robin Lewallen<\/strong><\/a><\/p>\n\n\n\n

Ad-libs are just plain fun\u2014fun to record, fun to shout along to, and fun to process.<\/h2>\n\n\n\n

Like cooking with spices instead of just salt and pepper,<\/a> adding ad-libs to your lead vocal recordings can inject them with new flavor. But just like any good seasoning, you need to mix ad-libs in just right, to make sure they don\u2019t upstage the star of the show (your lead vocals). In this article, we\u2019ll share four ideas for different ways to process, design, and mix ad-libs.<\/p>\n\n\n\n

Voice to verse\u2014anywhere. With the addition of Splice Mic, you can instantly test and record ideas, explore genres, and unlock new creative possibilities, all from <\/strong>the Splice mobile app.<\/strong><\/a><\/p>\n\n\n\n

1. Quarter-note delay<\/h2>\n\n\n\n

Ah, the good old quarter-note delay\u2014it simply never misses. Adding a quarter-note delay to your ad-libs is a time-honored tradition that introduces instant rhythmic texture. If you\u2019ve worked with vocals before, you\u2019ve probably tried this, since it\u2019s one of the simplest and most effective vocal processing techniques out there. <\/p>\n\n\n\n

Here\u2019s a small workflow tip\u2014keep a quarter-note delay in a return track on whatever template you use when working with vocals. There\u2019s a good chance that you\u2019ll want to use it at some point in the project anyway, so why not keep it in your default template? Additionally, using a return track for delay allows you to send multiple signals to the same delay, improving your track\u2019s cohesion and preserving CPU resources.<\/a><\/p>\n\n\n\n

2. Telephone effect<\/h2>\n\n\n\n

It might sound counterintuitive to intentionally degrade the quality of your vocals, but with ad-libs we have a little more room for creativity. Processing your ad-libs as though they were spoken through a phone can actually introduce a lot of character and vibe. Processing lead vocals in this way could negatively impact the intelligibility of the lyrics, but since ad-libs are mostly intended to add emphasis and panache, this can work here to great effect.<\/p>\n\n\n\n

I love using Native Instruments\u2019 Driver<\/a> for this; it has an awesome preset called “Telephone Voice” that gets me very close to the sound I\u2019m looking for right away. That said, it\u2019s fairly easy to approximate this sound using built-in effects available in most DAWs. To achieve it, try using a little distortion<\/a> first\u2014Ableton\u2019s Amp audio effect works nicely, but you can substitute this with your favorite distortion processing unit in whatever DAW you\u2019re using. Then, add an EQ or filter, high passing at around 300 Hz – 500 Hz and low passing around 3 kHz – 5 kHz. This should get you pretty close to an authentic-sounding, distorted telephone effect!<\/p>\n\n\n\n

Here\u2019s a little bonus tip. Younger listeners might be less accustomed to the sounds of phone calls than my generation; artifacted audio mimicking lossy digital audio codecs instead might resonate more with the Gen-Z crowd. I love using a Max for Live device called numb.amxd<\/a> (developed by daywaiter<\/a>) for this\u2014it\u2019s pay-what-you-want, sounds extremely authentic, and offers both sample rate and bit depth compression. If you\u2019re not an Ableton user, you could also check out Goodhertz’ Lossy,<\/a> which is also a great (but paid) option.<\/p>\n\n\n\n

3. Stereo field<\/h2>\n\n\n\n

It\u2019s common practice for engineers to leave lead vocals dead center in the stereo field, where the listener can easily focus their attention. But sometimes, this can leave the mix sounding narrow. We can use our ad-lib processing to our advantage, forming a perfect little bed for the main vocal to rest in, without removing the focus from the lead in the center. There are two main techniques that I use for this: panning and chorus.<\/p>\n\n\n\n

