{"id":18844,"date":"2021-10-30T14:59:42","date_gmt":"2021-10-30T18:59:42","guid":{"rendered":"https:\/\/splice.com\/blog\/?p=18844"},"modified":"2024-08-09T13:28:54","modified_gmt":"2024-08-09T17:28:54","slug":"pop-10-minutes","status":"publish","type":"post","link":"https:\/\/splice.com\/blog\/pop-10-minutes\/","title":{"rendered":"How to make a pop beat in 10 minutes"},"content":{"rendered":"\n

Working under a time constraint when producing music can be a great way to hone your workflow and build confidence in your creative decisions.<\/h2>\n\n\n\n

In the video above, we took this idea to the test by \u2018speedrunning\u2019 a pop track in under ten minutes.<\/p>\n\n\n\n

We kicked off the track by laying down a bright piano chord progression with Addictive Keys,<\/a> which we lightly processed with EQ and compression. From there, we laid down a four-on-the-floor groove using some Splice samples<\/a> that we imported into Logic Pro X’s new Drum Machine Designer.<\/a> Then, we added a groovy bassline to provide a solid foundation for the track, and topped it all off with a synth texture created with Astra<\/a> and a shaker loop that we quickly synced to our project with Bridge.<\/a><\/p>\n\n\n\n

While those are the specific instruments and plugins we chose to use for the challenge, a lot of the techniques we explored can be applied with any toolkit and DAW of your choosing (including completely free plugins, like the ones we recently explored<\/a>). That said, if you enjoyed any of the specific samples we used in the track, you can find them all in this Collection.<\/a><\/p>\n\n\n\n

\n\n\n\n

6 tips on crafting a pop beat <\/h2>\n\n\n\n

If you\u2019re looking for even more tips on producing a pop track, we also spoke to some of the industry\u2019s top songwriters and producers to find out what it takes.<\/p>\n\n\n\n

1. Honest songwriting<\/h3>\n\n\n\n

Many of the artists we spoke to agree that authenticity is key. \u201cA lot of honest music is cutting through right now,\u201d Hook N Sling<\/a> opines. \u201cIt\u2019s a bit of a movement \u2013 and that\u2019s a good thing.\u201d<\/p>\n\n\n\n

The Australian mega-producer goes on to explain: \u201cWe relate to people who don\u2019t have many filters. If you think about the people who you love, your favorite pop artists, they just don\u2019t give a f*ck. They don\u2019t care. And that brutal honesty is what really cuts through.\u201d<\/p>\n\n\n\n

2. Get to the chorus<\/h3>\n\n\n\n

The streaming era has unequivocally changed the way we listen to music. Danish producer SLY candidly reflects: \u201cPeople are cold-hearted. They will press play, then skip. This is a generation of skipping. You have to grab people quickly with something that interests them.\u201d<\/p>\n\n\n\n

For SLY, this means truncating song arrangements to highlight the most important parts. \u201cDon\u2019t bore us, skip to the chorus,\u201d he says. \u201cEspecially because of Spotify, you need to interest people within the first few seconds. You need to create something that does not have too long of an intro.\u201d<\/p>\n\n\n\n

3. Focus on the raw emotion<\/h3>\n\n\n\n

Especially in today\u2019s age, it\u2019s easy for producers to get lost in sound design while overlooking the core idea of a song. \u201cIt\u2019s really easy to get caught up in analyzing that stuff,\u201d Steve Solomon states. \u201cAt the end of the day, it has to come back to that raw emotion. Let\u2019s package it in a way that\u2019s memorable, but let\u2019s not chase the formula before we have the thing that\u2019s real.\u201d<\/p>\n\n\n\n

It\u2019s a trend which Solomon has observed in many of today\u2019s largest hits: \u201cThe songs that I\u2019ve seen that have been big big songs, there\u2019s moments in the lyrics that hit people in such a real place,\u201d he says. \u201cIf I\u2019m always focusing on \u2018let me write something that means something to me,\u2019 even if I think it\u2019s a strange lyric, it\u2019s from a real place. People want to feel that. They want to connect with that emotion.\u201d<\/p>\n\n\n\n

4. Hold yourself to a higher standard<\/h3>\n\n\n\n

The pop world is more crowded than ever \u2013 standing out from the rest requires the very best of one\u2019s abilities. \u201cA lot of it comes down to how critical you are of your own work,\u201d Hook N Sling says. \u201cAs a producer and a writer in the current streaming era, you have to be brutally honest with yourself.\u201d<\/p>\n\n\n\n

Raising one\u2019s game often means revising until you get it right. Hook N Sling notes: \u201cIf you really ask yourself, \u2018Is that a good chorus? Is that a really good lyric?\u2019 You have to be really honest and be like, \u2018No, I can actually do better.\u2019\u201d<\/p>\n\n\n\n

5. Work with people better than you<\/h3>\n\n\n\n

Making something greater requires surrounding yourself with great people. \u201cTry to be in a room with people who are smarter and better than you,\u201d SLY says.<\/p>\n\n\n\n

It\u2019s not enough to just be in the room, however. Getting the best out of your collaborators requires positive momentum. \u201cOne important thing about collaborating is being able to say, \u2018Oh that\u2019s cool,\u2019 even if it\u2019s not great yet,\u201d SLY says. \u201cCause it\u2019s about always moving forward, always finding better ideas. It\u2019s a scary moment starting a new session. You just have to open your mouth and sing some melodies.\u201d<\/p>\n\n\n\n

6. It\u2019s a numbers game<\/h3>\n\n\n\n

Writing a hit doesn\u2019t happen overnight. More often than not, it\u2019s the result of talent, luck, and the sheer repetition of songwriting. For every hit, there may be 20 \u2013 30 discarded ideas that don\u2019t make the cut.<\/p>\n\n\n\n

\u201cJust write as much music as you can,\u201d Hook N Sling says. \u201cYou\u2019ve gotta be writing 50 tracks a year, 50 tracks every few months even.\u201d<\/p>\n\n\n\n

As Steve Solomon puts it, writing a hit is ultimately about writing a good song, not about the small details. \u201cDon\u2019t spend time tweaking noises anymore,\u201d he says. \u201cPut some great stuff together and write the song.\u201d<\/p>\n\n\n\n

How do you think we did? What other genres do you want to see us speedrun on the Splice YouTube channel<\/a> next? Let us know your thoughts in the comments below, and check out our other speedruns here.<\/a><\/p>\n\n\n\n

\n\n\n\n

Explore royalty-free sounds from leading artists, producers, and sound designers:<\/p>\n\n\n\n

\n
Join Splice today<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Get a firsthand look into the basics of arranging pop rhythms, chord progressions, and basslines in Logic Pro.<\/p>\n","protected":false},"author":87,"featured_media":18846,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[1850,1856,1696,49],"tags":[1725,1741,1753,1754,333,1307,1473,1254,1761,1718],"acf":[],"yoast_head":"\nHow to make a pop beat in 10 minutes - Blog | Splice<\/title>\n<meta name=\"description\" content=\"Get a firsthand look into the fundamentals of quickly arranging pop rhythms, chord progressions, and basslines in Logic Pro.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/splice.com\/blog\/pop-10-minutes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How to make a pop beat in 10 minutes - 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