Panning really couldn\u2019t be much simpler. When I work with a rapper, I usually try to get at least three tracks\u2019 worth of vocal takes, which can then be layered when mixing to fill out the stereo field. I like to take the best parts of each take and combine them on one channel (this process is known as \u201ccomping\u201d), then collect the other takes and combine them into two background vocal channels. Then, I\u2019ll leave the main channel in the middle, and pan the other two slightly to the left and right, turning them down a few dB as well.<\/p>\n\n\n\n

This leaves my vocal tracks with a wider stereo image, as well as with increased intelligibility. It\u2019s worth noting that panned tracks grab the ear in headphones, so they don\u2019t need to be as loud to command attention. That means that panning your vocals this way can win you that little bit more of headroom.<\/p>\n\n\n\n

If I\u2019ve only got two good channels\u2019 worth of takes to work with, a chorus, ensemble, or doubler effect can work nicely as well. Layer the main vocal channel and the ad-lib channel, and then add your chorus plugin of choice to the ad-libs. This will increase the ear\u2019s focus on the main channel while adding a pleasant width, using just one audio effect.<\/p>\n\n\n\n

4. Pitch shifting<\/h2>\n\n\n\n

Even subtle pitch shifting can add a lot to ad-libs. Typically, I don\u2019t want my ad-libs to sound exactly<\/em> the same as the lead vocals. Usually, the natural variation between takes is enough difference, but sometimes it\u2019s nice to be a little more adventurous. Pitch shifting ad-libs is a fantastic way to differentiate them from your lead vocal, and it can be helpful in a pinch as well.<\/p>\n\n\n\n

Sometimes, if I\u2019m working in a genre where more experimental processing is appropriate and I don\u2019t have two good vocal takes, I\u2019ll duplicate my lead and pitch-shift it to use as a layer. Soundtoys’ Little Alterboy<\/a> is awesome for this. Play around with transposing the vocals up and down, or for a more subtle effect, try shifting the formant only. If it\u2019s still too similar to the lead channel, you can also EQ the channels differently and \/ or add some distinct time-based effects. Automating Little Alterboy\u2019s parameters can also produce some incredible results\u2014just make sure you don\u2019t accidentally make your ad-libs sound more interesting than the lead channel!<\/p>\n\n\n\n

\n\n\n\n

Use Splice Mobile to instantly test and record ideas, explore genres, and unlock new creative possibilities\u2014all from your phone:<\/p>\n\n\n\n

\n
Download Splice Mobile<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

From applying rhythmic delays to experimenting with pitch shifting, we explore four ideas for different ways to process, design, and mix ad-libs.<\/p>\n","protected":false},"author":37,"featured_media":19450,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1846,1696],"tags":[1772,1773,1760,1249],"acf":[],"yoast_head":"\n4 sound design ideas around processing ad-libs - Blog | Splice<\/title>\n<meta name=\"description\" content=\"From applying rhythmic delays to experimenting with pitch shifting, we explore four ideas for different ways to process, design, and mix ad-libs.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"4 sound design ideas around processing ad-libs - Blog | Splice\" \/>\n<meta property=\"og:description\" content=\"From applying rhythmic delays to experimenting with pitch shifting, we explore four ideas for different ways to process, design, and mix ad-libs.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog | Splice\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Splice\" \/>\n<meta property=\"article:published_time\" content=\"2021-12-24T04:25:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-20T15:56:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2021\/12\/Ad_Lib_Processing_BlogPost.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Max Rewak\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@splice\" \/>\n<meta name=\"twitter:site\" content=\"@splice\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Max Rewak\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/\"},\"author\":{\"name\":\"Max Rewak\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/ac115eb79fc1d26dff55bbdd992c0bce\"},\"headline\":\"4 sound design ideas around processing ad-libs\",\"datePublished\":\"2021-12-24T04:25:26+00:00\",\"dateModified\":\"2025-03-20T15:56:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/\"},\"wordCount\":994,\"publisher\":{\"@id\":\"https:\/\/splice.com\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2021\/12\/Ad_Lib_Processing_BlogPost.jpg\",\"keywords\":[\"artist in residence\",\"kenny beats\",\"skills\",\"vocals\"],\"articleSection\":[\"Sound Design\",\"Tips & Tutorials\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/\",\"url\":\"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/\",\"name\":\"4 sound design ideas around processing ad-libs - Blog | Splice\",\"isPartOf\":{\"@id\":\"https:\/\/splice.com\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2021\/12\/Ad_Lib_Processing_BlogPost.jpg\",\"datePublished\":\"2021-12-24T04:25:26+00:00\",\"dateModified\":\"2025-03-20T15:56:40+00:00\",\"description\":\"From applying rhythmic delays to experimenting with pitch shifting, we explore four ideas for different ways to process, design, and mix ad-libs.\",\"breadcrumb\":{\"@id\":\"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/#primaryimage\",\"url\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2021\/12\/Ad_Lib_Processing_BlogPost.jpg\",\"contentUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2021\/12\/Ad_Lib_Processing_BlogPost.jpg\",\"width\":1920,\"height\":1200,\"caption\":\"processing-ad-libs-ideas-sound-design-featured-image\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/splice.com\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"4 sound design ideas around processing ad-libs\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/splice.com\/blog\/#website\",\"url\":\"https:\/\/splice.com\/blog\/\",\"name\":\"Splice Blog\",\"description\":\"An inside look at making music\",\"publisher\":{\"@id\":\"https:\/\/splice.com\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/splice.com\/blog\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/splice.com\/blog\/#organization\",\"name\":\"Splice\",\"alternateName\":\"Splice Sounds\",\"url\":\"https:\/\/splice.com\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2023\/09\/Splice-logo-black-background.png\",\"contentUrl\":\"https:\/\/splice.com\/blog\/wp-content\/uploads\/2023\/09\/Splice-logo-black-background.png\",\"width\":2928,\"height\":1540,\"caption\":\"Splice\"},\"image\":{\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/Splice\",\"https:\/\/x.com\/splice\",\"https:\/\/www.instagram.com\/splice\/\",\"https:\/\/www.youtube.com\/@splice\",\"https:\/\/discord.com\/invite\/splice\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/ac115eb79fc1d26dff55bbdd992c0bce\",\"name\":\"Max Rewak\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/splice.com\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c35d3f61f23679b641c059d9ba2bd214?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c35d3f61f23679b641c059d9ba2bd214?s=96&d=mm&r=g\",\"caption\":\"Max Rewak\"},\"description\":\"Max Rewak is a record producer, audio engineer, and music writer, based in New York and currently working in Sounds content at Splice.\",\"url\":\"https:\/\/splice.com\/blog\/author\/maxrewak\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"4 sound design ideas around processing ad-libs - Blog | Splice","description":"From applying rhythmic delays to experimenting with pitch shifting, we explore four ideas for different ways to process, design, and mix ad-libs.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/","og_locale":"en_US","og_type":"article","og_title":"4 sound design ideas around processing ad-libs - Blog | Splice","og_description":"From applying rhythmic delays to experimenting with pitch shifting, we explore four ideas for different ways to process, design, and mix ad-libs.","og_url":"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/","og_site_name":"Blog | Splice","article_publisher":"https:\/\/www.facebook.com\/Splice","article_published_time":"2021-12-24T04:25:26+00:00","article_modified_time":"2025-03-20T15:56:40+00:00","og_image":[{"width":1920,"height":1200,"url":"https:\/\/splice.com\/blog\/wp-content\/uploads\/2021\/12\/Ad_Lib_Processing_BlogPost.jpg","type":"image\/jpeg"}],"author":"Max Rewak","twitter_card":"summary_large_image","twitter_creator":"@splice","twitter_site":"@splice","twitter_misc":{"Written by":"Max Rewak","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/#article","isPartOf":{"@id":"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/"},"author":{"name":"Max Rewak","@id":"https:\/\/splice.com\/blog\/#\/schema\/person\/ac115eb79fc1d26dff55bbdd992c0bce"},"headline":"4 sound design ideas around processing ad-libs","datePublished":"2021-12-24T04:25:26+00:00","dateModified":"2025-03-20T15:56:40+00:00","mainEntityOfPage":{"@id":"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/"},"wordCount":994,"publisher":{"@id":"https:\/\/splice.com\/blog\/#organization"},"image":{"@id":"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/#primaryimage"},"thumbnailUrl":"https:\/\/splice.com\/blog\/wp-content\/uploads\/2021\/12\/Ad_Lib_Processing_BlogPost.jpg","keywords":["artist in residence","kenny beats","skills","vocals"],"articleSection":["Sound Design","Tips & Tutorials"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/","url":"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/","name":"4 sound design ideas around processing ad-libs - Blog | Splice","isPartOf":{"@id":"https:\/\/splice.com\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/#primaryimage"},"image":{"@id":"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/#primaryimage"},"thumbnailUrl":"https:\/\/splice.com\/blog\/wp-content\/uploads\/2021\/12\/Ad_Lib_Processing_BlogPost.jpg","datePublished":"2021-12-24T04:25:26+00:00","dateModified":"2025-03-20T15:56:40+00:00","description":"From applying rhythmic delays to experimenting with pitch shifting, we explore four ideas for different ways to process, design, and mix ad-libs.","breadcrumb":{"@id":"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/splice.com\/blog\/processing-adlibs-ideas\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/#primaryimage","url":"https:\/\/splice.com\/blog\/wp-content\/uploads\/2021\/12\/Ad_Lib_Processing_BlogPost.jpg","contentUrl":"https:\/\/splice.com\/blog\/wp-content\/uploads\/2021\/12\/Ad_Lib_Processing_BlogPost.jpg","width":1920,"height":1200,"caption":"processing-ad-libs-ideas-sound-design-featured-image"},{"@type":"BreadcrumbList","@id":"https:\/\/splice.com\/blog\/processing-adlibs-ideas\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/splice.com\/blog\/"},{"@type":"ListItem","position":2,"name":"4 sound design ideas around processing ad-libs"}]},{"@type":"WebSite","@id":"https:\/\/splice.com\/blog\/#website","url":"https:\/\/splice.com\/blog\/","name":"Splice Blog","description":"An inside look at making music","publisher":{"@id":"https:\/\/splice.com\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/splice.com\/blog\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/splice.com\/blog\/#organization","name":"Splice","alternateName":"Splice Sounds","url":"https:\/\/splice.com\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/splice.com\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/splice.com\/blog\/wp-content\/uploads\/2023\/09\/Splice-logo-black-background.png","contentUrl":"https:\/\/splice.com\/blog\/wp-content\/uploads\/2023\/09\/Splice-logo-black-background.png","width":2928,"height":1540,"caption":"Splice"},"image":{"@id":"https:\/\/splice.com\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/Splice","https:\/\/x.com\/splice","https:\/\/www.instagram.com\/splice\/","https:\/\/www.youtube.com\/@splice","https:\/\/discord.com\/invite\/splice"]},{"@type":"Person","@id":"https:\/\/splice.com\/blog\/#\/schema\/person\/ac115eb79fc1d26dff55bbdd992c0bce","name":"Max Rewak","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/splice.com\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c35d3f61f23679b641c059d9ba2bd214?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c35d3f61f23679b641c059d9ba2bd214?s=96&d=mm&r=g","caption":"Max Rewak"},"description":"Max Rewak is a record producer, audio engineer, and music writer, based in New York and currently working in Sounds content at Splice.","url":"https:\/\/splice.com\/blog\/author\/maxrewak\/"}]}},"_links":{"self":[{"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/posts\/19449"}],"collection":[{"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/comments?post=19449"}],"version-history":[{"count":13,"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/posts\/19449\/revisions"}],"predecessor-version":[{"id":34953,"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/posts\/19449\/revisions\/34953"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/media\/19450"}],"wp:attachment":[{"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/media?parent=19449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/categories?post=19449"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/splice.com\/blog\/wp-json\/wp\/v2\/tags?post=19449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}